Exploring Trans People’s Narratives of Transition: Negotiation of Gendered Bodies in Physical Activity and Sport

This paper explores how trans people who make transitions negotiate their gendered bodies in different moments of this process, and how their narrative storylines are emplotted in physical activity and (non)organized sports (PAS) participation. A qualitative semi-structured interview-based study was developed to analyze the stories of eight trans people (three trans women, two trans men, and three nonbinary persons) who participated in PAS before and during their gender disclosure. A thematic analysis was conducted to identify the patterns in the transition process and the structural analysis of the stories from the interviews. Three transition moments (the closet, opening up, and reassuring) were identified from the thematic analysis. Most participants showed difficulties in achieving their PAS participation during the two earlier moments. The predominance of failure storylines was found particularly in men, while success was more likely to appear in women because their bodies and choices fitted better with their PAS gender ideals. The nonbinary trans persons present alternative storylines in which corporeality has less influence on their PAS experiences. The knowledge provided on the moments and the stories of transition help to explain trans people’s (non)involvement in PAS and to guide policymaking and professional action in PAS fields.

Linking stakeholder scenarios and shared socioeconomic pathways for policy making in human-water systems

<p>Climate change has caused many environmental problems, as well as water and food insecurity, and health and social impacts in many parts of the world, and especially in the world’s vulnerable regions such as developing countries. Studies have demonstrated the impacts of socio-economic and climate changes and how they result in water and environmental problems at global and regional scales. Socio-economic variation and climatic change influence the dynamic interaction of human and water systems, and our ability to address environmental problems at sub-regional scales. From this perspective, the Shared Socio-economic Pathways (SSPs), as a form of alternative development scenarios, were recently introduced to help decision-makers to cope with uncertain futures and improve their policies for mitigation and adaptation to climate change. To take advantage of SSP scenarios for policy guidance at regional and national scales, it is necessary to explore the socio-economic feedbacks and water management policies informed by different sub-regional knowledge sharing through stakeholders’ narratives. In this study, we link SSP scenarios developed with regional stakeholders using a coupled socio-economic and environmental model, in conjunction with stakeholder-generated narrative storylines for a sub-region of Pakistan. The framework allows for linking corresponding scenarios across different uncertainty levels to improve regional scale policy making, while providing knowledge regarding the future of human-water systems under a range of plausible future climate and socio-economic scenarios.</p>

Nordic Bioeconomy Pathways: Future narratives for assessment of water-related ecosystem services in agricultural and forest management

Further development of the bioeconomy, the substitution of bioresources for fossil resources, will lead to an increased pressure on land and water resources in both agriculture and forestry. It is important to study whether resultant changes in land management may in turn lead to impairment of water services. This paper describes the Nordic Bioeconomy Pathways (NBPs), a set of regional sectoral storylines nested within the global Shared Socioeconomic Pathways (SSP) framework developed to provide the BIOWATER research program with land management scenarios for projecting future developments to explore possible conflicts between land management changes and the Water Framework Directive (WFD). The NBPs are a set of narrative storylines capturing a range of plausible future trajectories for the Nordic bioeconomy until 2050 and that are fit for use within hydrological catchment modelling, ecosystem service studies and stakeholder dialogue about possible changes in agricultural and forestry management practices.

Museum/space/discourse: analyzing discourse in three dimensions in Denver’s History Colorado Center

Museums have recently gained attention from cultural geographers as important sites of cultural production and reproduction. Within this growing field of ‘museum geographies’, we focus on how discourses are arranged in the three-dimensional spaces of galleries and exhibits. We argue that the spatial arrangement of text, media, and artifacts shape narrative storylines and suggest sequences, connections, progressions, and pathways within and between exhibits. In doing so, the spatial arrangement of these museum ‘assemblages’ is tied to the meaning of the underlying discourse. Looking at discourse in three dimensions offers a way for cultural geographers to contribute to an interdisciplinary study of museums, as well as to other modes of discourse where the spatial form of the text contributes to its meaning. We explore this methodology through a study of the History Colorado Center, a recently opened museum in Denver, CO. The center’s exhibits, designed to confront critical histories of the state and the American West, are designed as immersive multimedia reconstructions of Colorado sites and stories, and include iconic regional imagery as well as more dissonant episodes of Colorado’s past. Through an analysis of these exhibits, we highlight how the connections made across museum spaces can enhance or detract from intended exhibit themes. In the History Colorado Center, these spatial arrangements both contribute to and detract from the museum’s presentation of a critically nuanced state history. However, we argue, the spatial arrangements of discourse merit further attention, for museum geographies as well as across other media.

Relational governance in outsourcing partnerships

Purpose The paper aims to capture the nuances of two client–supplier relationships to offer new insights on the influences of transactional, knowledge and social elements in outsourcing partnerships. Design/methodology/approach The study has used descriptive case studies with narrative storylines. Interviews were conducted with three relationship managers (boundary gatekeepers) to understand preferred governance practices between clients and suppliers in diverse economic markets. Findings Experiences of three real-life cases engaged in offshore outsourcing have helped to identify the market, operational knowledge and social influences in a relational exchange. Findings reveal that offshore partnerships are first constituted with service-level agreements, which set control measures and layout business expectations from both partners. Boundary gatekeepers bring further accountability across firms by designing social networks for capturing and sharing of knowledge, thereby reducing each partner’s perception of risk. As firms evaluate transactional, knowledge and social elements for building a futuristic relational exchange, more disaggregated and dispersed enterprises evolve as new opportunities are explored in foreign markets. Research limitations/implications The retrospective nature of the client–supplier partnership is a limitation in this research study. However, retrospection adds to experience, and to practice perspectives made in hindsight, and therefore has a positive influence in this study. Originality/value This paper shares real-world experiences that can be used by scholars and practitioners to better understand how relational governance practices operate in a global socio-economic setting.

Depth Modulation: Composing motion in immersive audiovisual spaces

The field of electroacoustic music has witnessed years of extensive exploration of aural spatial perception and an abundance of spatialisation techniques. Today the growing ubiquity of visual 3D technologies gives artists a similar opportunity in the realm of visual music. With the use of stereoscopic video we now have the ability to compose individual depth cues independently. The process of continuous change of the perceived depth of the audiovisual space over time is being referred to as depth modulation, and can only be fully appreciated through motion.What can be achieved through the separation and manipulation of visual and sonic spatial cues? What can we learn about the way we perceive space if the basic components building our understanding of the surrounding environment are artificially split and re-arranged?Visual music appears to be a perfect field for such experimentation. Strata of visual and aural depth cues can be used to create audiovisual counterpoints in three-dimensional spaces. The choice of abstract imagery and the lack of obvious narrative storylines allow us to focus our perception on the evolution of the immersive audiovisual space itself. A new language of an immersive audiovisual medium should emerge as a delicate, ever-changing balance between all previously separated and altered components.