scholarly journals Situación actual de la educación artística en España

2021 ◽  
Vol 3 (1) ◽  
pp. 17-31
Author(s):  
Rafael Sumozas ◽  

This article aims to present the research results on the current situation of art education as a discipline in Spain, in addition to assessing the importance of the arts in the educational process, as well as the knowledge of visual languages that allow conducting educational research not only in this branch of knowledge. After the advances that had occurred in recent decades, despite the development of different educational laws on adverse occasions, the current moment is one of uncertainty because the presence of the arts in education is questioned, and it is not understood that it is related to other scientific areas which it helps to solve didactic problems, through the development of different audiovisual languages. Failure to promote an educational specialization in the area, may have repercussions on students who will not have a way to develop a learning of visual culture, through artistic experiences organized from teaching, as well as teachers, by relegating the artistic subject to a elective without specific content, it could be developed by any educator who does not always seek to solve expressive, aesthetic or creative problems.

Author(s):  
Laura M. Rusnak

The intent of this chapter is to understand the implications of online education for the visual arts and how the objectives of a traditional art education can be adapted to computer-mediated learning. The focus is on three trends affecting the arts: visual culture, cultural production, and originality in art and practice.


Author(s):  
Sara Victoria Carrasco ◽  
Rosario García-Huidobro

Resumen: Este artículo intenta rescatar algunas de las ideas que para nosotras como profesoras de artes visuales son relevantes al momento de afrontar la enseñanza de las artes en la educación chilena actual. Estas ideas emergen de algunas contribuciones obtenidas durante el seminario “Diálogos entre la educación artística y los desafíos del siglo XXI”, que se desarrolló en Santiago de Chile durante el año 2014. Este encuentro nos permitió dialogar y reflexionar, a partir de los relatos y experiencias de los(as) académicos(as) que participaron con sus ponencias, en torno a cómo la educación artística se ha visto influenciada por los desafíos sociales, culturales, políticos y económicos que hacen frente a la situación en Chile durante los últimos años. A partir de aquí rescatamos como ejes centrales las nociones de “posmodernidad” y “posicionamiento” para repensar algunos de los desafíos que enfrenta la educación artística y el rol de las y los docentes de arte dentro este cometido.Concebimos la noción de “posicionamiento” como un elemento que puede adquirir un nuevo sentido desde la postura post-estructuralista y otorgar otro valor a las prácticas educativas artísticas, ya que nos permite cuestionar y reflexionar nuestros propios roles como enseñantes de las artes y algunos de los discursos artísticos que se comparten con los y las estudiantes dentro del proceso educativo. Con ello, proponemos pensar la tarea docente desde una posición fluctuante y en constante movimiento donde no exista una sola manera de ser docentes, ni un único modo de hacer o constituir las relaciones pedagógicas a fin de pensar otros espacios y posibilidades que permitan a los estudiantes a resituarse en el centro de la acción educativa desde la significación de sus propias experiencias. Palabras claves: posmodernidad, posicionamiento, enseñanza artística, enfoques artísticos. Abstract: This article rescues some ideas that for us, as art teachers, are relevant when facing the art teaching in the current Chilean education. These ideas emerge from some of the contributions share during the seminar "Dialogues between art education and the challenges of the XXI century", developed in July 2014 in Santiago, Chile. This meeting allowed us to dialogue and reflect, based on the stories and experiences of the academics that participated as speakers, how art education has been influenced by the new social, cultural, political and economic challenges which face the current situation in Chile in recent years. From here we rescue the notion of positioning and the postmodern perspective as main elementsto rethink the challenges of art education and the role of teachers in this labor.We conceived the notion of "positioning" as an element that can acquire a new sense from the post-structuralism stance and give another value to the educational practices of arts, allowing us to question and reflect our own roles as art teachers and some of the artistic discourses that are shared with the students in the educational process. Hence, we proposed to think our teaching task from a fluctuating position and constantly moves, where there is not only one way to be teachers, or one way to do or conform pedagogical relationships, with the intention to think others spaces and possibilities that allow students to reposition in the center of educational action from the significance of their own experiences. Keywords : postmodernism, positioning, art education, artistic teaching approaches. http://dx.doi.org/10.7203/eari.8.7246


Author(s):  
V. Lymarenko

Trends in technology lead to an increasing of their role in the development of humanity. Exactly “cloud technologies”, which are the basis for the technological development of the information society now, also they play the role of the leading tool of informatization of education, especially united with “edutainment”.During the development and implementation of software and network technologies in professional artistic education, the following issues remain unsolved: the provision of modern computer equipment and software, technical support for the stable work of information products, and the provision of selective authorized access for students to specific network resources. The methodology based on “cloud calculates” technology provides an opportunity to overcome these difficulties. And the last, but not at least, students may be attracted to the most promising areas of the development of modern information products.Actuality, practical significance, and insufficient development of these problems caused the choice of the topic of our research: “Terms of use of “edutainment” and “cloud technologies” in professional artistic education “.The aim of the research is to determine the conditions of the use of “edutainment” and “cloud technologies” in the preparation of future teachers of musical art.Methods of research: analysis of psychological and pedagogical literature in order to determine the state of development of the problem; synthesis, comparison, generalization for justifying the concepts of “edutainment” and “cloud technologies” and methods of their use in the educational process.This article deals with issues of the use of edutainment technologies and “cloud technologies”. It is offered conditions of using edutainment and “cloud technologies” in post-nonclassical professional art education on the example of subject “Musical Art”. Actual “cloud” services are analyzed and examples of their integration to educational process of professional art establishments are proposed.


Art Education ◽  
1988 ◽  
Vol 41 (2) ◽  
pp. 7 ◽  
Author(s):  
Leilani Lattin Duke
Keyword(s):  

Author(s):  
Amy Abugo Ongiri

This essay will explore the ways in which African American visual culture has attempted to negotiate criminalization and the current situation of what Richard Iton rightfully characterizes as “hyperincarceration.” It will explore the ways in which contemporary African American visual culture is engaged in negotiating between the literal material realities and consequences of mass incarceration and aesthetic constructions of violence. While mass incarceration is increasingly becoming understood as “the New Jim Crow” for African American political organizing, Black criminality has become the key lens through which questions of masculinity, class exclusion, gender, and selfhood get negotiated in African American visual culture. This essay will argue that the “subtext of ongoing Black captivity” is the pretext for much of what drives Black action genres and African American representation in general as a key signifier of a racialized identity and as an indicator of a Black subjectivity fraught with complexities of non-belonging.


2019 ◽  

Focus on: INSIDE / OUTSIDE catalog reflects the activities of the Department of Art Education of the Faculty of Education at Masaryk University in the last ten years. The text points out the pedagogical and publishing activities of teachers, creative and gallery activities and, last but not least, innovative projects connected with the arts.


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