The Education of Cousin Phillis

1995 ◽  
Vol 50 (1) ◽  
pp. 27-50 ◽  
Author(s):  
Philip Rogers

In "Cousin Phillis" Elizabeth Gaskell shows Phillis Holman's love experience to be inseparable from her education. Gaskell's male narrator naively supposes that having a male education makes Phillis "more a like man than a woman"; however, the male supervision of her studies and the lessons of her readings in classical and foreign literature confirm instead the constraints of Victorian womanhood. Gaskell's allusion to the Phillises of Virgil, Ovid, and the Renaissance pastoral tradition implies demeaning and self-destructive models for her heroine and, more broadly, a critique of the representation of women in literary texts. Phillis Holman's abandonment and collapse repeat the patterns of her classical namesakes, but ultimately she eludes their reductive definitions of womanhood and establishes her individuality in the will to live.

Transfers ◽  
2016 ◽  
Vol 6 (2) ◽  
pp. 138-141
Author(s):  
Chia-ling Lai

As Andrea Huyssen observes, since the 1990s the preservation of Holocaust heritage has become a worldwide phenomenon, and this “difficult heritage” has also led to the rise of “dark tourism.” Neither as sensationally traumatic as Auschwitz’s termination concentration camp in Poland nor as aesthetic as the forms of many modern Jewish museums in Germany and the United States, the Terezín Memorial in the Czech Republic provides a different way to present memorials of atrocity: it juxtaposes the original deadly site with the musical heritage that shows the will to live.


2021 ◽  
pp. 74-113
Author(s):  
Lara Sheehi ◽  
Stephen Sheehi
Keyword(s):  

2010 ◽  
Vol 22 (1) ◽  
pp. 149-162
Author(s):  
Paul Stewart

Malone's narratives are investigated through their relation to Schiller's and Schopenhauer's championing of aesthetic contemplation. Although Beckett follows Schopenhauer in his condemnation of the will-to-live, particularly as represented by procreation, it is argued that the narratives of Malone reveal an inability to create pure, disinterested, aesthetic objects. The paradigms of fictional creation adopted by Malone are infected by modes proper to sexual reproduction and therefore fail to release Malone from time and the will. It is argued that the reproductive motifs within demonstrate Beckett's subtle rejection of the aesthetic optimism of Schopenhauer and Schiller.


1996 ◽  
Vol 63 (3) ◽  
pp. 295-298
Author(s):  
A. Spasari ◽  
A. Scalfari ◽  
F. Falvo ◽  
D. Pirritano ◽  
G.A. Ventrice ◽  
...  

The authors report their experience with 10 patients subjected to chemotherapy for urinary cancer. The decision to prolong therapy sprang from the persistent efficacy of the same and the will to live of the actual patients, while respecting the classical moral principles of bioethics.


2010 ◽  
Vol 16 (5) ◽  
pp. 524-531 ◽  
Author(s):  
Luluel Khan ◽  
Rebecca Wong ◽  
Madeline Li ◽  
Camilla Zimmermann ◽  
Chris Lo ◽  
...  

1969 ◽  
Vol 24 (3) ◽  
pp. 361-367 ◽  
Author(s):  
D. L. Ellison
Keyword(s):  

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