The Getty Center for Education in the Arts and Discipline-Based Art Education

Art Education ◽  
1988 ◽  
Vol 41 (2) ◽  
pp. 7 ◽  
Author(s):  
Leilani Lattin Duke
Keyword(s):  
2019 ◽  

Focus on: INSIDE / OUTSIDE catalog reflects the activities of the Department of Art Education of the Faculty of Education at Masaryk University in the last ten years. The text points out the pedagogical and publishing activities of teachers, creative and gallery activities and, last but not least, innovative projects connected with the arts.


Author(s):  
James Moore

Despite the success of municipal art galleries in some quarters, the prevailing Liberal economic ideology of much of industrial Lancashire remained suspicious of state intervention in the arts. Many feared it would become economically costly and threaten local civic independence. However Royal Commissions that exposed the lack of artistic skills among industrial textile workers meant that attitudes gradually changed. Liberal Manchester became one of the first state-supported art schools. This chapter explores how local communities fought to shape art education and the successes and failure of local art education. Although aimed at the industrial worker, the art school remained a sphere in which bourgeois values and middle class students predominated, much to the chagrin of local critics.


2021 ◽  
pp. 256-280
Author(s):  
Philip Kitcher

This chapter defends the importance of education in the arts, and offers specific proposals for how this part of the curriculum should be expanded. For many people, encounters with the arts have a special vitality—they are episodes in which people are most vividly alive. Moreover, the effects of our engagement with the artworks we love are not transitory; they affect, sometimes profoundly, the course of our subsequent experience. The arts can also teach us. These valuable contributions are elaborated through considering a range of examples, and, on this basis, the chapter proposes an extensive program of art education. The envisaged curriculum is aimed at making valuable engagements with the arts as widely available as possible, attending to the different individual predilections and tastes people develop.


Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 33
Author(s):  
Seymour Simmons

This paper looks at recent examples of how drawing is advancing into the digital age: in London: the annual symposium on Thinking Through Drawing; in Paris: an exhibition at the Grand Palais, Artistes et Robots; a conference at the Institut d’études avancées on Space-Time Geometries and Movement in the Brain and in the Arts; and, at the Drawing Lab, Cinéma d’Été. These events are contrasted to a recent decline in drawing instruction in pre-professional programs of art, architecture, and design as well as in pre-K12 art education due largely to the digital revolution. In response, I argue for the ongoing importance of learning to draw both in visual art and in general education at all levels in the digital age.


2015 ◽  
Vol 44 (2) ◽  
pp. 203-218 ◽  
Author(s):  
Rebecca Kummerfeld

Purpose – The purpose of this paper is to explore the professional biography of Ethel A. Stephens, examining her career as an artist and a teacher in Sydney between 1890 and 1920. Accounts of (both male and female) artists in this period often dismiss their teaching as just a means to pay the bills. This paper focuses attention on Stephens’ teaching and considers how this, combined with her artistic practice, influenced her students. Design/methodology/approach – Using a fragmentary record of a successful female artist and teacher, this paper considers the role of art education and a career in the arts for respectable middle-class women. Findings – Stephens’ actions and experiences show the ways she negotiated between the public and private sphere. Close examination of her “at home” exhibitions demonstrates one way in which these worlds came together as sites, enabling her to identify as an artist, a teacher and as a respectable middle-class woman. Originality/value – This paper offers insight into the ways women negotiated the Sydney art scene and found opportunities for art education outside of the established modes.


Paideusis ◽  
2020 ◽  
Vol 15 (2) ◽  
pp. 5-13
Author(s):  
Howard James Cannatella

Of considerable importance in Plato and Aristotle’s educational outlook on the arts was Homer’s Iliad. This paper draws out some of the perceived weaknesses and strengths of this epic poem as it relates to the arguments in Plato’s Republic and Aristotle’s Poetics. I will attempt to do justice to Plato and Aristotle’s differing perspectives on the Iliad and their critique of art educational theory and practice. I will show why two philosophers with very different thinking on art education can still significantly affect art teaching practice today.


2021 ◽  
pp. 120-129
Author(s):  
Juan Carlos Astudillo Sarmiento ◽  
Veronica Neira Ruiz

¿La educación en artes es necesaria? Aunque la respuesta pudiese parecer obvia, este es un debate que, en más de una ocasión, se puede escuchar tanto en la academia como fuera de ella. Y las posturas son antagónicas, casi beligerantes: no es necesaria y menos en contextos de crisis (dicen algunos); en contextos de crisis es aún más necesaria (otros). El tema es urgente y sobre todo en la realidad que estamos habitando y la que empezamos a re-construir, en cuanto sociedad. Y para hacerlo, entrevistamos a tres artistas/docentes/ investigadores en y por las artes, quienes, desde su experticia, nos ayudan a hilvanar el diálogo. Palabras clave: Arte, educación, entrevista, pandemia, crisis político social, Ecuador. AbstractIs Education in Arts Necessary? Although the answer may seem obvious, this is a debate that on more than one occasion has been heard both in the academy and outside of it. The positions are antagonistic, almost belligerent, as it can be said that it is notnecessary, and even less in crisis contexts by some; as well as being seen as even more necessary in these contexts by others. The issue is urgent and especially in the reality that we are currently living in, and the one that we are beginning to rebuild, as a society. In order to do so, we interview the artists / teachers / researchers in and through the arts who, from their own expertise, help us to weave the dialogue together. Keywords: Art, education, interview, pandemic, social political crisis, Ecuador.


