My First NHL® Book Series (Hockey Shapes, Hockey Colours, Hockey 123, Hockey Opposites, Hockey Animals, Hockey ABC) by Ch. Jordan

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Leaf Shape ◽  
Health Sciences ◽  
Reading Level ◽  
Book Reading ◽  
Book Series ◽  
University Of Alberta ◽  
The University ◽  
Shape And Size ◽  
Tiny Part

Jordan, Christopher.  My First NHL® Book Series (Hockey Shapes, Hockey Colours, Hockey 123, Hockey Opposites, Hockey Animals, Hockey ABC). Toronto: Tundra Books, 2011.  Print [Board Books]. These six volumes are board books, with thick pages that would be difficult to tear and wipe-able surfaces that will withstand sticky baby fingers.  They cover the standard content of first books for pre-readers, but using NHL® examples.  In some of the books, the NHL® examples work well.  For example in Hockey 123, there are 2 hockey nets, 5 pairs of skates, and 11 whistles. In other books the examples seem forced and awkward. For example, in Hockey Opposites, “fast” and “slow” are illustrated by a forward and a goalie, respectively.  It would be very difficult for a child at the board-book reading stage to understand what a forward and a goalie are, much less who moves at what speed.  Moreover, I think most people would recognize that while goalies do not usually move quickly around the rink, their movements are lightning-fast and a “slow” goalie wouldn’t have a job in the NHL®. With the exception of Hockey 123, these books are too complex for pre-readers.  Most of the six books contain text which is at a Grade 6 reading level or higher.  For example, in Hockey Shapes, the description which accompanies the “leaf” shape begins, “[t]here are many different species of leaves, ranging in colour, shape, and size…”.   This is one of several clues that these books are meant as much for adults who will be reading them aloud, as for children.  In Hockey ABC many of the images chosen to illustrate the alphabet will appeal more to parents than to children.  In this book, “G” is not for the obvious “goalie”, but for Gretzky, whom children today will never see play.  Too often Jordan relies on photographs of players, which are complex images, for his illustrations.  In Hockey Animals, for example, instead of using just the team symbol containing the animal shape, Jordan uses full-length player shots, where the logo on the jersey is a tiny part of the image. There is a reason that board books usually contain simple shapes, bold colours and single syllable words.  It is hard to imagine sitting with a 1-year-old child on your lap reading Hockey ABC and saying, ‘Now you try saying this, sweetie… “O is for Ovechkin”’. However, if you assume that these books are really for hockey-crazed parents, then they will probably find readers. Recommended with reservations:  2 out of 4 stars Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

At the Heart of It: Dene dzó t’áré by R. Taniton & M. Willett

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Health Sciences ◽  
Way Of Life ◽  
Book Series ◽  
University Of Alberta ◽  
Bear Lake ◽  
The People ◽  
The University

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Down by the River: A Family Fly Fishing Story by A. Weiner

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Health Sciences ◽  
Reading Level ◽  
Fishing Trip ◽  
University Of Alberta ◽  
Fly Fishing ◽  
Young Readers ◽  
The University ◽  
Riverine Landscapes

Weiner, Andrew.  Down by the River: A Family Fly Fishing Story. Harry N. Abrams, 2018.  This is a beautifully illustrated book that tells a simple story about a boy, Art, who goes on a fly-fishing trip with his mother and grandfather. The story recalls a time when Art’s grandfather taught his mother to fish.  April Chu has used a subdued palette for her two-page riverine landscapes, with lots of green and rich autumn colours in the environment. The book has a calm and peaceful feel about it that mirrors the contemplative nature of fly-fishing.  The text is simple and descriptive of a day spent on the river. The reading level is too difficult for the intended Kindergarten to Grade 2 audience, so an adult will need to read the book aloud, especially those sentences that could confuse young readers with difficult concepts or complicated jargon: “The line arced forward and the fly landed softly a few feet above the rock. It drifted with the current past the rock. There was a splash and the line went tight.”  The last three pages contain information about fly fishing, the clothing worn by fly fishers and where to get more information about the sport. The end pages are decorated with images of intricate flys with such fun and mysterious names as: “Ian’s Crunch Caddis,” “Black Fur Ant,” and “Purple Parachute Adams.” This book is a good introduction to fly fishing for younger children that also tells a charming story. Highly recommended for school and public libraries. Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Stories of the Amautalik: Fantastic Beings from Inuit Myths and Legends by N. Christopher

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
English Translation ◽  
Public Library ◽  
Deep Ocean ◽  
Health Sciences ◽  
Reading Level ◽  
University Of Alberta ◽  
Valuable Addition ◽  
Cautionary Tales ◽  
The University

