computation paradigms
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Quantum ◽  
2020 ◽  
Vol 4 ◽  
pp. 327 ◽  
Author(s):  
Loïc Henriet ◽  
Lucas Beguin ◽  
Adrien Signoles ◽  
Thierry Lahaye ◽  
Antoine Browaeys ◽  
...  

The manipulation of neutral atoms by light is at the heart of countless scientific discoveries in the field of quantum physics in the last three decades. The level of control that has been achieved at the single particle level within arrays of optical traps, while preserving the fundamental properties of quantum matter (coherence, entanglement, superposition), makes these technologies prime candidates to implement disruptive computation paradigms. In this paper, we review the main characteristics of these devices from atoms / qubits to application interfaces, and propose a classification of a wide variety of tasks that can already be addressed in a computationally efficient manner in the Noisy Intermediate Scale Quantum\cite{Preskill_NISQ} era we are in. We illustrate how applications ranging from optimization challenges to simulation of quantum systems can be explored either at the digital level (programming gate-based circuits) or at the analog level (programming Hamiltonian sequences). We give evidence of the intrinsic scalability of neutral atom quantum processors in the 100-1,000 qubits range and introduce prospects for universal fault tolerant quantum computing and applications beyond quantum computing.


2019 ◽  
Vol 7 (1) ◽  
pp. 98-114 ◽  
Author(s):  
Mohammed Alawad ◽  
Mingjie Lin

2016 ◽  
Vol 2 (1) ◽  
pp. 30-48 ◽  
Author(s):  
Wei-Yu Tsai ◽  
Xueqing Li ◽  
Matthew Jerry ◽  
Baihua Xie ◽  
Nikhil Shukla ◽  
...  

Leonardo ◽  
2003 ◽  
Vol 36 (1) ◽  
pp. 55-59 ◽  
Author(s):  
Eduardo Reck Miranda

In this article, the author focuses on issues concerning musical composition practices in which emergent behavior is used to generate musical material, musical form or both. The author gives special attention to the potential of cellular automata and adaptive imitation games for music-making. The article begins by presenting two case-study systems, followed by an assessment of their role in the composition of a number of pieces. It then continues with a discussion in which the author suggests that adaptive imitation games may hold the key to fostering more effective links between evolutionary computation paradigms and creative musical processes.


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