‘Was will der dumme Kerl hier? Italo Svevo and Ettore Schmitz in Wartime Trieste

2013 ◽  
Vol 21 (1) ◽  
pp. 62-75
Keyword(s):  
Italo Svevo

Der Roman als Reflexion und Mythisches Analogon: Italo Svevo

POETICA ◽  
1993 ◽  
Vol 25 (1-2) ◽  
pp. 195-219
Author(s):  
Hans Sanders
Keyword(s):  
Italo Svevo

Italo Svevo tra moderno e postmoderno

Italica ◽  
1998 ◽  
Vol 75 (1) ◽  
pp. 129
Author(s):  
Giuliana Minghelli ◽  
Mauro Buccheri ◽  
Elio Costa
Keyword(s):  
Italo Svevo

Gefühle beim Töten

Paragrana ◽  
2011 ◽  
Vol 20 (1) ◽  
pp. 219-229
Author(s):  
Alain Montandon
Keyword(s):  
Emile Zola ◽  
Italo Svevo ◽  
Joseph Roth

ZusammenfassungDer Beitrag skizziert eine Art Phänomenologie des Tötens. Der Mord wird als eine tragische Narration in drei Akten vorgestellt, da er die Zeit in ein Vor und ein Nach aufteilt und so Anlass und Auswirkung trennt. Romane von Graciliano Ramos, Joseph Roth, Italo Svevo und Émile Zola werden als Beispiele analysiert. Die Romane des Mörders lehren uns, dass die Beseitigung des Anderen zugleich die Beseitigung des Anderen in sich selbst bedeutet.

Interior Monologue

2018 ◽  
Author(s):  
David Herman
Keyword(s):  
James Joyce ◽  
Direct Discourse ◽  
Dorothy Richardson ◽  
Alfred Döblin ◽  
Italo Svevo ◽  
The Right

One of the hallmarks of modernist style, interior monologue affords a prime opportunity for studying how writers ranging from James Joyce and Dorothy Richardson to Italo Svevo and Alfred Döblin innovated on conventions for speech and thought presentation to create effects of psychological immediacy. Gerald Prince, building on Dorrit Cohn’s foundational account of techniques for presenting fictional minds, defines interior monologue as "the nonmediated presentation of a character’s thoughts and impressions or perceptions" (2003: 45). In this usage, interior monologue is a cover term that applies to more or less extended passages of free direct discourse—in other words, discourse that, though stripped of quotation marks and tag phrases such as she reflected or he wondered, can be assumed to correspond to or quote the unvocalized thoughts of a character. The "Penelope" episode of James Joyce’s Ulysses is often taken to be a prototypical instance of the form, though Joyce deploys interior monologue in less extended stretches throughout his novel, nowhere more movingly than at the end of the "Lestrygonians" episode. Here the text cross-cuts between reports of Leopold Bloom’s outward conduct as he attempts to avoid Blazes Boylan and passages that can be taken as offering an unfiltered presentation of Bloom’s perceptions and thoughts when he encounters his wife’s lover (italics mark instances of interior monologue): His heart quopped softly. To the right. Museum. Goddesses. He swerved to the right. Is it? Almost certain. Won’t look. Wine in my face. Why did I? Too heady. Yes, it is. The walk. Not see. Get on. (Joyce 1986: 150)

Italo Svevo romanziere moderno

Books Abroad ◽  
1971 ◽  
Vol 45 (1) ◽  
pp. 94
Author(s):  
Gilberto Paolini ◽  
Reto Fasciati
Keyword(s):  
Italo Svevo
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