History of Mexican Literature. By Carlos González Peña. Revised Edition. Translated by Gusta Barfield Nance, and Florence Johnson Dunstan. (Dallas: Southern Methodist University Press, 1943. Pp. xii, 398. Price $4.00.)

1944 ◽  
Vol 1 (2) ◽  
pp. 246-247
Author(s):  
Carlos E. Castañeda
1944 ◽  
Vol 1 (2) ◽  
pp. 179-206
Author(s):  
Francis Borgia Steck

Two Poets, both laymen, stand out like brilliant stars on Mexico’s firmament, shedding the luster of the faith they loyally professed on the land they loved with equal loyalty, unfolding for Mexico’s glory the wealth of their poetic genius at a time when the storm clouds were gathering visibly and days of gloom and sorrow lowered over the Church and the faith to which their native land owed so much of her high and enviable culture. The two laymen in question are Manuel Carpio, who died in 1860, and José Joaquín Pesado, whose death occurred a year later. It is generally granted that Carpio and Pesado will always be cited in the history of Mexican literature as the leading revivers and exponents of classicism in their native land, without breaking away completely from the more popular and appealing forms of romanticism. It may be said that, as classicists, Carpio and Pesado took up and brought to fruition the movement begun by Martinez de Navarette and Sánchez de Tagle a half century earlier.


1969 ◽  
Vol 29 (1) ◽  
pp. 10
Author(s):  
Harvey L. Johnson ◽  
Carlos Gonzalez Pena ◽  
Gusta Barfield Nance ◽  
Florence Johnson Dunstan

1944 ◽  
Vol 28 (8) ◽  
pp. 700
Author(s):  
James O. Swain ◽  
Carlos Gonzalez Pena ◽  
Gusta Barfield Nance ◽  
Florence Johnson Dunstan

1944 ◽  
Vol 24 (3) ◽  
pp. 491-492
Author(s):  
Dorothy Schons

(an)ecdótica ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 31-60
Author(s):  
Fernando Curiel Defossé

Generally speaking, the objective of this article is to present a proposal for the construction of a Mexican literature history of the 20th century. During this period foundations take shape and get established throughout the journey where, among other issues, it reflects around the Humanities, its particularities and disciplines. Regarding those disciplines, it’s important to establish that the focal point rests on literature and history, specifically intellectual history. In that sense, the text borrows the ideas of Dominick LaCapra about the role of the historian and therefore of the historiography set forth in his book: History and its Limits. Subsequently the text reviews both the political, social and cultural factors and the contributions and shortcomings of the critical theory studies responsible for the configuration of a record of our literature from the past century. Lastly, the text proposes the division of the literary Century in four stops, or periods to put this proposal in motion.


Sign in / Sign up

Export Citation Format

Share Document