scholarly journals Controversially uncontroversial? Swedish pre-service history teachers’ relations to their national pasts

2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Robert Thorp ◽  
Monika Vinterek

Abstract This article presents a study of how Swedish pre-service history teachers narrated their nation’s past. Previous research on national history education has generally focused on the treatment of conflicts in national history and what challenges that poses for history education. The present study seeks to complement and broaden this research through its focus on a country where national history is generally perceived as uncontroversial and the debate on national history is generally characterised by consensus, and on what strategies future history teachers use when recounting the national history of Sweden. Using a qualitative approach, we asked our respondents to “Tell us the history of Sweden in your own words” in writing. The study finds that the vast majority of the respondents approach their national history in a way that reinforces a traditional view of Swedish national history. These narratives are generally presented in a way that does not engage with or show how perspective and position affects our rendering of history, which has often been regarded as problematic in history educational research. At the same time, these results also show that our respondents are well familiar with the dominant way of perceiving the Swedish past, something that could also be argued to be valuable in history education, depending on how we choose to approach national history. Keywords: national history, history education, historical consciousness, uses of history   Kontroversiellt okontroversiellt? Om svenska historielärarstudenters relation till deras nationella förflutna Sammandrag Artikeln presenterar en studie av hur svenska historielärarstudenter skildrade Sveriges historia. Tidigare forskning om nationell historieundervisning har främst närmat sig ämnet från ett konfliktperspektiv och undersökt vilka utmaningar detta innebär för historieundervisningen. Föreliggande studie söker att komplementera tidigare forskning genom att fokusera på ett land vars nationella historia generellt uppfattas som okontro­versiell och där debatten om den nationella historieskrivningen i stor utsträckning präglas av konsensus, samt på vilka strategier historielärarstudenter använder när de skildrar Sveriges historia. Genom en kvalitativ forskningsansats bad vi våra respond­enter att skriftligen”Berätta Sveriges historia med dina egna ord”. Studien visar att majoriteten av respondenterna skildrar den svenska historien på ett sätt som återger en traditionell syn på Sveriges historia. Dessa narrativ är generellt skrivna på ett sådant sätt att de inte visar hur perspektiv och positionering påverkar hur vi skildrar det förflutna, något som ofta ansetts vara problematiskt i historiedidaktisk forskning. Samtidigt visar studiens resultat att respondenterna är välbekanta med det dominerande sättet att skildra den svenska historien, något som även kan vara värdefullt för historieundervisningen, beroende på hur vi väljer att närma oss den nationella historien. Nyckelord: nationell historia, historiedidaktik, historiemedvetande, historiebruk

2021 ◽  
Vol 13 (1) ◽  
pp. 107-135
Author(s):  
Julie Fedor

This article explores a key claim underpinning Russian official memory politics, namely, the notion that Russia’s past (and especially the role it played in the Second World War) is the object of a campaign of “historical falsification” aimed at, among other things, undermining Russian sovereignty, especially by distorting young people’s historical consciousness. Although “historical falsification” is an important keyword in the Kremlin’s discourse, it has received little scholarly attention. Via an analysis of official rhetoric and methodological literature aimed at history teachers, I investigate the ideological functions performed by the concept of “historical falsification.” I show how it serves to reinforce a conspiratorial vision of Russia as a nation under siege, while simultaneously justifying the drive toward greater state control over history education.


2017 ◽  
Vol 4 (2) ◽  
pp. 13
Author(s):  
Kurniawati Kurniawati

This article describes the historiography toward Indonesia after independence and its relevance to the teaching of history at the time.The Method used in writing this article is the research literature. Writing the history of Indonesia, which has a style Indonesiacentric is an issue that has always promoted in the historiography Indonesia. Since independence in 1945, a form of history writing seeks embodied Indonesiacentric.Therefore it seeks a National History Congress was held to formulate the form of historiography Indonesiasentric but Congress was not fully able to formulate clearly .Historiografi Indonesia finally caught up to the political interests that lead to the deconstruction of old regime history. History teacher thus becomes very important in answering the anxiety people especially students in learning history.Curriculum 2013 gives greater space to the history teachers to design learning history allows students not only rely on textbooks but explores a variety of sources and historiography are available.


