A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings
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Published By Bloomsbury T&T Clark

9780567672346, 9780567672322, 9780567672339

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Exodus: Gods and Kings and The Secular-Religious Transgression of Sacred Boundaries

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0013 ◽

2016 ◽

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Exodus: Male Gods and Kings This article is a revised version of one of the Tate-Willson lectures I presented at Southern Methodist University in March 2015. I take this opportunity to thank the University for the invitation and my audience for their questions and stimulating discussion.

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0007 ◽

2016 ◽

Keyword(s):

Southern Methodist University ◽

The University

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‘Hmmm… but Loved the Plagues’: on Engaging with Ridley Scott’s Epic and its Audiences

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0005 ◽

2016 ◽

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Once upon an Apocalypse: Exodus, Disaster, and A Long, Long Time Ago? I would like to thank David Tollerton for organizing the fantastic event which led to this volume, and also all my co-presenters for their inspiring thoughts and invaluable feedback.

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0010 ◽

2016 ◽

Keyword(s):

Long Time ◽

The Fantastic

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Picturing the Plagues and Parting the Waves: The Biblical Effect in Exodus: Gods and Kings This article is indebted to the supportive and wide-ranging conversations with colleagues at conferences and seminars held at the University of Exeter (‘Exodus and the 21st Century Bible Film’, 26–27 March 2015) and University of Chichester (‘The Use of the Bible in Contemporary Culture’, 25–27 June 2015). My thanks go to David Tollerton, Jonathan Morgan, Katie Edwards, David Shepherd, Michelle Fletcher, and Catherine Wheatley. Petri Merenlahti was also of great assistance in helping me source material at a moment’s notice.

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0011 ◽

2016 ◽

Keyword(s):

21St Century ◽

Source Material ◽

Contemporary Culture ◽

The Bible ◽

The University ◽

The Waves

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‘See this Great Sight’: Ridley Scott’s Exodus: Gods and Kings and The Evolution of Biblical Spectacle in the Cinema

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0009 ◽

2016 ◽

Cited By ~ 1

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Depicting the Divine: The Ambiguity of Exodus 3 in Exodus: Gods and Kings Thanks are due to David Tollerton for a number of thought–provoking post–film discussions which helped shape some of the ideas presented here, as well as for pointing me in the direction of some of the more interesting (and occasionally bizarre) media reactions to the film.

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0006 ◽

2016 ◽

Download Full-text

The Birth of a Nation: Civil Religion and Ridley Scott’s Exodus: Gods and Kings

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0012 ◽

2016 ◽

Keyword(s):

Civil Religion

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Interpreting the Entrails: Religion and Violence in Exodus: Gods and Kings

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings ◽

10.5040/9780567672346.0008 ◽

2016 ◽

Download Full-text

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and KingsLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Bloomsbury T&T Clark

Exodus: Gods and Kings and The Secular-Religious Transgression of Sacred Boundaries

Exodus: Male Gods and Kings This article is a revised version of one of the Tate-Willson lectures I presented at Southern Methodist University in March 2015. I take this opportunity to thank the University for the invitation and my audience for their questions and stimulating discussion.

‘Hmmm… but Loved the Plagues’: on Engaging with Ridley Scott’s Epic and its Audiences

Once upon an Apocalypse: Exodus, Disaster, and A Long, Long Time Ago? I would like to thank David Tollerton for organizing the fantastic event which led to this volume, and also all my co-presenters for their inspiring thoughts and invaluable feedback.

‘See this Great Sight’: Ridley Scott’s Exodus: Gods and Kings and The Evolution of Biblical Spectacle in the Cinema

The Birth of a Nation: Civil Religion and Ridley Scott’s Exodus: Gods and Kings

Interpreting the Entrails: Religion and Violence in Exodus: Gods and Kings

A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings
Latest Publications