Estética de la resonancia. (una mirada a la obra de vassily kandinski desde una óptica deleuzeana)

ESTÉTICA DE LA RESONANCIA (UNA MIRADA A LA OBRA DE VASILY KANDINSKI DESDE UNA ÓPTICA DELEUZEANA)RESUMEN El presente texto aborda la obra pictórica de Vasily Kandinski y la estrecha relación que esta tiene con la música. El análisis que se hace de la obra de Kandinski tiene como punto de referencia la reflexión estética de la filosofía de Gilles Deleuze. Figuras conceptuales como devenir, inmanencia y acontecimiento son la base de este estudio; con ellas se pretende un acercamiento crítico a la obra del pintor ruso con miras a su interpretación.PALABRAS CLAVES Pintura, música, color, sonido, sensación, percepto, afecto, bloque de sensaciones, vacío, devenir, acontecimiento.KAWAI SUG RURAITA VASILI KANDISKI DELEUZEANASUGLLAPIKai kilkapi munanakume parlangapa sug runa suti Vasily Kandisky ruraskata kawachingapa manema allila wawankuna tunaita chasallata munakume llullachingapa chasata kawachinpaga sug rurai Gilles Deleuze. Paikuna munanakume kai mailla parlukunawa sug rurai sug runa, ruso ruraskata kawaspa llachachispaIMA SUTI RIMAI SIMI:Kakui, tunai, ullaii, chasa rurai, rurangapa achka llullakuna.AESTHETICS OF RESONANCE (A LOOK AT THE WORK OF VASSILY KANDINSKY FROM A DELEUZIAN PERSPECTIVE)ABSTRACT This paper attempts an approach to the paintings of Vassily Kandinsky and their close relationship with music. The analysis of Kandinsky’s work has as a point of origin the aesthetic reflections found in Gilles Deleuze’s philosophy. Conceptual figures such as becoming, immanence and event, are the basis of this study, which seeks an approach to a critical interpretation of the Russian painter’s work.KEYWORDS Painting, music, color, sound, sensation, percept,ESTHÉTIQUE DE LA RÉSONANCE (UN REGARD SUR LE TRAVAIL DE VASSILY KANDINSKY À PARTIR D’UNE PERSPECTIVE DELEUZIENNE)RÉSUMÉ Cet article tente une approche des peintures de Vassily Kandinsky et de la relation étroite de son travail avec la musique. L’analyse de l’œuvre de Kandinsky a comme point d’origine la réflexion esthétique de la philosophie de Gilles Deleuze. Des figures conceptuelles telles que le devenir, l’immanence et l’événement sont à la base de cette étude, qui vise une approche à une interprétation critique du travail du peintre russe.MOTS-CLEFS Peinture, musique, couleur, son, sensation, percept, affection, bloc de sensations, vide, devenir, événementESTÉTICA DA RESSONÂNCIA UM OLHAR À OBRA DE VASILY KANDINSKI DESDE UMA ÓTICA “DELEUZEANA” RESUMOO presente texto aborda a obra pictórica de Vasily Kandinski e a estreita relação que esta tem com a música. A análise que se faz da obra de Kandinski tem como ponto de referência a reflexão estética da filosofia de Gilles Deleuze. Figuras conceituais como devir, imanência e acontecimento são à base deste estudo; com elas se pretende uma aproximação crítica à obra do pintor russo com miras a sua interpretaçãoPALAVRAS CHAVES Pintura, música, cor, som, sensação, preceito, afeto, bloco de sensações, vazio, devir, acontecimento

Investigation of Tinnitus Induced by Sound and Its Relationship to Ongoing Tinnitus

Tinnitus was temporarily induced by monaurally presented sound, and its level monitored using a dichotic loudness-matching task. The first experiment found no effect of varying the level, bandwidth, or center frequency of an inducing noise on the level or duration of the induced tinnitus; nor was there any difference when tones or different noises were used to induce tinnitus. The rated loudness of the tinnitus, however, increased with the level and decreased with the center frequency of the noise. The second experiment investigated tinnitus induced by a 1-kHz, 95-dB SPL tone in 53 subjects with thresholds in the normal range, but with varying degrees of ongoing tinnitus that ranged from no discernible sound sensation at all, through an apparently normal but usually inaudible noise or ringing, to constant or near-constant tinnitus. Individual differences in induced tinnitus were found that were related to differences in ongoing tinnitus; for example, the levels of induced and ongoing tinnitus were positively correlated. The results suggest that some kinds of ongoing tinnitus may arise from the auditory process responsible for induced tinnitus.