The Parental and Teacher Recognition of Public Nature of Kindergartens

2018 ◽  
Vol 22 (1) ◽  
pp. 105-130
Author(s):  
Jung-Ho Bae ◽  
Eun Jeong Lim
Author(s):  
Robin Holt

The chapter continues to discuss the association of judgment and sovereignty using Franz Kafka’s story Das Urteil (The Judgment). It does so in order to then introduce the public nature of spectating and how this has been played out in the thinking of Jurgen Habermas concerning speech situations, and in Hannah Arendt’s writings on the polis. Rather than pitch the public in contrast to the private, the chapter suggests spectating plays on the binary in ways that enrich both. This coming together of the private and public is then woven into the understanding of strategic inquiry as an organizational forming of self-presentation.


1865 ◽  
Vol 91 ◽  
pp. i-xxxiv

The volume now presented to the reader, and entitled “Registrum Prioratus Beatæ Wigorniensis,” contains documents of many kinds. Some few are of a public nature, such as the Magna Carta, de Libertatibus Angliæ, 9 Henrici III. 1224, the Carta de Libertatibus Forestæ of the same year, the Novæ Provisiones Angliæ, 44 H. III. 1259, and the Provisiones de Merton, 20 H. III. 1235. Others are Precedents of forms to be observed upon the vacancy of a Bishopric, for announcing the vacancy, and for obtaining from the Crown licence to elect. There are also Royal, Episcopal, and Private charters relating to the possessions and privileges of the Church at Worcester, together with records of proceedings in law suits before the Justices in Eyre. The larger portion, however, of the volume consists of a Descriptive Rental, as it may be termed, of the Possessions of the Benedictine Monastery of Worcester in the middle of the thirteenth century, including as well the Spiritual Revenues derived from Churches and Tithes, as the Temporal Revenues derived from Manors and Lands.


2019 ◽  
Vol 42 (3) ◽  
pp. 176-195 ◽  
Author(s):  
Mark Groulx ◽  
LeeAnn Fishback ◽  
Amanda Winegardner

2021 ◽  
Author(s):  
Mark Sardella

In 1798, William Curtis published the sixth and last volume of Flora Londinensis, a beautifully coloured catalogue of over 400 plants that grew in London and in its nearby fields. Less than 300 copies were sold, and while the book was considered scientifically important, it was a financial failure (Field 106). Firstly, Flora Londinensis was prohibitively expensive because of its coloured plates, and secondly, the many illustrations of wild grasses and common plants included in the book failed to interest an audience outside of a small group of medical doctors and aristocratic hobby-botanists. The project, however, was not a complete failure for Curtis. While publishing Flora Londinensis, Curtis launched a considerably more successful, similarly formatted periodical for a slightly broader audience called Botanical Magazine. Botanical Magazine featured coloured plates of newly discovered exotic plants that satisfied the tastes of the public. It was published in thin issues containing only three plates each, and at a price of one shilling per monthly issue, Botanical Magazine was affordable enough for more readers to justify paying for the magazine’s exciting, colourfully illustrated content.


Author(s):  
I. Mahnovskyi

Purpose. The aim of the work is to analyze in the constitutional and legal aspects public associations as a constitutional institution of public nature, to determine its role and importance in the system of human rights enforcement in Ukraine, to clarify the peculiarities of formation and effective activities of this institution. Methodology. The methodology includes a comprehensive analysis and generalization of available scientific and theoretical material and the formulation of relevant conclusions and recommendations. The following methods of scientific reseach have been implemented: terminological, logical-semantic, functional, system-structural, logical-normative. Results. The study states that the driving force of a democratic, legal process is the growth of an active civil position, which is the basis for the formation of public associations, which are a basic component of civil society. The institute of public associations is an important component of the system of constitutional law of Ukraine. Involving citizens in political decision-making is one of the main principles of direct democracy. The focus is on improving the legal framework of the institute of public associations. Scientific novelty. The study has revealed that public associations, as institutions, should be an integral part of civil society in the formation of democracy; to introduce constitutional and legal mechanisms of interaction with the institution of public associations and to identify their real practical effectiveness for ensuring human rights and needs in society. Practical significance. The results of the study can be used in law-making and law enforcement activities during the functioning of the institution of public associations in the system of human rights.


Author(s):  
James Jarrett

In the years since his death, some of the most important new areas of enquiry in Pinter studies have centred on the artistic works inspired by this major dramatist. One such endeavour is a new theatre production entitled Truth to Power Café. Truth to Power Café has been written and devised by the artist and producer Jeremy Goldstein. Goldstein’s work is a blend of poetry, performance and storytelling – an exploration of his own hidden history, and an articulation of his own ambivalent feelings. Even though Pinter contended that art and politics were irreconcilable, the argument of this paper is that Truth to Power Café represents an attempt by Goldstein to generate a synthesis between the artistic and the political: to reconcile the subjective character of art with the public nature of political activism; to mobilize the power of the theatre to enable the oppressed to break through the ritualistic ‘habits of lying’ that protect the powerful, and to discover a form of theatre where the audience can articulate themselves with ‘honesty’ and ‘precision’. Goldstein reconceptualizes the theatre as a ‘safe space’, where audience members can speak out against oppressive forces. Goldstein’s performance is a ‘call to action’. Each life testimony mediates between Goldstein’s lyrical psycho-biography, and the audience’s reception of his presentation, situating each regional performance of Truth to Power Café in its social, historical, and economic context. Goldstein achieves his objective by interweaving the personal, the private and the artistic with the public, the political and the historical.


Author(s):  
Angie Heo

“Public Order” engages the public nature of holy personhood by examining how the church and state regulate the publicity of miracles across the Christian-Muslim divide. Building on the overlap between Christian and Islamic worlds of holy visions and healing, it turns to the case of a Coptic woman whose dream led to controversy between Christians and Muslims along the Suez Canal. This chapter centers on the miracle-icon of the Virgin in Port Said and the efforts of Egyptian security officials to manage its public circulation. It shows how the policing of public order led to the polarizing segregration of Christians and Muslims, transforming the material circulation of holy power in the process. The containment of the icon, made into a “communal” image, continues to generate new suspicions, rendering open shrines into outposts of secrecy.


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