coastal peru
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2021 ◽  
Author(s):  

Abstract T. solani is a smut fungus attacking tubers and underground stems of Solanum, including potato [Solanum tuberosum] and tomato [Solanum lycopersicum], in the Andean region of South America. It is not restricted to the higher, cooler elevations, but has been a problem in coastal Peru (Bazan de Segura 1960; Zachmann and Baumann, 1975) and also occurs in Mexico. It may be transported in infected tubers and planting material and, very likely, on their surfaces if they become contaminated with the spores. The fungus survives in the soil and is difficult to eradicate; it can infect at least one common solanaceous weed. Losses of 80% or more have been reported in susceptible varieties. EPPO lists it as an A1 plant pest (OEPP/EPPO, 1979).


2021 ◽  
pp. 77-95
Author(s):  
Daniela Benavides Reiss ◽  
Adriana Gonzalez-Pestana ◽  
Joaquín Leguía

2020 ◽  
Vol 30 (5) ◽  
pp. 656-665
Author(s):  
Celeste Marie Gagnon ◽  
Santiago Uceda
Keyword(s):  

2020 ◽  
pp. 57-77
Author(s):  
Peter R. Waylen ◽  
César N. Caviedes
Keyword(s):  
El Niño ◽  
El Nino ◽  

Ethnohistory ◽  
2020 ◽  
Vol 67 (1) ◽  
pp. 149-173
Author(s):  
Brendan J. M. Weaver

Abstract The implementation of the Velasco administration’s agrarian reforms in the 1970s transformed Peru’s rural landscape and the ways in which communities relate to the physical reminders of the time of the haciendas. Community engagement during recent archaeological research at colonial Jesuit wine haciendas in Nasca’s Ingenio Valley has revealed narratives that link historical memory on the former estates to fantastical imagery of ghosts, treasure, and mysterious tunnels, which simultaneously reference multiple attitudes related to a difficult past. This article ethnographically explores local engagement with hacienda architecture and memories of the hacienda period, which formulate a set of coexisting complex historical narratives indexing the modern communities’ diversely experienced relationship to multiple historical events stretching into the deep colonial past, simultaneously expressing associated trauma, loss, and hope.


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