Christopher, Neil.  Stories of the Amautalik: Fantastic Beings from Inuit Myths and Legends.  Trans.  Louise Flaherty.  Illus. Larry MacDougall.  Iqaluit, Nunavut: Inhabit Media, 2009. Print. The End Notes for this book tell us that in “the isolated hills, under the ice of the sea, and in the darkness of the deep ocean, strange beings wait for lone travelers or careless children to make a mistake”. An amautalik is one such strange creature.  These are the giant, disgusting ogresses of Inuit mythology who capture and eat children. This volume contains two stories, each of a different kind of amautalik.  The first has a basket of slimy driftwood on her back, lined with maggoty, rancid seaweed.  The second has a huge amauti (a coat with a pouch for carrying children). The two stories are similar. Both are cautionary tales, teaching children of the dangers of straying too far away from supervising adults.  In both stories, one of the children does not have parents present to protect them and has been bullied in the community.  In each case, the inattentive children are captured and taken away by the amautalik. In “The Hungry Amautalik and the Restless Children”, the child who has been bullied uses the old knowledge of her shaman grandfather to gain freedom.  In “The Orphan and the Amautalik”, the orphan outwits the amautalik, by pretending that his toe, poking out of his worn out boot is a monster that will eat her. The first story is much longer than the second and there are many more images of the first amautalik.   Larry MacDougall’s somber paintings portray the ogress’s glee while tying the children to a stake and her rage when she discovers that they are gone.  The second amautalik is more cadaverous-looking and frightening. This book is an English translation of the 2007 Inuktitut volume Amautaliup miksaanut unikkaat and is also available as an English/Inuktitut tumble book.  Originally these stories were told by elders to children, so the language would have been at a child’s level.  However, this translation, although it is intended as children’s literature, has a reading level of about Grade 10.  In spite of that, the book is still a valuable addition for school and public library collections. Highly recommended: 4 out of 4 starsReviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals The Dreaded Ogress of the Tundra by N. Christopher

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Young Children ◽  
Full Text ◽  
Health Sciences ◽  
Reading Level ◽  
The Arctic ◽  
Small Children ◽  
University Of Alberta ◽  
Cautionary Tales ◽  
The University

Christopher, Neil.  The Dreaded Ogress of the Tundra.  Iqaluit:  Inhabit Media, 2015. PrintAmautaliit are giant ogresses who eat small children.  They roam the Arctic tundra looking for unsupervised children such as orphans or those who have wandered away from camp.  They sneak up on the children, capture and carry them away in their disgusting baskets containing rotting seaweed and giant bugs.  These stories have two themes.  First, they are cautionary tales designed to keep children from wandering away from camps and villages. Second, they usually show the children using their ingenuity or ancient magic to escape the not-too-smart amautaliit.This is an updated and revised version of Christopher’s 2009 volume, Stories of the Amautalik, which contains versions of the two stories presented in this work.  However, this edition of the book is more like a junior handbook to amautaliit (plural of amautalik). While this book has many illustrations which are appropriately dark, scary and creepy, there is much more text than one usually finds in an Inhabit Media book.  At least half of the pages are full text and like Stories of the Amautalik, the reading level is high for young children. The book includes a seven-page introduction to amautaliit, which describes who these creatures are, their clothing, their baskets, their caves and how they hunt small children.  At the end of the book there is an “Other Ogres and Ogresses” section, which gives single page, illustrated descriptions of similar creatures, including a giant spider that assumes a human-like form. Even though this is a revision of an earlier work that many libraries will have, the expanded content would make it a useful addition to libraries with children’s collections, and particularly to academic libraries that collect works on Arctic myths and legends.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Christmas in the Mouse House by M. Kneen

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Health Sciences ◽  
Reading Level ◽  
Christmas Tree ◽  
Colonial Era ◽  
Small Children ◽  
University Of Alberta ◽  
Wear And Tear ◽  
Adults And Children ◽  
The University

