François Migeot,Portée des ombres. Pour une poétique de la lecture (Choderlos de Laclos, Balzac, Baudelaire, Camus, Duras, Koltès, Lagarce, Louis-Combet, Robbe-Grillet, Sartre). Presses Universitaires de la Méditerranée

Semen ◽  
2016 ◽  
Author(s):  
Patrick Anderson
Keyword(s):  
1980 ◽  
Vol 13 (4) ◽  
pp. 432
Author(s):  
Philip Stewart ◽  
Ronald C. Rosbottom
Keyword(s):  

PMLA ◽  
1973 ◽  
Vol 88 (2) ◽  
pp. 289-298
Author(s):  
Carol Blum

Jean-Jacques Rousseau developed the distinctive style of thought presented in La Nouvelle Héloïse in order to reconcile conflicting needs for erotic pleasure, innocence, and transparency. The cognitive style thus evolved and put forth as a moral imperative, emphasizing both the subject's ability to lose himself in an emotional fusion with others and the overwhelming power of the passions, found favor with the generation coming of age in 1761. Choderlos de Laclos, a member of that generation, although apparently much impressed by some aspects of Rousseau, presents in Les Liaisons dangereuses a cognitive style which is the antithesis and refutation of the one in La Nouvelle Héloïse. The “sentiment involontaire,” so frequently invoked in La Nouvelle Héloïse as an excuse for the inadmissible impulse or action, is subject to a scornful analysis by Laclos. Whereas Rousseau attempted to seduce the reader into accepting the morality of his novel, Laclos, on the contrary, sets up a trap by which the reader is made to recognize his own complicity, motivated by curiosity, in the maneuvers of the rapacious protagonists.


1976 ◽  
Vol 30 (2) ◽  
pp. 219-219
Author(s):  
V. MYLNE
Keyword(s):  

1954 ◽  
Vol 199 (feb) ◽  
pp. 75-75 ◽  
Author(s):  
Frank W. Bradbrook

1980 ◽  
Vol 64 (1) ◽  
pp. 157
Author(s):  
Beatrice C. Fink ◽  
Ronald Rosbottom
Keyword(s):  

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