The Preservation and Continuation of Sephardi Art in Morocco

2019 ◽  
Vol 52 (2) ◽  
pp. 59-81
Author(s):  
Shalom Sabar
Keyword(s):  
Material Culture ◽  
Visual Arts ◽  
Medieval Spain ◽  
Modern Times ◽  
Artistic Production ◽  
Book Printing ◽  
Marriage Contracts ◽  
The World ◽  
Moroccan Woman ◽  
Language Literature

While it is widely known that the Jews of medieval Spain carried with them their language, literature and other traditions to the countries in which they settled following the Expulsion in 1492, little research has been conducted on the preservation of their material culture and the visual arts. In this article, these aspects are examined vis-à-vis the Judaic artistic production and visual realm of the Sephardi Jews in Morocco, who adhered to these traditions perhaps more staunchly than any other Sephardi community in modern times. The materials are divided into several categories which serve as an introduction to specific topics that each require further research. These include Hebrew book printing, Jewish marriage contracts (ketubbot), Hebrew manuscript decoration, clothing and jewellery relating to the world of the Sephardi-Moroccan woman and the interior of the home, and ceremonial objects for the synagogue.

‘Some master of design’: W.B. Yeats and the Free State Coinage

2020 ◽  
Vol 15 (4) ◽  
pp. 464-487
Author(s):  
Jack Quin
Keyword(s):  
Material Culture ◽  
Visual Arts ◽  
Final Section ◽  
Free State ◽  
Modern Times ◽  
Archival Material ◽  
Irish Free State ◽  
The Aesthetic

This article examines W.B. Yeats's role in the design of the Irish Free State coinage that was introduced in 1928. From 1926–28, Yeats served as chairman of the committee charged with soliciting and selecting designs for the first Irish coins produced since 1822. The article documents unpublished correspondence from Yeats and archival material that elucidates the deliberations of the coinage committee as well as the poet's wider ideas about the visual and material culture of the new Irish state. The unsuccessful designs by international artists provide insights into the aesthetic debates and intentions behind the coins, connecting Yeats's A Vision (1925) to his account of the deliberations, printed in the government's Coinage of Saorstát Éireann (1928). The final section turns to Yeats's poems about coins where he conceives of the coin as a visual arts medium of portraiture or as a durable talisman, recording and transmitting ancient myths to modern times.

scholarly journals A Journey in the Land of the Imaginative Art and Its Power to Defeat the Demons of Fear

2021 ◽  
Vol 2 (3) ◽  
pp. p15
Author(s):  
Maria Grazia Spurio, MD
Keyword(s):  
Mental Health ◽  
Visual Arts ◽  
Aesthetic Experience ◽  
Emotional Involvement ◽  
Brain Areas ◽  
Work Of Art ◽  
The Unconscious ◽  
Modern Times ◽  
Internal Conflicts ◽  
The World

The world of art has always represented, among its functions, the search for an alternative world or universe to the real one, a parallel world where to take refuge both through production and through use, a world where to draw resources, fragments of imaginary space that represent aspects of reality, too disturbing and painful to be addressed.This experience, if properly elaborated in the psychotherapeutic field, thanks to the resources offered by the imaginative world of art, can facilitate and accelerate contact, with some of the same brain areas involved in the experience of pain, loss, mourning and fear.The deep emotional involvement that is experienced in front of a work of art, known as an aesthetic experience, allows the activation of brain areas that open the door to psychological experiences of growth and processing, with the language of the emotional mind.The intertwining of creative and visual arts with mental health starts from psychoanalyst considerations, such as Freud and Jung ones, who considered the work of art an expressive form of the unconscious and a derivative of the process of sublimation of the basic instinct and continues up to modern times with several studies on how to use artistic material as a tool for interpretation and resolution of internal conflicts. It is easy to see the relevance of this approach in an era that is going to begin, that of the post-covid, in which the “demons of fear” have sharpened their weapons even more because of the aftermath of anxieties and uncertainties left by Covid- experience.