Kneen, Maggie.  Christmas in the Mouse House. Somerville, Massachusetts:  Templar Books, 2011. Print. This delightful pop-up and lift-the-flap book will entertain adults and children alike. English children’s author and illustrator, Maggie Kneen, who is also an architectural and archaeological illustrator, creates nostalgic images of the perfect family Christmas. The Mouse family lives in what might be a Colonial-era house. Mama Mouse wears long dresses and aprons and Papa Mouse has a knee-length red frock coat and a cravat. Mama Mouse cooks over an open fireplace with a tea kettle hanging on a hook. Upstairs, Nanny, in a pink candy-stripe dress and white servant’s cap, puts baby to bed in canopied cradle. It is Christmas Eve and Mama and Papa have hidden all of the Christmas decorations.  Readers help all the little mice find them by lifting the flaps. Christmas decorations are behind the clock, in a pot on the shelf, in cabinets and even outside in a bird’s next. During the course of their search, the little mice also collect toys that would make good ornaments and even make some of their own ornaments. Every pair of pages shows a different room in the house, each with several flaps. Every other room scene has a pop-up.  The last pop-up shows the whole Mouse family dancing around the decorated Christmas tree, which everyone agrees is “the most beautiful Christmas tree they’ve ever seen.” The reading level of this book is too high for the age 3-6 target audience.  However, it is the kind of book that adults read to small children. Like all pop-up books this volume will succumb to wear and tear, but will be much loved. Highly recommended. Recommendation:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Tales from the Tundra: A Collection of Inuit Stories by I. Kaslik

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Publishing House ◽  
School Libraries ◽  
Health Sciences ◽  
Publishing Company ◽  
Two Dimensional ◽  
University Of Alberta ◽  
Traditional Technique ◽  
Internal Dialogue ◽  
The University

Kaslik, Ibi. Tales from the Tundra: A Collection of Inuit Stories. Illus. Anthony Brennan. Iqaluit: Inhabit Media, 2010. Print. Inhabit Media is an Inuit-owned, independent publishing company that “aims to promote and preserve the stories, knowledge, and talent of northern Canada.”  This collection of five traditional Inuit stories from different regions in Nunavut is one of their most recent offerings.  Three of the stories tell of how specific animals came into being.  One tells how the raven and loon came to look the way they do and the fifth, The Owl and the Siksik, is a typical story of outwitting the enemy. Anthony Brennan’s illustrations have a two-dimensional fantasy quality to them that is more reminiscent of cartoons or Japanese anime than of traditional Inuit art.  Many of the creatures are outlined in black and then filled with solid colour.  While the backgrounds are usually ice-blue, and there are pastel colours in the images, many of the main parts of the drawings are black, giving the book an overall ominous look. While these stories are described in the forward as “contemporary retellings”, Kaslik’s voice is similar to that of an elder telling stories and her style is traditional.  The language is simple and direct, occasionally incorporating Inuit words.  Animals are anthropomorphized.  They do the same sorts of things that humans do and have human emotions and foibles.  For example, in “The Raven and The Loon”, the two birds sew clothes for each other.   When Raven thinks that Loon is sewing too slowly, she reacts impatiently: “Please, sew faster!” impatient Raven pleaded.” Kaslik also uses internal dialogue, another traditional technique, to allow the reader to listen to the characters reasoning out their actions. For example, “Siksiks often go in and out of their dens,” thought the owl, believing himself to be very clever.  “Today I will find a siksik den and wait there until I see one.” There are few children’s books of Inuit mythology available, and fewer that have the authenticity of being published by an Inuit publishing house.  Overall, this volume is a small, but welcome addition to the field, through which many children will be able to learn about the mythology of the Inuit.  For public and school libraries everywhere. Highly recommended:  4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Mingan: my village

2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Writing Workshop ◽  
Health Sciences ◽  
Art Collections ◽  
University Of Alberta ◽  
North Shore ◽  
The North ◽  
The World ◽  
The University ◽  
The Village

Mingan:  my village. Illus. Rogé. Trans. Solange Messier.  Markham, ON:  Fifth House Publishers, 2014.  Print.This is one of the most unusual Canadian Indigenous children’s books to have been published recently.  It is an art book composed of fifteen of illustrator Rogé's portraits of Innu children from the village of Mingan (“Ekuantshit” in the Innu-aimun language) on the North Shore of the Gulf of St. Lawrence.  The images are accompanied by fifteen poems written by the children.  Each of the portraits covers an 8.5 X 14’ page and is an almost life-sized likeness painted from a photograph.  The images are mainly sepia tones with some orange, blue and red highlights.  These portraits will allow children elsewhere in the world to see what an Innu child looks like. The poems are the result of a poetry writing workshop led by Laurel Morali and Rita Mestokosho at Mingan.  They are also published in the back of the book in Innu-aimun.  The works are simple, unsophisticated and present a child’s view of the world.  Nature and grandparents figure prominently in the works.   For example:                        In the wind's light, the pain of the heart                        The blue river                        When I listen                        I have a memory of my grandfather                        He tells me he is well                        This comforts me                        I know he protects me                        That he watches me                        I cry when he is not beside me                                                                       Sabrina                       Overall this is a striking work that could fit both in to art collections and children’s libraries as well as those collecting Canadian Indigenous materials. Highly recommended: 4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Kiviuq and the Bee Woman by N. McDermott

