Cortesãs de Pierre Louÿs

Oleg Almeida discute traduções do russo para o português

caleidoscópio linguagem e tradução ◽

10.26512/caleidoscopio.v1i2.7101 ◽

2017 ◽

Vol 1 (2) ◽

pp. 109-116

Author(s):

Oleg Almeida ◽

Ana Helena Rossi ◽

Sara Lelis

Keyword(s):

Charles Baudelaire ◽

Sao Paulo ◽

São Paulo ◽

Mikhail Kuzmin ◽

Pierre Louys

Nascido na Bielorrússia em 1971 e radicado no Brasil desde 2005, Oleg Almeida é poeta, ensaísta e tradutor multilíngue, sócio da União Brasileira de Escritores (UBE/São Paulo). Autor dos livros de poesia Memórias dum hiperbóreo (2008; Prêmio Internacional Il Convivio de 2013), Quarta-feira de Cinzas e outros poemas (2011; Prêmio Literário Bunkyo de 2012), Antologia cosmopolita (2013) e de numerosas traduções do russo (Diário do subsolo, O jogador, Crime e castigo, Memórias da Casa dos mortos e Humilhados e ofendidos de Fiódor Dostoiévski; Pequenas tragédias de Alexandr Púchkin; Canções alexandrinas de Mikhail Kuzmin; Contos russos, vv. I-III) e do francês (O esplim de Paris: pequenos poemas em prosa de Charles Baudelaire; Os cantos de Bilítis de Pierre Louÿs).

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E. de Goncourt et Pierre Louÿs

Cahiers Edmond et Jules de Goncourt ◽

10.3406/cejdg.1999.1346 ◽

1999 ◽

Vol 1 (7) ◽

pp. 235-250

Author(s):

Jean-Louis Meunier

Keyword(s):

Pierre Louys

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Le motif lunaire dans le Pervigilium Mortis de Pierre Louys (Documents inédits)

Littératures ◽

10.3406/litts.1985.1347 ◽

1985 ◽

Vol 12 (1) ◽

pp. 107-117

Author(s):

Bertrand Mathieu

Keyword(s):

Pierre Louys

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Cosmopolitan Classicism

10.1093/oso/9780198789260.003.0013 ◽

2017 ◽

Author(s):

Stefano Evangelista

Keyword(s):

Oscar Wilde ◽

Ancient Greece ◽

Ancient World ◽

French Language ◽

Personal Freedom ◽

Intellectual Engagement ◽

Classical Reception ◽

Modern France ◽

Pierre Louys ◽

Hellenistic Greece

Oscar Wilde associated ancient Greece and modern France as the homelands of artistic autonomy and personal freedom. France and the French language were crucial in his adoption of a cosmopolitan identity in which his close emotional and intellectual engagement with the ancient world also played a key role. His practices of classical reception therefore have roots in the French as well as English traditions. Wilde’s attitude towards ancient Greece initially shows the influence of French Parnassian poetry. As time goes on, however, he starts to engage with the new images of the ancient world promoted by Decadence and Symbolism, which sidelined the Greek classicism idealized by the Parnassians in favour of Hellenistic and Latin antiquity. Particularly important to Wilde were his exchanges with French Symbolist authors Marcel Schwob and Pierre Louÿs, whose writings on Hellenistic Greece are in dialogue with Wilde’s works, notably ‘The Critic as Artist’ and Salomé.

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