A study of Zheng Zhenduo's literary thought before 1927 = Yi jiu er qi nian yi qian zheng Zhenduo de wen yi si xiang

The purpose of the article is the comparative analysis of female images in F.M. Dostoevsky’s and J. Fowles’s novels. The basic method applied in given research is the method of the comparative analysis F.M. Dostoevsky’s and J. Fowles’s novels. Dostoevsky and Fowles are in searches of root of all evil. Both of them are assured that in human spirit are indissolubly merged kindly and angrily, God and Satan. In a shower of hero Dostoevsky indissolubly merge “an ideal of the Madonna” with “an ideal Sodom”. The woman is present at a life of the man as elements. The woman is only temptation and passion of men. In female images of the writer, unlike man’s characters, there is no change at soul level. Unlike Dostoevsky, products of Fowles testify to constant interest of the writer to a problematic “eternal feminist”. In novels of Fowles of the woman have the personal space. Dostoevsky’s heroes submit to life laws; they through great suffering come to humility. But heroes of Fowles to themselves create laws and submit only to the rules. The article contains important conceptual conclusions on the problems of the realistic novel of the 19th century and the postmodern novel of the 20th centuries, defines the peculiarities of the traditions of F.M. Dostoevsky and J. Fowles. The presented work provides an opportunity to take a fresh look at the cult works written in the 19th–20th centuries. F.M. Dostoevsky as the “founder” of neo-mythological consciousness — the cultural paradigm of the 20th century — gave J. Fowles valuable “tips” against the background of modern literary thought and his comparison with the mythopoetic thought of the English writer was especially embodied in mythological premises associated with the sphere of deepest questions of ethics and religious metaphysics.

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Discussion on Pure Literature and Postsocialist Chinese Literary Thought

A Novel Approach to China ◽

10.1007/978-981-16-6518-9_2 ◽

2021 ◽

pp. 19-57

Author(s):

Gengsong Gao

Keyword(s):

Literary Thought

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Verma, Nirmal (1929–2005)

Routledge Encyclopedia of Modernism ◽

10.4324/9781135000356-rem693-1 ◽

2018 ◽

Author(s):

Nikhil Govind

Keyword(s):

Short Story ◽

Western Europe ◽

The United States ◽

Milan Kundera ◽

Oriental Institute ◽

Literary Thought ◽

Soviet Invasion ◽

The One ◽

The Right ◽

Academy Of Sciences

Nirmal Verma was among the most prominent and distinguished Hindi novelists, essayists, and short story writers of the second half of the 20th century. Though he was briefly enamored of the ideals of communism, he lost his faith in the mid-1950s, especially after the Soviet invasion of Hungary in 1956. He lived in Prague from 1959 to 1968, where his work at the Oriental Institute of the Czechoslovak Academy of Sciences included translating prominent Czech writers into Hindi. As a result of his work, certain Czech writers—most famously Milan Kundera (1929--)—became known to Hindi readers before achieving fame in Western Europe and the United States. Many of his later works directly thematized Indian traditions and modernism. His later sympathetic treatment of tradition, when his critics began to accuse him of leaning to the right, revealed a controversial evolution of political and literary thought. At his best, Verma was able to write so that there was only a transparent line between on the one hand the mundane and on the other hand an elusive but palpable accumulation of mood.

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