The World Upside Down in 16th-Century French Literature and Visual Culture

2018 ◽  
Author(s):  
Vincent Robert-Nicoud
Keyword(s):  
Visual Culture ◽  
French Literature ◽  
16Th Century ◽  
The World

The place of the plant world in the worldview system of transoxiana sufism in 16th century

2020 ◽  
Vol 6 (Extra-A) ◽  
pp. 157-161
Author(s):  
Lutfullo Eshonovich Ismoilov ◽  
Ramil Tagirovich Yuzmukhametov ◽  
Markhabo Tukhtasunovna Rajabova
Keyword(s):  
Comparative Method ◽  
Literary Analysis ◽  
Semantic Interpretation ◽  
16Th Century ◽  
Main Method ◽  
Holistic Understanding ◽  
The World ◽  
Lives Of The Saints

The article considers the topic of the Plant World in the Sufi writings of the 16th century Transoxiana, based on the material of manakibs, i. e. the so-called Lives of the Saints. The significance and relevance of the topic is due to the need to study the issues of semantic interpretation of the concept of plant and plant world in Sufi writings. Hence, the purpose of this article is to disclose the diverse meanings of the concept of the “World of Plants” contained in the 16th-century Transoxiana manakibs of such authors as Abdurakhman Jami, Abu-l Baka b. Khodzha Bakha-ud-din, Khusein Serakhsi. The main method in the study of this issue is the historical and comparative method, and the method of literary analysis, which allows you to create a holistic understanding of the symbolism of the Plant World in Sufi writings of Transoxiana of the 16th century.      

scholarly journals Constructions with the verb EITI ‘to go’ in the 16th century Lithuanian writings

2020 ◽  
pp. 1-19
Author(s):  
Agnė Lisauskaitė
Keyword(s):  
Content Analysis ◽  
Quantitative Analysis ◽  
Qualitative Content Analysis ◽  
16Th Century ◽  
Frame Semantics ◽  
The Core ◽  
Motion State ◽  
The World ◽  
Motion Verb ◽  
Considerable Body

This research investigates the semantics and the structure of the constructions with the verb eiti ‘to go’ extracted from the old Lithuanian written texts, dating back to the 16th century. It aims to examine the meanings and the structure of the constructions that contain the motion verb eiti ‘to go’ within their structure. There is a considerable body of research investigating various aspects of motion verbs in different languages of the world, including Lithuanian. However, no studies have so far targeted constructions with the verb eiti ‘to go’, found in the 16th century Lithuanian writings. The present study is based on the qualitative content analysis, quantitative analysis, and frame semantics methodology. The concordances of the Lithuanian texts have been filtered out from the Database of Old Writings digitalised by the Institute of the Lithuanian Language. The examples were taken from Martynas Mažvydas’ Katekizmas (MžK) and Forma krikštymo (MžF), Jonas Bretkūnas’ Biblija (BB), Giesmės Duchaunos (BG), Kancionalas (BKa) and Kolektos (BKo), Mikalojus Daukša’s Katekizmas (DK) and Postilė (DP).The frames of Motion, State, Law, Eternity, Service, Opposition, Law, etc., evoked by the selected constructions, were examined using the frame semantics (FrameNet Project). The research has shown that the current constructions with the motion verb eiti ‘to go’ can form the core of the mentioned frames. The observation that has emerged from this analysis is that some meanings of the analysed constructions are conserved in the current Lithuanian language while others have already disappeared. This work could be useful for historical linguists.

scholarly journals The Books of Sigismund II Augustus in Vilnius University Library: Decorations of Book Covers and New Data about Provenances

Knygotyra ◽  
2020 ◽  
Vol 74 ◽  
pp. 35-95
Author(s):  
Sondra Rankelienė
Keyword(s):  
18Th Century ◽  
16Th Century ◽  
University Library ◽  
The World ◽  
Manufacturing Location ◽  
Book Covers ◽  
Vilnius University ◽  
Personal Library ◽  
Made In ◽  
Lack Of Knowledge

In this article, the latest data about the personal book collection items of King of Poland and Grand Duke of Lithuania Sigismund II Augustus in Vilnius University (VU) Library are presented. The authors that have been doing research on these books have not ascertained all of the embossed images that were used for cover decoration and have not identified the locations of where these books were bound and have not disclosed all of the provenances. In order to amend the lack of knowledge about the books of Sigismund II Augustus in VU library, the book covers of the King’s personal library were reviewed de visu and decorative ornaments were described. The ownership signs of the books were registered once again. While describing and comparing these books with the copies in various libraries of the world, the number of physical books (14) and publications in composite volumes (21) kept in VU library was assessed. The name of one book and a publisher’s imprint of two books were specified, eight provenances that were not mentioned by previous authors were registered. While describing book covers, the embossed images were given provisory names. Connections between the supralibros, dates of binding, decorative wheels, single embossed images, and other decorative elements were detected and lead to a reasonable conclusion that eight out of fourteen books from the Sigismund II Augustus collection were bound in Kraków, five were bound by bookbinders in Vilnius, while one was rebound in the 18th century. The identification of tools used by craftsmen that worked in Kraków and Vilnius will allow to ascertain the manufacturing location of similar book covers made in the middle of the 16th century.

scholarly journals Modello di tutto il mondo tracciato a perfezione

2019 ◽  
Author(s):  
Milanesi Milanesi
Keyword(s):  
Central Asia ◽  
The Other ◽  
16Th Century ◽  
The World ◽  
First Results