2020 ◽  
Vol 6 (10) ◽  
pp. 1
Author(s):  
Marcos Antônio Bessa OLIVEIRA

RESUMOArte, Educação, Política compõem uma tríade compreendida historicamente no Ocidente como interdependentes. Entretanto, arte, educação e políticas ocidentais não estão compreendidas para corpos aquém dos padrões de raça, gênero e classe edificados pelo pensamento que arquitetou o projeto moderno europeu levado à expansão em todo mundo no século XVI. Igualmente, histórico e contemporaneamente, políticas têm definido, no caso do Brasil em níveis federal, estaduais e municipais, atuações e ações de corpos e sobre os corpos na arte, na educação e na própria política. Considerando a histórica indissociação entre a tríade arte, educação e política, mas também a atual e fascista dissociação das políticas em relação aos corpos que atuam nas artes e na educação em contexto brasileiro contemporâneo, este artigo discuti, por uma perspectiva descolonial de abordagem bi(os)bliográfica, a falta de arte em política, educação em política e corpos em política que consideram as diferenças culturais e coloniais porque não contemplam o padrão de arte, educação, corpo e política modernos. Arte. Educação. Política. (Dis) politics for political bodies in art, culture and education ABSTRACT  Art, Education, Politics make up a triad historically understood in the West as interdependent. However, Western art, education and politics are not understood for bodies below the standards of race, gender and class built by thought that architected the modern European project led to expansion around the world in the sixteenth century. Similarly, historically and contemporatically, policies have defined, in the case of Brazil at federal, state and municipal levels, actions and actions of bodies and on bodies in art, education and politics itself. Considering the historical indissociation between the triad art, education and politics, but also the current and fascist dissociation of policies in relation to the bodies that work in the arts and education in a contemporary Brazilian context, this article discussed, for a decolonial perspective of bi(os)bliographical approach, lack of art in politics, education in politics and bodies in politics that consider cultural and colonial differences because they do not contemplate the standard of modern art, education, body and politics.Art. Education. Politics. (Des) política para cuerpos-políticos en arte, cultura y educación RESUMENArte, educación, política producen un trío históricamente entendido en el Occidente como interdependientes. Pero, el arte, la educación y las políticas occidentales no están incluidas para cuerpos con padrones inferiores a las normas de raza, género y clase construidas por el pensamiento que he producido el proyecto moderno europeo expandido en todo el mundo desde el siglo XVI. Asimismo, se han definido políticas históricas y contemporáneas, en el caso de Brasil, a nivel federal, estatal y municipal, actividades y acciones de cuerpos y sobre los cuerpos en el arte, en la educación y en la política. Considerando la indisociación histórica entre el trío arte, educación y política, pero también la actual y fascista desagregación de las políticas con relación a los cuerpos que actúan en las artes en la educación en el contexto brasileño contemporáneo, este artículo discutió, bajo un enfoque descolonial de abordaje bi(os)bliográfica, la ausencia de arte en política, educación en política y cuerpos en política que consideran las diferencias culturales y coloniales, porque no contemplan el estándar del arte, educación, cuerpo y política modernos.Arte. Educación. Política.(Des) politica per gli organi politici nell'arte, nella cultura e nell'educazioneSINTESE Arte, educazione, politica producono un trio storicamente inteso in Occidente come interdipendente. Ma l'arte occidentale, l'istruzione e la politica non sono incluse per gli organismi con standard inferiori agli standard di razza, genere e classe costruiti dal pensiero che ho prodotto il moderno progetto europeo ampliato in tutto il mondo dal XVI secolo. Allo stesso modo, le politiche storiche e contemporanee sono state definite, nel caso del Brasile, a livello federale, statale e municipale, attività e azioni di corpi e di corpi nell'arte, nell'istruzione e nella politica. Considerando la dissociazione storica tra arte, istruzione e trio politico, ma anche l'attuale e fascista disaggregazione delle politiche in relazione agli organismi che agiscono nelle arti nell'educazione nel contesto brasiliano contemporaneo, questo articolo discute, sotto un approccio decoloniale approccio bi-os, assenza di arte in politica, educazione in politica e corpi politici che considerano le differenze culturali e coloniali, perché non contemplano lo standard dell'arte moderna, dell'educazione, del corpo e della politica.Arte. Istruzione. Politica.


2013 ◽  
Vol 8 (1) ◽  
pp. 52
Author(s):  
Eko Sugiarto

Cultural values in accordance with the substance a/education which is to educate the nation as a whole, have changed direction into a value-and-job oriented human beings. Going to school or college, a person is only to get the predicate of "pass" with apiece of evident "certificate", instead of becoming an educated intelligent man intellectually, emotionally, and spiritually. Such reality raises various concerns among education observers. Indonesia is gradually losing its national character. The issue of national character is a question of culture. Therefore, the character education should also be multiculturally based, -which is implicitly inherent in "learning about the arts ", "learning the arts ", and "learning through the arts ". Art education has a strategic position, so it has the potential to implement the national character education. The development of the implementation of art education leading more greatly to multicultural-based character value that requires conceptual contribution of all parties is needed. In general this paper discusses the implementation of art learning in order to manifest multicultural-based character education as a response to the road map for arts-education, Unesco.


Author(s):  
Laura M. Rusnak

The intent of this chapter is to understand the implications of online education for the visual arts and how the objectives of a traditional art education can be adapted to computer-mediated learning. The focus is on three trends affecting the arts: visual culture, cultural production, and originality in art and practice.


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