According to the basic assumption that monuments are the aesthetic
mediators of memory—primarily the memory of the dead—the essay
aims to discuss the imaginary of the body as a sepulchral monument.
Taking as a starting point the legend of Artemisia of Caria, who celebrated
the memory of her dead husband/brother Mausolus both by having the
Mausoleum of Halicarnassus erected and by drinking Mausolus’ ashes so
as to turn herself into his living sarcophagus, the analytic focus is on the
replication of similar symbolic practices in contemporary culture, namely
in the field of organ transplantation. The transplanted patient receives
and preserves within his/her body the organ of the deceased donor, thus
becoming, even if unintentionally, the donor’s memorial monument.