This article presents the first results of the studies on the geographical content of the heart-shaped map of the world signed Cagi Acmet (1559), which has been made possible by the complete transliteration and translation of the work. The considered area, i.e. Central Asia, is presented and compared with 16th-century cartography. The Author draws from an in-depth examination of this area, as well as from the study of all the other parts of the map, the conclusion that the heart-shaped map is the work of the cartographer Giacomo Gastaldi, active in Venice between 1545 and 1566.

scholarly journals infância, cultura visual e educação

2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino
Keyword(s):  
Elementary School ◽  
Visual Culture ◽  
Philosophical Approach ◽  
Multiple Images ◽  
The World ◽  
Visual Framing ◽  
The Media ◽  
The Relationship ◽  
The Way

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.

scholarly journals From Japanese Schulz to Polish Parnicki – around the year 1974

2019 ◽  
Vol 26 ◽  
pp. 487-500
Author(s):  
Tokimasa Sekiguchi
Keyword(s):  
French Literature ◽  
World Literature ◽  
Contemporary Literature ◽  
Witold Gombrowicz ◽  
Polish Literature ◽  
The World ◽  
Polish Language ◽  
The 1960S ◽  
Polish Government ◽  
Bruno Schulz

The major works by Bruno Schulz and Witold Gombrowicz were translated into Japanese in the 1960s, mainly by Yukio Kudō. I was enchanted by those Japanese texts to such an extent that I decided to abandon French literature and switch to Polish contemporary literature. In 1974, I came to Poland on a post-graduate fellowship of the Polish government, and I began studies in literature and the Polish language at the Jagiellonian University. During that two-year stay in Krakow, my view of Polish literature changed several times. The phase well established in the Japanese translations I had known ended quickly. Then I began to “hunt” for promising Polish authors not yet present in world literature. I thus discovered the prolific, esoteric and difficult Teodor Parnicki (1908–1988). This essay is my description of my “penetrating” the world of the Polish language at that time.

Freeze Frame: historic polar images

Polar Record ◽  
2007 ◽  
Vol 43 (4) ◽  
pp. 366-368
Author(s):  
Huw Lewis-Jones
Keyword(s):  
Nineteenth Century ◽  
Visual Culture ◽  
Polar Regions ◽  
Research Project ◽  
University Of Cambridge ◽  
The World ◽  
Iconic Images ◽  
Polar Research Institute ◽  
World Class ◽  
Research Institute

ABSTRACTSince the development of photography in the mid-nineteenth century, exploration has created iconic images of the polar regions. A new two-year research project, entitled Freeze Frame, using the world-class collections at the Scott Polar Research Institute, University of Cambridge, will bring this remarkable visual culture forward for new audiences.

scholarly journals introduction

2005 ◽  
Vol 183 ◽  
pp. 523-531 ◽  
Author(s):  
michel hockx ◽  
julia strauss
Keyword(s):  
Middle Class ◽  
Visual Culture ◽  
Consumer Culture ◽  
Job Insecurity ◽  
Market Manipulation ◽  
The Past ◽  
Production And Consumption ◽  
The World ◽  
Positive Experiences ◽  
Complex Phenomena

this collection offers a variety of perspectives on culture in contemporary china. we begin and end with pieces by jing wang and deborah davis on the production and consumption of culture in general, before moving on to three specific areas: visual culture, music and poetry. jing wang's opening piece on “bourgeois bohemians” (bobos) in china revolves around the all-important question of how taste is constructed and a multiplicity of lifestyles imagined. in china as elsewhere in the world, lifestyles are first imagined and transmitted through advertising. wang describes how marketing campaigns propagate idealized lifestyles to different segments of china's self identified urban middle class; notably the bohemian and the xin xin renlei. deborah davis focuses on the consumption end of culture, suggesting that for all the real resentments and worries engendered by growing income inequality and job insecurity, urbanites in shanghai experience consumer culture and the pursuit of individual taste and comfort in the home through shopping to be positive experiences, particularly when juxtaposed against the deprivations of the past. both wang and davis show that the production and consumption of culture are complex phenomena that go beyond mere market manipulation. there is substantial agency involved, from urbanites joyfully participating in redecoration of their flats to the ways in which niche segments of the urban middle class separate into different “tribes.”the braester, denton and finnane essays focus on different aspects of the production and consumption of visual culture: film, museums and fashion. braester suggests that one cannot sharply differentiate commercial film from art film on the basis of content or aesthetics, as directors previously known for making art films move into commercials, and both share similar sensibilities.

XXIII.—The Development of Brief Narrative in Modern French Literature: A Statement of the Problem

PMLA ◽  
1917 ◽  
Vol 32 (4) ◽  
pp. 583-597
Author(s):  
Horatio E. Smith
Keyword(s):  
United States ◽  
Henry James ◽  
French Literature ◽  
English Language ◽  
The United States ◽  
Modern Literature ◽  
Low Grade ◽  
The World ◽  
Bret Harte

Brief narrative, at first thought, connotes the abridged fiction of low grade with which American magazines are now saturated; but as soon as the term is used to cover the whole field in modern literature, it calls to mind a genre which, under various names, has risen to a position of dignity in many places in the world and has worthily engaged the attention of literary historians, particularly in America and in Germany.The chief features in the development of the form in the United States and England have been discussed at length, and there is now a definitive record, with abundant bibliographical apparatus, of its evolution. Poe is looked upon as the pioneer, and his perpetually quoted definition (1842) has set a standard for the majority of the practitioners of the art in the English language. The form suggests, for America, such experts as Hawthorne, Bret Harte, and Henry James; in England it does not gain the attention of writers of the first magnitude until near the end of the century, in the persons of Stevenson and Kipling.

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