From Extraordinary Success to No Considerable Results: Victorian Music Entrepreneurialism and the Crystal Palace Brass Band Competition 1860–1863

The July 1860 Crystal Palace Brass Band contest brought brass bands out of their heartlands to London in unprecedented numbers, The Times (12 July 1860, 9), lauding its success as ‘quite extraordinary’. This landmark event was repeated in three successive years, but in 1863 it was abruptly terminated, and no cogent explanation has been established for its failure. The entrepreneur organizing the contests, Enderby Jackson, later wrote in his autobiography that other business dealings prevented him from further involvement in the series. Jackson had made full use of his talents and contacts to bring these remarkable working-class musical ensembles to the emergent national attraction that was the Crystal Palace. However, Jackson's manipulation of publicity and managerial style obstruct easy analysis of the contests. Moreover, Jackson later sought to protect his legacy by conjuring a smokescreen in his memoirs to obscure the real reasons for the failure of the Crystal Palace contests after 1863. The entrepreneurial environment is never a stable one, and it should not be presumed that the accolades accorded to the opening contest would translate into its continuance on an annual basis. However, the fact that the contests were attended by many thousands of visitors each year and Jackson's assertion that they were a financial success stand in stark contrast to what is implied by their sudden end. This article demonstrates how close examination of previously unconsidered letters, surviving documentation, and other sources cast doubt on whether the contest series was ever an extraordinary success.

Correlation-Induced Band Competition in SrTiO3/LaAlO3

ABSTRACTThe oxide interface SrTiO3/LaAlO3 supports a 2D electron liquid displaying superconductivity and magnetism, while allowing for a continuous control of the electron density using a gate. Our recent measurements have shown a similar surprising nonmonotonic behavior as function of the gate voltage (carrier density) of three quantities: the superconducting critical temperature and field, the inverse Hall coefficient, and the frequency of quantum oscillations. While the total density has to be monotonic as function of gate, the last result indicates that one of the involved bands has a nonmontonic occupancy as function of the chemical potential. We show how electronic interactions can lead to such an effect, by creating a competition between the involved bands and making their sturcture non-rigid, and thus account for all these effects. Adding Fock terms to our previous Hartree treatment makes this scenario even more generic.

The Fair Sax: Women, Brass-Playing and the Instrument Trade in 1860s Paris

On 29 August 1865, an audience of critics and the general public gathered at the Salle Herz in Paris to witness and pass judgment on the results of an experiment set up three years earlier by the instrument manufacturer Alphonse Sax Jr, who aimed to demonstrate not only that women were capable of playing brass instruments, but that it was in their interests — on moral, health and potentially even career grounds — to do so. Although this concert of brass-band music, with supplementary items for harp and voice, marked the band's third public appearance (they had performed at the Palais d'Industrie in December 1864 and at a brass-band competition in Orbec earlier in August 1865), it was their first appearance at a major concert venue and represented their début in front of the massed Parisian press. When they walked on stage, members of the audience sniggered at the sight of a group of young women carrying brass instruments covering the entire range from the portable cornet to the heavyweights of the bass section. Plainly dressed, with only moderately full skirts, they proceeded to play an arrangement of Partant pour la Syrie, a popular romance set as a quick march, which was then thought to be by Eugénie de Beauharnais, and which under the reign of her son Napoléon III had gained the status of a national hymn. The march had been arranged by the group's conductor, Laure Micheli, who directed the ensemble in two other pieces. To wide acclaim, Émilie Lacroix then played a set of variations for cornet à pistons, arranged by J.-B. Dias, on the tune Le carnaval de Venise. The remaining members of the sextet are shadowy figures: Mlle Dias on second cornet (presumably the sister or daughter of the arranger Dias), Mlle Suzanne Legrand and Mme Neckra in the alto section, and Mlle Marie Legrand (presumably the sister of Suzanne) and Mme Worms playing bass instruments. The supporting artists were all women: the singers Mlle Marcus (also referred to in the press as Mlle Marens or Mlle Marius) and Mme Neulat de Chambon, and the harpist Mlle Waldteufel (a joint first-prize winner at the Paris Conservatoire and former pupil of Antoine Prumier); Suzanne Legrand doubled as accompanist for the singers.

Planted Pine Growth and Survival Responses to Herbaceous Vegetation Control, Treatment Duration, and Herbicide Application Technique

Height, diameter, and survival of loblolly (Pinus taeda), longleaf (Pinus palustris), and slash (Pinus elliottii) pines in 16 plantations aged 2 through 7 yr were summarized for plots receiving herbaceous vegetation control treatments and for untreated check plots. Treatments tested at one or more sites included spot, banded, and broadcast herbicide applications for the first one or two growing seasons after planting. Analyses of variance and orthogonal contrasts were used to evaluate the effects of one or more of the following factors at each site: herbaceous vegetation control (treated vs. check); treatment duration (1 vs. 2 yr); and application method (band vs. broadcast or spot vs. band). Competition control had a significant positive effect on height and diameter at all 16 locations, and on survival or density where competition was most intense (5 of 14 sites). A second year of herbaceous vegetation control led to significant additional gains in height and diameter at 6 and 7 of the 10 locations, respectively, where those effects could be tested. Application technique had no significant influence on any pine attribute measured. South. J. Appl. For. 11(4):223-227.