The Grace of the Italian Renaissance

2020 ◽  
Author(s):  
Ita Mac Carthy
Keyword(s):  
Sixteenth Century ◽  
Visual Arts ◽  
Italian Renaissance ◽  
Social Harmony ◽  
Vittoria Colonna ◽  
The World ◽  
Changing World

‘Grace’ emerges as a keyword in the culture and society of sixteenth-century Italy. This book explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael, and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona, and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work. The book argues that grace came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. The book explores what grace meant to theologians, artists, writers, and philosophers, showing how it influenced their thinking about themselves, each other and the world. It portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

EXPLORING THE INTERNAL STRENGTHS AND WEAKNESSES OF THE ORGANIZATION

2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev
Keyword(s):  
20Th Century ◽  
Structural Changes ◽  
Cumulative Effect ◽  
Professional Culture ◽  
Social Revolution ◽  
Modern Times ◽  
The World ◽  
History Of ◽  
Scientific Technical ◽  
The Subject

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.

“These Shall Come from Far”

2017 ◽  
Author(s):  
Kristina Bross
Keyword(s):  
Material Culture ◽  
New England ◽  
Colonial Period ◽  
Global Network ◽  
The World ◽  
Basket Maker

Chapter 3 analyzes English claims to a central role in a global network of indigenous and English people connected by faith around the world, claims made manifest in Of the Conversion of Five Thousand Nine Hundred Indians on the Island of Formosa, a 1650 publication by Baptist minister Henry Jessey, printed by radical bookseller Hannah Allen. It reports on Dutch missions in Taiwan, comparing them with evangelism efforts in New England. The coda considers the experiences of an Algonquian woman who is unnamed in Jessey’s tract but is identified as a basket maker, speculating on the meaning she may have encoded in her basket designs. Though we cannot “read” them directly, the fact that she made them, coupled with the provocative arguments offered by recent scholars about Native material culture in the colonial period, enables us to reconsider the print archive in which she appears.

Introduction

2017 ◽  
Author(s):  
David Fearn
Keyword(s):  
Comparative Literature ◽  
Critical Theory ◽  
Material Culture ◽  
Fifth Century ◽  
Valuable Resource ◽  
The World

The introduction sets the following discussions in their scholarly context, with particular attention to other contemporary approaches to lyric both within Classics and in comparative literature and critical theory, as well as to art-historical approaches. Literary approaches to lyric deixis are brought together with art-historical and other literary approaches to visuality, subjectivity, and ecphrasis. Pindar’s immersion in a world of material culture and attention to the world as perceived visually fosters a special poetic creativity. The upshot is a poetics of referentiality, according to which Pindar’s consumers are invited to consider the distance between their own situatedness and the worlds being creatively referred to, through the complex mediation of poetic voices. The sensibilities, attitudes, and experiences being constructed also contribute to a new understanding of the importance of lyric as a culturally valuable resource in fifth-century Greece.

The Baroque and Philosophy

2018 ◽  
pp. 601-622
Author(s):  
Michael Moriarty
Keyword(s):  
Modern Philosophy ◽  
Early Modern ◽  
Visual Arts ◽  
Common Sense ◽  
The Self ◽  
Early Modern Philosophy ◽  
The World ◽  
Baroque Art ◽  
Art And Architecture

Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing. Philosophers engage with themes current in baroque literature (the mad world, the world as a stage, the quest for the self) and occasionally transform these into philosophical problems, especially of an epistemological kind (are the senses reliable? how far is our access to reality limited by our perspective?) Finally, the philosophies of Malebranche and Berkeley, with their radical challenges to so-called common sense, and their explanation of conventional understandings of the world as based on illusion, have something of the disturbing quality of baroque art and architecture.

