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2021 ◽  
Vol 13 (2) ◽  
pp. 17-35
Author(s):  
Naomi Alexandra Rosedale ◽  
Rebecca Ngaire Jesson ◽  
Stuart McNaughton

Mathematics classrooms have a long history of what has been termed ‘unidimensional' character: a proclivity for student practice routines and teachers as experts and keepers of knowledge. This study investigates affordances of student-created digital learning objects (SC-DLOs) as transformative, design-for-learning practices in the hands of students. Historical distinctions are drawn between digital learning objects (DLOs) and digital learning artefacts (DLAs) primarily for teacher assessment of student learning. SC-DLOs are conceived as students' design for learning for the peer learning community. Hence, SC-DLOs have additional and different learning potential that aligns with 21st century skill development. A corpus of mathematics SC-DLOs (n=155) were analysed from learner blogs (Year 7-8) in a 1:1 digital initiative in New Zealand. A mixed-methods approach was used to investigate features of students' multimodal design for learning. A framework of implications informs and problematises understandings of transformative digital creation by students in mathematics.


Author(s):  
Fauziah Salleh ◽  
Saiful Farik Mat Yatin ◽  
Rohaniza Md Radzi ◽  
Mohd Said Kamis ◽  
Sohaimi Zakaria ◽  
...  
Keyword(s):  

2020 ◽  
Author(s):  
Livia Giacomini ◽  
Giuseppe Cutispoto ◽  
Mauro Gargano ◽  
Anna Wolter

<p>"Observe the Sky and draw your emotions" is an art competition for students organized in Italy by the National Institute for Astrophysics (INAF). Students of primary and secondary schools are invited to participate submitting their original drawings, paintings or 3Dmodels inspired by an astronomical object, by space exploration or just by observing the sky.</p> <p>The competition was started in 2007 by the Catania Astrophysical Observatory and in the following years it grew in participation, going from local to a national level. In 2020 it was transformed in a digital initiative, thanks to the collaboration of the Capodimonte Astronomical Observatory of Naples and of EduINAF, INAF's new Online Magazine dedicated to Public Engagment. For the first time, the competition was organized and hosted by an online portal and opened for participants across the all country, reaching over 330 drawings, paintings and 3D models submitted.</p> <p>In this video presentation we will highlight the 12 winners of the last edition and a selection of the most beautiful and original entries of the 2020 and previous editions, showing how the sky can inspire the youngest and give birth to a form of artistic expression.</p>


Author(s):  
Reza Ahmadian ◽  
Nicolas Tcherniguin ◽  
Jean-François Tiberti

Abstract The history of engineering shows many design solutions undergoing further improvements over time to optimize the system and eventually perfect it. However today, with a tendency for design specifications to be much stricter and with ever increasing commercial pressure to save time, materials and cost, there is a need to reach perfectible limits of an engineering system in the first step of the design process. It is therefore increasingly necessary to anticipate the design in a shorter time to maintain the schedule and therefore the competitiveness of the project. This emerging reality is most evident during the early phase of projects when the time is very short to prepare a robust budget in a competitive situation (either between solutions or providers). In this scenario, precise estimation of weight (which is strongly correlated to cost) and a prediction of its evolution during the course of all phases of an offshore project is critical when considering the overall economics, and hence the viability, of a development. The objective of this paper is to provide a summary of a digital initiative, sponsored by the Onshore/Offshore Global Business Unit (GBU) of TechnipFMC, with the aim of using data science and data mining techniques to improve the operational efficiency of our activities. This digital initiative aims to better understand the evolution of the weight of offshore industrial projects that TechnipFMC designs and identify the impact of each influencing variable. During the first phase, data mining algorithms are developed to automatically extract the influencing variable data from past project documentation including graphs from scanned documents using data science techniques such as transfer learning. In the second phase, the extracted data is automatically stored in a data base allowing analysis for specific causes of variance in weights. During the third phase, statistical models are used to highlight the influencing variables and their impact on the evolution of weight, giving trends which lead to an understanding of the increase or decrease of the weight. Finally, the developed algorithms can provide an estimation of the topside weight according to the design basis variables of a new project using machine learning techniques.


2020 ◽  
Vol 39 (4) ◽  
pp. 359-390
Author(s):  
Reza Ashari Nasution ◽  
Devi Arnita ◽  
Linda Sendy Lediana Rusnandi ◽  
Elis Qodariah ◽  
Priyantono Rudito ◽  
...  

