‘Some master of design’: W.B. Yeats and the Free State Coinage

2020 ◽  
Vol 15 (4) ◽  
pp. 464-487
Author(s):  
Jack Quin
Keyword(s):  
Material Culture ◽  
Visual Arts ◽  
Final Section ◽  
Free State ◽  
Modern Times ◽  
Archival Material ◽  
Irish Free State ◽  
The Aesthetic

This article examines W.B. Yeats's role in the design of the Irish Free State coinage that was introduced in 1928. From 1926–28, Yeats served as chairman of the committee charged with soliciting and selecting designs for the first Irish coins produced since 1822. The article documents unpublished correspondence from Yeats and archival material that elucidates the deliberations of the coinage committee as well as the poet's wider ideas about the visual and material culture of the new Irish state. The unsuccessful designs by international artists provide insights into the aesthetic debates and intentions behind the coins, connecting Yeats's A Vision (1925) to his account of the deliberations, printed in the government's Coinage of Saorstát Éireann (1928). The final section turns to Yeats's poems about coins where he conceives of the coin as a visual arts medium of portraiture or as a durable talisman, recording and transmitting ancient myths to modern times.

Southern Irish Loyalism from Home Rule Crisis to Republic: An Introduction

2020 ◽  
pp. 1-24
Author(s):  
Brian Hughes ◽  
Conor Morrissey
Keyword(s):  
Civil War ◽  
Final Section ◽  
General Election ◽  
Free State ◽  
Home Rule ◽  
War Of Independence ◽  
The Third ◽  
Thematic Framework ◽  
Irish Free State

This chapter-length introduction provides a chronological, historiographical, and thematic framework for the volume. It begins by setting out the book’s remit, outlining its understanding of loyalism, and broadly defining the individuals and groups under consideration. The introduction then provides an overview of the history and historiography of southern Irish loyalism in three sections. The first covers the period from the third Home Rule bill in 1912 to the 1918 general election while the second takes in the Irish War of Independence (1919–21) and Irish Civil War (1922–23). This is followed by a final section on southern loyalists and loyalism after southern Irish independence, from the foundation of the Irish Free State in 1922 to the exit from the commonwealth and declaration of a republic in 1949.

The Preservation and Continuation of Sephardi Art in Morocco

2019 ◽  
Vol 52 (2) ◽  
pp. 59-81
Author(s):  
Shalom Sabar
Keyword(s):  
Material Culture ◽  
Visual Arts ◽  
Medieval Spain ◽  
Modern Times ◽  
Artistic Production ◽  
Book Printing ◽  
Marriage Contracts ◽  
The World ◽  
Moroccan Woman ◽  
Language Literature

While it is widely known that the Jews of medieval Spain carried with them their language, literature and other traditions to the countries in which they settled following the Expulsion in 1492, little research has been conducted on the preservation of their material culture and the visual arts. In this article, these aspects are examined vis-à-vis the Judaic artistic production and visual realm of the Sephardi Jews in Morocco, who adhered to these traditions perhaps more staunchly than any other Sephardi community in modern times. The materials are divided into several categories which serve as an introduction to specific topics that each require further research. These include Hebrew book printing, Jewish marriage contracts (ketubbot), Hebrew manuscript decoration, clothing and jewellery relating to the world of the Sephardi-Moroccan woman and the interior of the home, and ceremonial objects for the synagogue.

scholarly journals Remix in the age of ubiquitous remix

2021 ◽  
pp. 135485652199445
Author(s):  
Abby S. Waysdorf
Keyword(s):  
Point Of View ◽  
Archival Material ◽  
History Of ◽  
Accepted Part ◽  
The Media ◽  
Contemporary Media ◽  
The Aesthetic ◽  
The Way

What is remix today? No longer a controversy, no longer a buzzword, remix is both everywhere and nowhere in contemporary media. This article examines this situation, looking at what remix now means when it is, for the most part, just an accepted part of the media landscape. I argue that remix should be looked at from an ethnographic point of view, focused on how and why remixes are used. To that end, this article identifies three ways of conceptualizing remix, based on intention rather than content: the aesthetic, communicative, and conceptual forms. It explores the history of (talking about) remix, looking at the tension between seeing remix as a form of art and remix as a mode of ‘talking back’ to the media, and how those tensions can be resolved in looking at the different ways remix originated. Finally, it addresses what ubiquitous remix might mean for the way we think about archival material, and the challenges this brings for archives themselves. In this way, this article updates the study of remix for a time when remix is everywhere.

Irish Free State newspapers and the Abyssinian crisis, 1935–6

2009 ◽  
Vol 36 (143) ◽  
pp. 368-388 ◽  
Author(s):  
Cian McMahon
Keyword(s):  
Crop Production ◽  
Free State ◽  
Self Sufficiency ◽  
Irish Free State ◽  
High Tariff ◽  
Agricultural Labourers

Twenty-four years ago, Terence Brown raised very few eyebrows when he portrayed the Irish Free State in the 1930s as an insular society obsessed with self-sufficiency. The theme of insularity has dominated most narratives of the period, with emphasis on the Anglo-Irish Economic War, the Censorship Board and the 1937 Constitution. The de Valera government’s intention in the Economic War, after all, was to create native industries behind high-tariff barriers and to favour agricultural labourers by shifting the tillage/pasture ratio in Ireland in favour of crop production. This protectionist programme was insularity writ large. Likewise, the government’s censorship of domestic and imported literature ‘concelebrated’, according to J. J. Lee, ‘the intellectual poverty of the period’.

The Irish Free State: Its Government and Politics

1936 ◽  
Vol 1 (2) ◽  
pp. 399
Author(s):  
E. C. S. Wade ◽  
N. Mansergh
Keyword(s):  
Free State ◽  
Irish Free State
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