Essays on Literature and Music (1985 – 2013) by Walter Bernhart
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Published By Brill | Rodopi

9789004302709, 9789004302709, 9789004302747, 9789004302747

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Metareference in Operatic Performance: The Case of Katharina Wagner’s Die Meistersinger von Nürnberg [2011]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_036 ◽

2015 ◽

pp. 447-458

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“Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_031 ◽

2015 ◽

pp. 381-390

Keyword(s):

Sir Walter Scott ◽

Walter Scott

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Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_023 ◽

2015 ◽

pp. 281-289

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Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_018 ◽

2015 ◽

pp. 235-249

Keyword(s):

Song Cycles

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‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_009 ◽

2015 ◽

pp. 129-136

Keyword(s):

Comparative Poetics

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An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_008 ◽

2015 ◽

pp. 115-128

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Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_030 ◽

2015 ◽

pp. 369-379

Keyword(s):

Total Destruction

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‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_028 ◽

2015 ◽

pp. 339-353

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Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_022 ◽

2015 ◽

pp. 275-280

Keyword(s):

Peter Grimes

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“... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart ◽

10.1163/9789004302747_034 ◽

2015 ◽

pp. 413-430

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Essays on Literature and Music (1985 – 2013) by Walter BernhartLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Brill | Rodopi

Metareference in Operatic Performance: The Case of Katharina Wagner’s Die Meistersinger von Nürnberg [2011]

“Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008]

Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002]

Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001]

‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995]

An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995]

Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007]

‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006]

Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003]

“... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009]

Essays on Literature and Music (1985 – 2013) by Walter Bernhart
Latest Publications