Passions and Deceptions: The Early Films of Ernst Lubitsch Sabine Hake

1993 ◽  
Vol 47 (2) ◽  
pp. 59-59
Author(s):  
Patricia Brett Erens
Keyword(s):  
Ernst Lubitsch

scholarly journals Angel (Ernst Lubitsch)

2009 ◽  
Vol 0 (106) ◽  
pp. 113
Author(s):  
Jesús Miguel Sáez-González
Keyword(s):  
Ernst Lubitsch

scholarly journals Wiersz o jesieni. O Frantzu François Ozona

2019 ◽  
pp. 77-92
Author(s):  
Krzysztof Kozłowski
Keyword(s):  
Main Theme ◽  
Film Material ◽  
The Novel ◽  
Work Of Art ◽  
Feature Film ◽  
Starting Point ◽  
Paul Verlaine ◽  
Ernst Lubitsch ◽  
Synthetic Work ◽  
Adam Mickiewicz

Kozłowski Krzysztof, Wiersz o jesieni. O Frantzu François Ozona [A Poem on Autumn. Frantz by François Ozon]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 77–92. ISSN 1644-6763. DOI 10.14746/pt.2019.32.3. The film Broken Lullaby ([1932] Ernst Lubitsch) and the novel L’Homme que j’ai tué ([1921, 1925, 1930] Maurice Rostand) are seen to be the main inspirations for Frantz (2016) by François Ozon. On the basis of methodology broadly understood as the concept of bringing into relief (Domański, 1992, 2002), this article aims to demonstrate the means by which the French director expanded upon the literary-film material, imbuing it with a totally singular meaning. Ozon’s inventiveness did notlimit itself to transformations typical for adaptations, but ventured towards feature film understood as a synthetic work of art that by exploiting the audiovisual properties of the medium itself, acts as a unifying force of poetry (Verlaine, Banville), music (Chopin, Debussy) and painting (Manet). The famous poem recited by the heroine, Ann, Chanson d’automne (Paul Verlaine), serves as the analytical starting point for the above. It is thus used as a pivot for the entire film, a veritable lodestarfor guiding motifs, allowing important aspects of the film to be highlighted and consequently, bring its main theme to the fore.

Trouble in Paradise, Ernst Lubitsch (1932)

2009 ◽  
Vol 1 (2) ◽  
pp. 242-244
Author(s):  
Kristina Wilson
Keyword(s):  
Ernst Lubitsch

Ernst Lubitsch and EFA

Film History ◽  
2009 ◽  
Vol 21 (3) ◽  
pp. 208-228
Author(s):  
Stefan Drössler
Keyword(s):  
Ernst Lubitsch

scholarly journals Travelling desde Remordimiento (Lubitsch, 1932) hasta Una gota de sangre que cae (Fernando Molero Campos, 2011)

2020 ◽  
pp. 27-52
Author(s):  
Fernando Molero Campos
Keyword(s):  
Ernst Lubitsch

El presente artículo trata de establecer las conexiones intertextuales existentes entre la película Remordimiento (Ernst Lubitsch, 1932) y el relato Travellíng de retroceso desde una gota de sangre que cae (Fernando Molero Campos, 2011), al tiempo que traza un recorrido por otras fuentes e influencias en el texto literario, así como por determinadas técnicas fílmicas utilizadas en la escritura del mismo.

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