Feminist Bunker Fantasies

Feminist science fiction emerged during the late 1970s as a creative and political force, with the nuclear condition as a core element of this new form and its new approach to science fiction. Despite the full awareness and acknowledgment of the horrors underpinning the postapocalyptic world, this body of work as a whole is hopeful and open to the future in ways that most other 1980s bunker fantasies were not. These are not only survivors’ songs, in other words; they are critical engagements with the complexity of historical change that refunctioned the spaces of the Cold War into new configurations. One of the primary, and often the only, positively bunkered spaces in the texts themselves during this period were the analogous forms of language, storytelling, words, and writing. While the positive, enabling bunker potentials of language—and the stultifying effects of its loss—remain a constant theme through this period, the changing representations of physical spaces in relation to language fall into roughly three periods, analogous to political changes in the cultural perception of nuclear threat. The sheltering power of language remains a constant throughout, as do the spatial association of the fallout shelter with masculine social structures and the nuclear condition, along with the central problematic of reproduction and reproductive futurism in relation to survival in a post-holocaust world; however, writers’ treatment of these themes changes.

Mountain Deep

Combining the resources and technical know-how of the private shelter with the pretense to social good of government sponsorship, the federal supershelter encapsulates the paradoxically public-private function of the bunker. Appropriated to ensure continuity of government in the event of a nuclear war, the funds, labor, and raw materials poured into these facilities are as real as can be. At the same time, of all permutations of the bunker space, the government supershelter continues to coalesce around it the more fantastic reveries both of those who know about it directly and of those who only imagine its existence. Since the end of the Cold War, many facilities have been sold, adapted, or abandoned; others continue to serve their military function, some secret and others public. The Cold War supershelter insinuated the advanced technology of modernity into the spaces of ancient myth, creating the form of an “ontological bunker,” a new state of being adequate to the life under the nuclear condition. In this imaginary, the most incomprehensibly and unpredictably destructive force of modern technology, deep mistrust of the government, and enduring fascination with its secret bunkered resources are rendered representable and conscionable by burying them within some of the most ancient spaces of that same world.

The nuclear condition in the twenty-first century: Techno-political aspects in historical and contemporary perspectives

This Introduction presents the seven closely interlinked papers that explore the theme of this Special Issue, and one of the enduring existential questions for International Relations: the nuclear condition in the twenty-first century. The Special Issue is the second to come from two workshops sponsored by a UK Leverhulme grant, and it builds upon the first, more theoretical Special Issue, which brought Classical Realist and Critical Theory texts into dialogue. The major concern in the first Special Issue—the focus on modernity, crises, and humanity—is taken up here in more grounded practical terms, framed around the existential fears of nuclear annihilation. Each of the contributions re-assess the contemporary nuclear condition from within the theoretical frameworks provided by Classical Realism and Critical Theory. The engagement with both traditions allows the contributors to diagnose what is new, and what remains constant, in the contemporary nuclear condition.

After tragedy: Melodrama and the rhetoric of realism

Responding to renewed interest in political rhetoric among contemporary International Relations (IR)–realists, this article advances three main claims. First, it suggests that tragedy—the dominant aesthetic-narrative mode to which these realists have turned in their rhetorical considerations—is ill-suited to the contemporary political moment. In the context of a late-modern “nuclear condition,” the turn to classical tragedy seems set to reproduce the resentful, anti-realist hubris that its promulgators hope to dispel or disenchant. Second, it suggests that late modern politics is widely experienced not in tragic terms but in melodramatic ones, and that contemporary reflexive realists would do well to alter their rhetorical approaches accordingly. Third, it explores rhetorical frameworks that might better meet the challenges posed by politics experienced in such terms.

Life in the nuclear age: Classical realism, critical theory and the technopolitics of the nuclear condition

Classical realist thought provides a diagnosis of the significance nuclear weapons that calls into question the very possibility of politics in the nuclear age. While sharing similarities with this outlook, critical theoretic reflections suggest a more expansive consideration of the nuclear condition as underpinned by combinations of dystopian fears of nuclear destruction and utopian visions of nuclear futures. Most prominently Herbert Marcuse’s critical theory intimates an understanding of the nuclear condition as one that is rendered tolerable so long as nuclear technologies are associated with and related to innovation, progress and modernity. The study of the technopolitics of the nuclear condition might thus look not only to classical realists’ concern with ‘Death in the Nuclear Age’ but also incorporate corresponding critical awareness of claims to the life-sustaining applications of nuclear technologies in areas such as energy production, industry and medicine. Applying an ‘aporetic’ form of immanent critique, and to exemplify how the international politics of the nuclear age has often been predicated on efforts to distinguish and relate different kinds of nuclear technologies, the article revisits the United States–led post-war vision of ‘Atoms for Peace’ and compares it to the International Atomic Energy Agency’s contemporary ‘How the Atom Benefits Life’ campaign.

What is British nuclear culture? UnderstandingUranium 235

In the ever-expanding field of nuclear history, studies of ‘nuclear culture’ are becoming increasingly popular. Often situated within national contexts, they typically explore responses to the nuclear condition in the cultural modes of literature, art, music, theatre, film and other media, as well as nuclear imagery more generally. This paper offers a critique of current conceptions of ‘nuclear culture’, and argues that the term has little analytical coherence. It suggests that historians of ‘nuclear culture’ have tended to essentialize the nuclear to the detriment of historical analysis, and that the wide variety of methodological approaches to ‘nuclear culture’ are simultaneously a strength and a more significant weakness, in that they have little shared sense of the meaning of the term, its theoretical underpinnings or its analytical purchase. The paper then offers a study of Ewan MacColl's 1946 playUranium 235, whose career reveals much about the diversity of cultures of the nuclear in post-war Britain. The study moves us away from a single, homogeneous ‘British nuclear culture’ towards a pluralistic critical history of cultural responses to nuclearization. These responses, I conclude, should be seen as collectively constitutive of the nuclear condition rather than as passive reflections of it.

A Homokaryotic Derivative of a Phanerochaete chrysosporium Strain and Its Use in Genomic Analysis of Repetitive Elements

ABSTRACT Analysis of complex gene families in the lignin-degrading basidiomycete Phanerochaete chrysosporium has been hampered by the dikaryotic nuclear condition. To facilitate genetic investigations in P. chrysosporium strain BKM-F-1767, we isolated a homokaryon from regenerated protoplasts. The nuclear condition was established by PCR amplification of five unlinked genes followed by probing with allele-specific oligonucleotides. Under standard nitrogen-limited culture conditions, lignin peroxidase, manganese peroxidase, and glyoxal oxidase activities of the homokaryon were equivalent to those of the parental dikaryon. We used the homokaryon to determine the genomic organization and to assess transcriptional effects of a family of repetitive elements. Previous studies had identified an insertional mutation, Pce1, within lignin peroxidase allele lipI2. The element resembled nonautonomous class II transposons and was present in multiple copies in strain BKM-F-1767. In the present study, three additional copies of the Pce1-like element were cloned and sequenced. The distribution of elements was nonrandom; all localized to the same 3.7-Mb chromosome, as assessed by segregation analysis and Southern blot analysis of the homokaryon. Reverse transcription-PCR (RT-PCR) showed that Pce1 was not spliced from thelipI2 transcript in either the homokaryon or the parental dikaryon. However, both strains had equivalent lignin peroxidase activity, suggesting that some lip genes may be redundant.