The Evolution of Orthopaedics in Greece: From Ancient Heritage to Modern Times

2021 ◽  
pp. 155335062110069
Author(s):  
Panayiotis D. Megaloikonomos ◽  
Olga D. Savvidou ◽  
Asimina Vlachaki ◽  
Vasilios G. Igoumenou ◽  
Konstantinos Vlasis ◽  
...  
Keyword(s):  
Musculoskeletal Conditions ◽  
Modern Times ◽  
Deep Knowledge ◽  
Modern Greek ◽  
Historical Manuscripts ◽  
The World

Greece, one of the oldest civilizations of the world, fundamentally contributed to the establishment and evolution of medicine and surgery. Undoubtedly, the foundations of the orthopaedic science are dated back to antiquity. The journey of the orthopaedic art was inaugurated with the poems of Homer and incarcerated through the practices of Hippocrates and Galen. Their deep knowledge of the musculoskeletal conditions and their treatment was generously bequeathed to humanity. This heritage acted as the catalyst for the establishment of orthopaedics in the modern Greek era. In this article, we tried to illustrate the evolution of the orthopaedic art in Greece from antiquity to modern times, reviewing the available evidence from scientific articles, books, historical manuscripts, old newspapers, and biographies. We summarize the most important events, and we identify the pioneers that shaped this new surgical branch, creating the modern Greek orthopaedic discipline.

The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche

2020 ◽  
Vol 32 (1) ◽  
pp. 90-114
Author(s):  
Nicole Vilkner
Keyword(s):  
Material Culture ◽  
Business Model ◽  
Public Transportation ◽  
Reception History ◽  
Transportation Systems ◽  
Mass Transportation ◽  
Musical Work ◽  
The World ◽  
History Of

AbstractIn the summer of 1828, the Entreprise générale des Dames Blanches launched a fleet of white omnibuses onto the streets of Paris. These public transportation vehicles were named and fashioned after Boieldieu's opéra comique La dame blanche (1825): their rear doors were decorated with scenes of Scotland, their flanks painted with gesturing opera characters, and their mechanical horns trumpeted fanfares through the streets. The omnibuses offered one of the first mass transportation systems in the world and were an innovation that transformed urban circulation. During their thirty years of circulation, the omnibuses also had a profound effect on the reception history of Boieldieu's opera. When the omnibuses improved the quality of working- and middle-class life, bourgeois Parisians applauded the vehicles’ egalitarian business model, and Boieldieu's opera became unexpectedly entwined in the populist rhetoric surrounding the omnibus. Viewing opera through the lens of the Dames Blanches, Parisians conflated the sounds of opera and street, as demonstrated by Charles Valentin Alkan's piano piece Les omnibus, Op. 2 (1829), which combines operatic idioms and horn calls. Through these examples and others, this study examines the complex ways that material culture affects the dissemination and reception of a musical work.

scholarly journals Contribution of Cyanotoxins to the Ecotoxicological Role of Lichens

Toxins ◽  
2021 ◽  
Vol 13 (5) ◽  
pp. 321
Author(s):  
Dobri Ivanov ◽  
Galina Yaneva ◽  
Irina Potoroko ◽  
Diana G. Ivanova
Keyword(s):  
Research Methods ◽  
Raw Material ◽  
Modern Times ◽  
Effective Application ◽  
The World ◽  
The Common

The fascinating world of lichens draws the attention of the researchers because of the numerous properties of lichens used traditionally and, in modern times, as a raw material for medicines and in the perfumery industry, for food and spices, for fodder, as dyes, and for other various purposes all over the world. However, lichens being widespread symbiotic entities between fungi and photosynthetic partners may acquire toxic features due to either the fungi, algae, or cyano-procaryotes producing toxins. By this way, several common lichens acquire toxic features. In this survey, recent data about the ecology, phytogenetics, and biology of some lichens with respect to the associated toxin-producing cyanoprokaryotes in different habitats around the world are discussed. Special attention is paid to the common toxins, called microcystin and nodularin, produced mainly by the Nostoc species. The effective application of a series of modern research methods to approach the issue of lichen toxicity as contributed by the cyanophotobiont partner is emphasized.

Sign in / Sign up

Export Citation Format

Share Document