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
School Library ◽  
Public Library ◽  
Reading Level ◽  
Older Children ◽  
University Of Alberta ◽  
Human Skulls ◽  
The University ◽  
Library Collections

McDermott, Noel.  Kiviuq and the Bee Woman. Iqauit, NU, Inhabit Media, 2019. When we last heard of Kiviuq, he had just survived a harrowing encounter with scary monster mermaids or tuutalik (Deakin Review by Kirk MacLeod). In Kiviuq and the Bee Woman, the grandfather who narrated Kiviuq and the Mermaid continues the bedtime story to his grandchildren. Kiviuq begins paddling home, but comes upon a tent where an old woman invites him to rest and dry his clothing. She turns out to be a giant Bee Woman who wants to cut up Kiviuq and put him in her cooking pot. For a bedtime story, both the text and the illustrations are quite scary. Illustrator Toma Feizo Gas lets us see into the dark, dramatic and frightening world of the Bee Woman, who is a determined killer. “She shouted, ‘I am Iguttarjuaq, the Bee Woman, and I am going to kill you with my ulu’.”  The accompanying image shows a woman with pointy teeth and insect mouth pincers, who is shaking a sharp ulu (knife) at Kiviuq. As is the case with many of Inhabit Media’s publications, the reading level is higher than one would expect to find in a picture book. For younger children, this book will need some adult intervention. In addition to the scary content, human skulls talk, the woman eats her own eyelids and “Kiviuq, realized the woman was boiling human meat.” Some of the language is difficult. For example, Kiviuq “fainted” of fright, but “feinted” to get away. McDermott also intersperses many Inuktitut words, which will slow down younger readers. These are defined at the end of the book. Overall, this excellent product from Inhabit Media should be included in public library collections and school library collections, but should probably be placed in collections designed for older children.  Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Lesson for the Wolf by R. & S. Qitsualik-Tinsley

2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Elementary School ◽  
School Libraries ◽  
Health Sciences ◽  
The Arctic ◽  
University Of Alberta ◽  
Starting Point ◽  
Face Length ◽  
Good Starting Point ◽  
The University

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Lesson for the Wolf.  Illus. Alan Cook. Iqaluit, NU:  Inhabit Media, 2015. Print.The writing duo of Rachel and Sean Qitsualik-Tinsley are back with a story about being comfortable in your own skin, literally.  The wolf in this story is not happy to be a wolf, so with the help of “the magic of the land”, he acquires owl’s feathers, the wolverine’s tail and the caribou’s antlers.  But he cannot fly like the owl or eat lichen like the caribou and he is too different from the wolves, so he becomes sad, lonely and starves.  Eventually he learns the beauty of being himself and the magic of the land restores him.  The story is a lovely Arctic fable on the lesson of being true to one’s self. Alan Cook’s paintings capture the wildness of the Arctic, with sweeping brush-strokes and suggestions of distant landscapes.  The animals are all cartoon-like creatures, sometimes verging on caricature.  Both the wolves and the caribou are drawn with over-accentuated face length and extreme thinness of the abdomen. Children who are struggling to be satisfied with and confident in their identities may be able to identify with the wolf.  This book would be a good starting point for discussion.  Highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Fishing with Grandma by S. Avingaq & M. Vsetula

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Reading Level ◽  
License Plate ◽  
Family Needs ◽  
Intended Audience ◽  
University Of Alberta ◽  
Sled Dogs ◽  
The Family ◽  
The University ◽  
Adult Reader

Fishing with Grandma is another lovely book from Nunavut’s Inhabit Media.  There are pictures on every page.  The overprinted text is a story that describes Inuit ice-fishing practices.  Through the dialog between a grandmother and her two grandchildren, we learn details of how to cut holes in the ice, what kinds of lures to use, how far down to drop the line and how to bop a fish on the head to kill it.  One of the most important teachings from this book comes at the end, when the children and their grandmother have caught far more Arctic Char than their family needs. On their way home they distribute the fish to people who cannot get out to go fishing. The images tell as much of the story as the text.  They are fun and show us small details that are authentic to the environment.  The family rides an ATV to the lake while the sled dogs watch, the ATV has a polar bear shaped license plate and when the family gets hot from chipping the ice, they take off their parkas and lay them on the ice.  Through the story and the images, we not only learn how to fish, but we also vicariously experience the environment:  “I would look up from my fishing hole and listen to the sound of the lake.  Ravens flew by, calling “kak, kak. I could also hear Skidoos and ATVs in the distance….”While a valuable contribution documenting ice fishing at a child’s level, the reading level is too high for the intended audience, so for younger children, an adult reader will be required.  Overall an excellent book both in terms of content and appeal.  Highly recommended for school and public libraries.Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell    Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

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