History of Mexican Literature

1944 ◽  
Vol 28 (8) ◽  
pp. 700
Author(s):  
James O. Swain ◽  
Carlos Gonzalez Pena ◽  
Gusta Barfield Nance ◽  
Florence Johnson Dunstan
1944 ◽  
Vol 1 (2) ◽  
pp. 179-206
Author(s):  
Francis Borgia Steck

Two Poets, both laymen, stand out like brilliant stars on Mexico’s firmament, shedding the luster of the faith they loyally professed on the land they loved with equal loyalty, unfolding for Mexico’s glory the wealth of their poetic genius at a time when the storm clouds were gathering visibly and days of gloom and sorrow lowered over the Church and the faith to which their native land owed so much of her high and enviable culture. The two laymen in question are Manuel Carpio, who died in 1860, and José Joaquín Pesado, whose death occurred a year later. It is generally granted that Carpio and Pesado will always be cited in the history of Mexican literature as the leading revivers and exponents of classicism in their native land, without breaking away completely from the more popular and appealing forms of romanticism. It may be said that, as classicists, Carpio and Pesado took up and brought to fruition the movement begun by Martinez de Navarette and Sánchez de Tagle a half century earlier.


1969 ◽  
Vol 29 (1) ◽  
pp. 10
Author(s):  
Harvey L. Johnson ◽  
Carlos Gonzalez Pena ◽  
Gusta Barfield Nance ◽  
Florence Johnson Dunstan

1944 ◽  
Vol 24 (3) ◽  
pp. 491-492
Author(s):  
Dorothy Schons

(an)ecdótica ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 31-60
Author(s):  
Fernando Curiel Defossé

Generally speaking, the objective of this article is to present a proposal for the construction of a Mexican literature history of the 20th century. During this period foundations take shape and get established throughout the journey where, among other issues, it reflects around the Humanities, its particularities and disciplines. Regarding those disciplines, it’s important to establish that the focal point rests on literature and history, specifically intellectual history. In that sense, the text borrows the ideas of Dominick LaCapra about the role of the historian and therefore of the historiography set forth in his book: History and its Limits. Subsequently the text reviews both the political, social and cultural factors and the contributions and shortcomings of the critical theory studies responsible for the configuration of a record of our literature from the past century. Lastly, the text proposes the division of the literary Century in four stops, or periods to put this proposal in motion.


1945 ◽  
Vol 1 (4) ◽  
pp. 456-479
Author(s):  
Francis Borgia Steck

A New era in the history of nineteenth-century Mexico began with the collapse of the Second Empire in 1867 and the re-founding of the Republic. Naturally, the first decade or so of this new era were years of transition. Then followed what is correctly termed the Díaz era, ending in 1910 with the overthrow of President Porfirio Díaz who for so many years, beginning in 1876, controlled the political affairs of Mexico and by his policy of peace, as González Peña points out, made it possible for Mexican literature to flower as it never had flowered before. For the Church, too, despite the existing “Reform” laws, the policy of Diaz meant comparative peace and greater freedom of action in promoting the common good of the nation. Correspondingly, as might be expected, Catholic “conservatives” in matters of religion began to feel more at ease also in the temple of Mexican culture and participated with renewed enthusiasm in the literary life of their native land.


1944 ◽  
Vol 24 (3) ◽  
pp. 491
Author(s):  
Dorothy Schons ◽  
Carlos Gonzalez Pena ◽  
Gusta B. Nance ◽  
Florene J. Dunstan

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