presentation level
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2019 ◽  
pp. 1 ◽  
Author(s):  
Nicholas J. Thompson ◽  
Stacey L. G. Kane ◽  
Nicole E. Corbin ◽  
Michael W. Canfarotta ◽  
Emily Buss

2019 ◽  
Vol 62 (10) ◽  
pp. 3876-3886 ◽  
Author(s):  
Sittiprapa Isarangura ◽  
Ann C. Eddins ◽  
Erol J. Ozmeral ◽  
David A. Eddins

Purpose Spectral modulation detection is an increasingly common assay of suprathreshold auditory perception and has been correlated with speech perception performance. Here, the potential effects of stimulus duration and stimulus presentation level on spectral modulation detection were investigated. Method Spectral modulation detection thresholds were measured as a function of modulation frequency in young, normal-hearing listeners. The standard stimulus was a bandpass noise, and signal stimuli were created by superimposing sinusoidal spectral modulation on the bandpass noise carrier. The modulation was sinusoidal on a log 2 frequency axis and a log 10 (dB) amplitude scale with a random starting phase (0–2π radians). In 1 experiment, stimulus durations were 50, 100, 200, or 400 ms (at fixed level 81 dB SPL). In a 2nd experiment, stimuli were presented at sensation levels of 10, 20, 30, 40, and 60 dB SL (fixed at a duration of 400 ms). Results Spectral modulation detection thresholds were similarly low for the 400- and 200-ms durations, increased slightly for the 100-ms duration, and increased markedly for the 50-ms duration. Thresholds were lowest for 40 dB SL; increased slightly for 20, 30, and 60 dB SL; and markedly higher for the 10–dB SL condition. Conclusions The increase in thresholds for the shortest durations and lowest sensational levels is consistent with previous investigations of auditory spectral profile analysis. The effects of presentation level and stimulus duration are important considerations in the context of understanding potential relationships between the perception of spectral cues and speech perception, when designing investigations and interpreting data related to spectral envelope perception, and in the context of models of auditory perception. As examples, 2 simple models based on auditory nerve output that have been used to explain spectrotemporal modulation in previous investigations produced an output inconsistent with the present results. Plain language summary Intensity variations across audio frequency lead to spectral shapes that are essential and sometimes signature features of various sounds in the environment, including speech. Here, we show how laboratory measures of spectral shape perception depend on presentation level and stimulus duration.


2019 ◽  
Vol 126 ◽  
pp. 92-101
Author(s):  
Maria De Marsico ◽  
Federico Ponzi ◽  
Federico Scozzafava ◽  
Genoveffa Tortora
Keyword(s):  

2019 ◽  
Vol 23 ◽  
pp. 233121651983384 ◽  
Author(s):  
Patrick Neff ◽  
Lisa Zielonka ◽  
Martin Meyer ◽  
Berthold Langguth ◽  
Martin Schecklmann ◽  
...  

Recent studies have compared tinnitus suppression, or residual inhibition, between amplitude- and frequency-modulated (AM) sounds and noises or pure tones (PT). Results are indicative, yet inconclusive, of stronger tinnitus suppression of modulated sounds especially near the tinnitus frequency. Systematic comparison of AM sounds at the tinnitus frequency has not yet been studied in depth. The current study therefore aims at further advancing this line of research by contrasting tinnitus suppression profiles of AM and PT sounds at the matched tinnitus frequency (i.e., 10 and 40 Hz AM vs. PT). Participants with chronic, tonal tinnitus (n = 29) underwent comprehensive psychometric, audiometric, tinnitus matching, and acoustic stimulation procedures. Stimuli were presented for 3 minutes in two loudness regimes (60 dB sensation level [SL], minimum masking level [MML] + 6 dB, control sound: SL −6 dB) and amplitude modulated with 0, 10, or 40 Hz. Tinnitus loudness suppression was measured after the stimulation every 30 seconds. In addition, stimuli were rated regarding their valence and arousal. Results demonstrate only trends for better tinnitus suppression for the 10 Hz modulation and presentation level of 60 dB SL compared with PT, whereas nonsignificant results are reported for 40 Hz and MML + 6 dB, respectively. Furthermore, the 10 Hz AM at 60 dB SL and the 40 Hz AM at MML + 6 dB (trend) stimuli were better tolerated as elicited by valence ratings. We conclude that 10 Hz AM sounds at the tinnitus frequency may be useful to further elucidate the phenomenon of residual inhibition.


2019 ◽  
Vol 371 ◽  
pp. 11-18 ◽  
Author(s):  
Sara Magits ◽  
Arturo Moncada-Torres ◽  
Lieselot Van Deun ◽  
Jan Wouters ◽  
Astrid van Wieringen ◽  
...  

2018 ◽  
Author(s):  
Sara Magits ◽  
Arturo Moncada-Torres ◽  
Lieselot Van Deun ◽  
Jan Wouters ◽  
Astrid van Wieringen ◽  
...  

AbstractThe understanding of speech in noise relies (at least partially) on spectrotemporal modulation sensitivity. This sensitivity can be measured by spectral ripple tests, which can be administered at different presentation levels. However, it is not known how presentation level affects spectrotemporal modulation thresholds. In this work, we present behavioral data for normal-hearing adults which show that at higher ripple densities (2 and 4 ripples/oct), increasing presentation level led to worse discrimination thresholds. Results of a computational model suggested that the higher thresholds could be explained by a worsening of the spectrotemporal representation in the auditory nerve due to broadening of cochlear filters and neural activity saturation. Our results demonstrate the importance of taking presentation level into account when administering spectrotemporal modulation detection tests.


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