PurposeOur research objective here is to contribute theoretically and empirically to providing a gap model of digital mastery development in a company. The gap model will be a reference for the companies to develop their digital mastery.Design/methodology/approachTo gain deeper insights into the study, a mixed method of qualitative and quantitative was performed. The level of digital mastery of the organization was determined using quantitative techniques through a self-assessment questionnaire. Meanwhile, digital mastery at the individual level was measured by a qualitative method using an open-ended (essay format) survey questions.FindingsThe findings show a stark difference between the organization and individual regarding their digital mastery level. At the end of the paper, the authors suggest some remedies that will help those companies narrowing the gap and fulfill the agenda of their digital transformation.Research limitations/implicationsFurther research should analyze more industries or companies, conducting case studies to discover more detailed findings as to where the gaps are located or conducting digital readiness and leadership skills at the individual level to discover the direction of development of digital technology in a company. We expect this research can be replicated in other countries, so that wider general insights into the development of digital technology may be obtained.Practical implicationsUpper-area companies are indicated by their execution of partial digital initiative in the company which results in the lack of socialization of the ongoing digital activities into the individual level. Companies, especially Top Management, need to develop more knowledge about digital application and transformation to every individual in the company. Meanwhile, lower-area companies should improve their engagement across all organization members. The companies should be able to take advantage of their existing employees who possess knowledge in digital application and transformation and generated various artifacts to motivate other employees to jointly transform the organization into a Digital Master.Originality/valueOur study compares the perception toward digital mastery at the organization and individual levels. Both levels are different and need to be compared, as suggested by Schuchmann and Seufert (2015) and Hinings et al. (2018). Comparison at both levels does not exist at the time of this study. Accordingly, what problems and challenges are faced by companies undergoing a digital transformation will largely remain unknown.


Author(s):  
Marc Pilkington

Can globalization be socially inclusive through new 2.0 digital initiatives? This is the thought-provoking question we ask in this article, with a special focus on the Republic of Moldova. Part 1 begins with a reflection on the intersection between globalization, development studies and the current Moldovan context. Part 2 is devoted to the promising field of emergent tourism, and more particularly, tourism 2.0, a blossoming concept that we try to uncover. Part 3 presents a concrete application with the example of Moldova Tours 2.0, a digital initiative in the field of tourism 2.0 in the Republic of Moldova. Various aspects of this project are highlighted and analyzed.


Author(s):  
Katherine R. Larson

The Epilogue presents two central conclusions: (1) that song is a slippery and multidimensional form that demands to be considered in embodied, gendered, and performance-based terms, and (2) that song constituted a vital, and vitally charged, rhetorical medium for women writers, performers, and patrons in the sixteenth and seventeenth centuries. The Epilogue also open up future areas of critical inquiry, both in relation to early modern women’s writing and literary studies more broadly. In particular, it introduces Early Modern Songscapes, an emergent collaborative and interdisciplinary digital initiative that is responding directly to the methodological questions raised by The Matter of Song in Early Modern England.


Author(s):  
Maialen Marin-Lacarta ◽  
Mireia Vargas-Urpi

   Recent technological changes have affected translators’ professional boundaries and status. However, scant attention has been paid to the new opportunities that have been created for professional literary translators. Our research focuses on ¡Hjckrrh!, a de facto non-profit self-publishing initiative led by three professional translators who are involved in the publishing of literary translations in ebook format – they share the same professional expertise, but assume different roles in the initiative. An ethnography-inspired qualitative method has been adopted by the researchers. This paper is based on fourteen interviews with participants who have collaborated with ¡Hjckrrh!, comprising eleven translators (including the three founding members of ¡Hjckrrh!), two proofreaders and a graphic designer. The paper aims at studying translators’ roles, production teams and relationships, and pays special attention to the agency and visibility of translators. Our findings show that technology has had a positive impact on translator agency, status and identity among the founding members and collaborators of ¡Hjckrrh!. These translators have used the shifting professional boundaries and technological advances to develop their roles as cultural mediators. The article describes the work of the translators who collaborate in this digital initiative and discusses the ways they relate to each other, the roles they play and how they cross professional boundaries. The conclusions identify the relationships and opportunities created by this new work environment. 


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