CONCLUSION: CONTEMPORARY PHILOSOPHY OF RELIGION AND RELIGIOUS STUDIES—THREE EXAMPLES

2018 ◽  
pp. 187-208
2022 ◽  
Author(s):  
Sebastian Gäb

What is religion? Is it sensible to live according to a certain faith? Do science and religion contradict each other? Is there a god? Are we immortal? Questions like these are part of the philosophy of religion, to whose main problems and theories this book provides a comprehensive introduction. It introduces core issues of contemporary philosophy of religion in 14 didactically edited chapters, and describes and discusses classical and modern approaches. The book is intended for students of philosophy, theology and religious studies, but will also appeal to other readers interested in philosophy and religion. It can also be used as a textbook in an introductory course on the philosophy of religion.


2015 ◽  
Vol 13 (1) ◽  
pp. 1-15 ◽  
Author(s):  
Andre C. Willis

Many hold that Hume was an atheist, that he despised the church, and that he was a devastating critic of religion. One cannot deny, however, the references to ‘true religion’ in his work, his sometimes seemingly favorable references to Deity, his call for religion in ‘every civilized community’, and his sense of (what has come to be known as) ‘natural belief’. The following essay describes a speculative Humean ‘true religion’ and discusses its potential use-value for contemporary philosophy of religion. It begins, anecdotally, with a description of Hume's happiness in France, which I attribute to the fact that Hume was not taken to be an atheist by the French reading public. The main argument is that while Hume was critical of ‘vulgar’ and ‘popular’ religion, his philosophical position did not deny our habit to accept a genuine theism that could, if informed by the calm passions, serve to ‘purify our hearts’ and bond us more closely together. Reconceiving Hume's ‘true religion’ in this way allows his insights to be used to support constructive efforts in the philosophy of religion. I conclude with a description of how this might work in light of three debates in religious studies and the philosophy of religion.


2016 ◽  
Vol 8 (1) ◽  
pp. 79-116
Author(s):  
Mark T. Unno

Kitarō Nishida introduces the concept of “inverse correlation” (Jp. gyakutaiō 逆対応) in his final work, The Logic of Place and the Religious Worldview, which he uses to illuminate the relation between finite and infinite, human and divine/buddha, such that the greater the realization of human limitation and finitude, the greater that of the limitless, infinite divine or buddhahood. This essay explores the applicability of the logic and rhetoric of inverse correlation in the cases of the early Daoist Zhuangzi, medieval Japanese Buddhist Shinran, and modern Protestant Christian Kierkegaard, as well as broader ramifications for contemporary philosophy of religion.


2021 ◽  

This entry focuses on the recent resurgence of discussion of faith in contemporary analytic philosophy of religion. One prominent position that perhaps runs contrary to the popular-level view of the matter is that faith does not require belief. This—whether faith requires belief—is one of the most discussed issues in the literature, with some arguing that a different, weaker attitude than belief, such as acceptance or hope, is sufficient for faith. Other alternatives to the belief model of faith include imaginative faith in ultimism, faith as doxastic venture, and faith as trust. Additional topics in this entry include whether faith is consistent with evidentialism or whether it inherently requires a type of irrationality, and finally the degree to which skepticism is consistent with faith. In order to keep this entry a manageable size we will not address historical accounts of faith or those found within the Continental tradition. Additionally, we will not discuss non-Western conceptions of faith; the literature we examine focuses on propositional faith as found in the Judeo-Christian tradition (which is the focus of much contemporary philosophy of religion). Finally, given space constraints we focus on work produced after 2000, with the exception of particularly influential pieces.


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