Critical Approaches to the Production of Music and Sound
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Published By Bloomsbury Publishing Plc

9781501332074, 9781501332050

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

Crowdfunding and Alternative Modes of Production

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0025 ◽

2018 ◽

Author(s):

Mark Thorley

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Six Types of Silence

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0022 ◽

2018 ◽

Author(s):

Richard Osborne

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“All Sounds Are Created Equal”: Mediating Democracy in Acousmatic Education

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0015 ◽

2018 ◽

Author(s):

Patrick Valiquet

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“An Indestructible Sound”: Locating Gender in Genres Using Different Music Production Approaches

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0010 ◽

2018 ◽

Author(s):

Paula Wolfe

Keyword(s):

Music Production

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Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0019 ◽

2018 ◽

Author(s):

Owen Marshall

Keyword(s):

Conversational Repair

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Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0013 ◽

2018 ◽

Author(s):

Karl Neuenfeldt

Keyword(s):

Torres Strait Islander ◽

Indigenous Music ◽

Torres Strait

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Intermixtuality: Case Studies in Online Music (Re)production

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0024 ◽

2018 ◽

Author(s):

Samantha Bennett

Keyword(s):

Case Studies ◽

Online Music

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Weapons of Mass Deception: The Invention and Reinvention of Recording Studio Mythology

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0018 ◽

2018 ◽

Author(s):

Alan Williams

Keyword(s):

Recording Studio

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Listening to or Through Technology: Opaque and Transparent Mediation

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0021 ◽

2018 ◽

Cited By ~ 1

Author(s):

Ragnhild Brøvig-Hanssen

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Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance

Critical Approaches to the Production of Music and Sound ◽

10.5040/9781501332074.0016 ◽

2018 ◽

Author(s):

Mike D’Errico

Keyword(s):

Hip Hop ◽

Dance Music ◽

Electronic Dance Music ◽

Music Production ◽

And Performance

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Critical Approaches to the Production of Music and SoundLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Bloomsbury Publishing Plc

Crowdfunding and Alternative Modes of Production

Six Types of Silence

“All Sounds Are Created Equal”: Mediating Democracy in Acousmatic Education

“An Indestructible Sound”: Locating Gender in Genres Using Different Music Production Approaches

Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair

Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music

Intermixtuality: Case Studies in Online Music (Re)production

Weapons of Mass Deception: The Invention and Reinvention of Recording Studio Mythology

Listening to or Through Technology: Opaque and Transparent Mediation

Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance

Critical Approaches to the Production of Music and Sound
Latest Publications