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Published By Fordham University Press

9780823251780

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Introduction. Poetry after Translation: Cultural Circulation and the Transferability of Form in Modern Transatlantic Poetry

After Translation ◽

10.5422/fordham/9780823251780.003.0001 ◽

2013 ◽

pp. 1-21

Author(s):

Ignacio Infante

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/ The Digital Vernacular: “Groundation” and the Temporality of Translation in the Postcolonial Caribbean Poetics of Kamau Brathwaite

After Translation ◽

10.5422/fordham/9780823251780.003.0006 ◽

2013 ◽

pp. 146-176

Author(s):

Ignacio Infante

Keyword(s):

Kamau Brathwaite ◽

Postcolonial Caribbean

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/ Transferring the “Luminous Detail”: Sousândrade, Pound, and the Imagist Origins of Brazilian Concrete Poetry

After Translation ◽

10.5422/fordham/9780823251780.003.0005 ◽

2013 ◽

pp. 117-145

Author(s):

Ignacio Infante

Keyword(s):

Concrete Poetry

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/ Heteronymies of Lusophone Englishness: Colonial Empire, Fetishism, and Simulacrum in Fernando Pessoa’s English Poems I–III

After Translation ◽

10.5422/fordham/9780823251780.003.0002 ◽

2013 ◽

pp. 22-50

Author(s):

Ignacio Infante

Keyword(s):

Colonial Empire

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Afterword. The Location of Translation: The Atlantic and the (Relational) Literary History of Modern Transnational Poetics

After Translation ◽

10.5422/fordham/9780823251780.003.0007 ◽

2013 ◽

pp. 177-188

Author(s):

Ignacio Infante

Keyword(s):

Literary History ◽

History Of

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/ Queering the Poetic Body: Stefan George, Federico García Lorca, and the Translational Poetics of the Berkeley Renaissance

After Translation ◽

10.5422/fordham/9780823251780.003.0004 ◽

2013 ◽

pp. 81-116

Author(s):

Ignacio Infante

Keyword(s):

Federico Garcia Lorca ◽

Stefan George ◽

Berkeley Renaissance

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/ The Translatability of Planetary Poiesis: Vicente Huidobro’s Creacionismo in Temblor de cielo / Tremblement de ciel

After Translation ◽

10.5422/fordham/9780823251780.003.0003 ◽

2013 ◽

pp. 51-80

Author(s):

Ignacio Infante

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