Forces in American Criticism: A Study in the History of American Literary Thought.

1940 ◽  
Vol 1 (2) ◽  
pp. 241
Author(s):  
Morris R. Cohen ◽  
Bernard Smith
Keyword(s):  
1951 ◽  
Vol 10 (3) ◽  
pp. 313
Author(s):  
James R. Hightower ◽  
Aoki Masaru
Keyword(s):  

2019 ◽  
pp. 193-200
Author(s):  
Mykola Korpaniuk

The article is devoted to the study of D.Chyzhevsky’s contribution to the analysis of the artistic filling of ancient chronicles through the use of the stylistic method of analysis. An important conclusion is the assertion of the national chronicles of the eleventh and thirteenth centuries that their authors are highly educated, good connoisseurs of the Bible, ancient, Byzantine literatures, works by Homer, Joseph Flavius, George Hamartol, Joan Malalai, the Byzantine chronograph, Alexandria, especially popular in the princely environment, and the images of Alexander of Macedon, Darius, reproduced in it, as well as the image of Hercules, were close and exemplary for our princes. As for the brief history of national writing, D.Chyzhevsky, analyzing the historical and aesthetic canvas of the chronicles of the eleventh and eighteenth centuries, adequately and convincingly characterized the artistic value and originality of memorials, revealed the crucial importance in their creation of the high erudition available to the authors, the thorough knowledge of the history of Ukrainian and foreign, in particular of ancient, literatures; emphasized in the chroniclers the literary ability, heroic and patriotic abilities, national centrism and moral and religious nobility, attachment to traditions, a part of the literary and chronicles, which contributed to the writing of majestic epic paintings addressed to the depicted and described heroes of works. The historian of literature has convincingly proved that such a long-term development of the genre of the chronicles (XI-XVIII centuries) was facilitated by the content-artistic perfection of «The Tale of the Past Years», the talent of its founders, Nikon, Nestor, Sylvester, whose own work, the idea of unity of Russia in the struggle against internal and external enemies, which remained urgent throughout all subsequent centuries, and a significant conservatism of the genre, focused on the upbringing of historical generic, national, cultural memories, laid the solid foundations for the development of our entire national first literature which convincingly demonstrate chronicles, historical fiction themes XIX-XXI centuries. The own «History of Ukrainian Literature», the level and conclusions of the analysis of the chronicles D.Chyzhevsky scientifically reasonably developed the principle of national centrist, founded in his medieval works by M.Maksymovych and confirmed by the formation and development of our literary thought. In them, the doctrine proved that in the analysis of ancient writing, chronicles must use a stylistic approach to express their artistic, their aesthetic nature and value. The new thought of the scientist was his noteworthy that the chronicles have signs of the classical direction, characteristic of the works of the elite princely-Sarmatian and Cossack-Kozar tribes.


Author(s):  
Antonio Martín Ezpeleta

Dentro de la reflexión sobre el pensamiento literario español del siglo XX, el estudio de las Historias literarias españolas ocupa un lugar muy relevante. De ahí que propongamos a continuación una reflexión sobre la importancia de la disciplina de la Historiografía literaria española e insistamos en la necesidad de activar la redacción de una Historia de la historiografía literaria española. En este caso, nuestra modesta contribución a esta deseable obra nos lleva a contextualizar y caracterizar brevemente la poco conocida Historia literaria de Gerardo Diego1. Inside the reflection about Spanish literary thought in the twentieth century, the analysis of the Spanish Literary Histories plays a very important role. For this reason, we suggest a reflection about the importance of the discipline of the Spanish Literary Historiography and we propose the necessity of activating the writing of a History of the Spanish Literary Historiography. In this case, our modest contribution to this desirable work takes us to introduce and to characterize Gerardo Diego’s not very well- known Literary History.


1941 ◽  
Vol 12 (4) ◽  
pp. 504 ◽  
Author(s):  
Austin Warren ◽  
Bernard Smith
Keyword(s):  

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