confessio amantis
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2021 ◽  
Vol 57 (1) ◽  
pp. 121-141
Author(s):  
Jennifer Garrison

Despite its reputation as socially and politically conservative, John Gower’s fourteenth-century Confessio Amantis highlights sexual violence against women as a central cultural injustice and presents women’s rape narratives as a potentially powerful force for social and political change. This essay focuses on three of Gower’s tales in which women tell their own rape narratives with dramatic and lasting consequences: Mundus and Paulina, Tarquin and Lucrece, and Tereus and Philomena. In all three instances, these women’s narratives of suffering are socially transformative precisely because they threaten the masculine chivalric ideal. For Gower, rape is a direct result of the cultural belief that aristocratic men can and should force the less powerful to submit to their desires for total political and sexual control. Far from trivializing rape or fetishizing women’s suffering, Gower repeatedly argues that rapes are violent acts against entire communities and that women’s rape narratives have the potential to transform and reform those very communities.


The Library ◽  
2020 ◽  
Vol 21 (4) ◽  
pp. 445-476
Author(s):  
Zachary E Stone

Abstract Ranging from an eleventh-century Gospel Book to a fifteenth-century copy of John Gower's Confessio Amantis, the medieval manuscripts of Wadham College merit more extensive consideration than they have hitherto received. This article seeks to enable and encourage the continued investigation of Wadham College's manuscript collection by providing preliminary descriptions for eight manuscripts lacking modern descriptions (MSS 1, 2, 5, 9, 11, 12, 13, and 10.19).


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