2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.


2007 ◽  
Vol 50 (1) ◽  
pp. 7-27
Author(s):  
Gerald Massey

Contending that the quest for a logic of scientific discovery was prematurely abandoned, the author lays down eight phenomena that such a logic or theory must explain: the banality of scientific discovery; the trainability of scientists; the high incidence of simultaneous discoveries; the ubiquity of relative novices; the fact of scientific genius; the barrenness of isolated workers; the incommensurability of concepts of successive theories; and the quasi-incorporation of old concepts, objects, and methods in successor theories, The author then presents a new theory or logic of discovery according to which discoveries are the termini of "tweak paths" generated when scientists "tinker" with the laws, concepts, methods, and instruments of a given theory. Tinkering and tweaking are illustrated by examples from many-valued and modal logic and from Darwinian biology. Through the history of planetary discovery, the accidental role played by luck or good fortune in some discoveries is explored, but the author emphasizes that in a deep sense serendipity is an in eliminable feature of all scientific discovery because scientists never know m advance whether their tweaks will lead to dead ends or to positive developments. The author's new theory of scientific discovery is shown to account for all eight explananda, ft also reveals science to be a more egalitarian enterprise than the traditional view of scientific discovery as ultimately inexplicable depicts it.


2021 ◽  
Vol 98 (4) ◽  
pp. 2-29
Author(s):  
Marc Stein

This essay summarizes the methods and results of a collaborative student-faculty research project on the history of sexual politics at San Francisco State University. The collaborators collected and analyzed 160 mainstream, alternative, student, and LGBT (lesbian, gay, bisexual, and trans) media stories. After describing the project parameters and process, the essay discusses six themes: (1) LGBT history; (2) the Third World Liberation Front strike; (3) feminist sexual politics; (4) the history of heterosexuality; (5) sex businesses, commerce, and entrepreneurship; and (6) sexual arts and culture. The conclusion discusses project ethics and collaborative authorship. The essay’s most significant contributions are pedagogical, providing a model for history teachers interested in working with their students on research skills, digital methodologies, and collaborative projects. The essay also makes original contributions to historical scholarship, most notably in relation to the Third World Liberation Front strike. More generally, the essay provides examples of the growing visibility of LGBT activism, the intersectional character of race, gender, and sexual politics, the complicated nature of gender and sexual politics in the “movement of movements,” the commercialization of sex, and the construction of normative and transgressive heterosexualities in this period.


1998 ◽  
Vol 180 (1) ◽  
pp. 1-13
Author(s):  
Sheldon M. Stern

The commitment of Massachusetts to strive for the highest standards in history education is now inextricably linked to the implementation of the History and Social Science Curriculum Framework completed in 1997. The author writes that teachers and other educators, parents and students, should consider carefully the concepts and principles contained in the Framework and, particularly in American history, try to understand how the Massachusetts Framework differs in substance and approach from the controversial national history standards first proposed in 1994.


Author(s):  
B.J. Epstein

Mark Twain’s classic novel The Adventures of Huckleberry Finn is arguably about the history of theUnited States in terms of slavery and race relations. How, then, can this be translated to another language and culture, especially one with a very different background in regard to minorities? And in particular, how can this be translated for children, who have less knowledge about history and slavery than adult readers? In this essay, I analyse how Twain’s novel has been translated to Swedish. I study 15 translations. Surprisingly, I find that instead of retaining Twain’s even-handed portrayal of the two races and his acceptance of a wide variety of types of Americans, Swedish translators tend to emphasise the foreignness, otherness, and lack of education of the black characters. In other words, although the American setting is kept, the translators nevertheless give Swedish readers a very different understanding of theUnited Statesand slavery than that which Twain strove to give his American readers. This may reflect the differences in immigration and cultural makeup inSwedenversus inAmerica, but it radically changes the book as well as child readers’ understanding of what makes a nation.


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