Robert Altman (1925-2006). Un iconoclaste de génie

Jean-Louis Coy

doi:10.3917/huma.278.0097

Robert Altman (1925-2006). Un iconoclaste de génie

Humanisme ◽

10.3917/huma.278.0097 ◽

2007 ◽

Vol N° 278 (3) ◽

pp. 97-98

Author(s):

Jean-Louis Coy

Keyword(s):

Robert Altman

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: MAS*H . Robert Altman.

Film Quarterly ◽

10.1525/fq.1970.23.3.04a00070 ◽

1970 ◽

Vol 23 (3) ◽

pp. 38-41

Author(s):

William Johnson

Keyword(s):

Robert Altman

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Seven Director Studies: Alfred Hitchcock . Gene D. Phillips. ; Frank Capra . Charles F. Maland. ; Joseph L. Mankiewicz . Bernard F. Dick. ; William Wyler: A Guide to References and Resources . Sharon Kern. ; Nicholas Ray: A Guide to References and Resources . Blaine Allan. ; Robert Altman: A Guide to References and Resources . Virginia Wright Wexman, Gretchen Bisplinghoff. ; Francis Ford Coppola: A Guide to References and Resources . Joel S. Zucker.

Film Quarterly ◽

10.1525/fq.1985.39.1.04a00160 ◽

1985 ◽

Vol 39 (1) ◽

pp. 49-52

Author(s):

Karen Jaehne

Keyword(s):

Francis Ford Coppola ◽

Robert Altman ◽

Nicholas Ray ◽

William Wyler

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: Buffalo Bill and the Indians . Robert Altman .

Film Quarterly ◽

10.1525/fq.1976.30.1.04a00100 ◽

1976 ◽

Vol 30 (1) ◽

pp. 54-56

Author(s):

Karen Stabiner

Keyword(s):

Buffalo Bill ◽

Robert Altman

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: Popeye . Robert Altman, Robert Evans.

Film Quarterly ◽

10.1525/fq.1981.34.3.04a00080 ◽

1981 ◽

Vol 34 (3) ◽

pp. 42-45

Author(s):

Barbara Quart

Keyword(s):

Robert Altman

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: Ready to Wear (Pret-a-Porter) . Robert Altman.

Film Quarterly ◽

10.1525/fq.1995.48.4.04a00050 ◽

1995 ◽

Vol 48 (4) ◽

pp. 35-38

Author(s):

Robert Hilferty

Keyword(s):

Robert Altman

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Robert Altman and the New Hollywood Musical

The Sound of Musicals ◽

10.1007/978-1-84457-579-4_13 ◽

2010 ◽

pp. 152-163 ◽

Cited By ~ 1

Author(s):

Gayle Sherwood Magee

Keyword(s):

New Hollywood ◽

Robert Altman

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La Coupure et la paranoïa de l’acte meurtrier. Entre Altman et Buñuel

Studia Universitatis Babeş-Bolyai Dramatica ◽

10.24193/subbdrama.2021.1.04 ◽

2021 ◽

Vol 66 (1) ◽

pp. 67-83

Author(s):

Câmpean Flaviu Victor

Keyword(s):

Key Words ◽

Luis Bunuel ◽

The Subject ◽

Robert Altman

"The Cut and the Paranoia of the Killing Act. Between Altman and Buñuel. This paper aims to explore the psychoanalytic roots and affinities in Robert Altman and Luis Buñuel with respect to the mechanisms of the constitution of the subject. More specifically, I approach the function of the cut as both a mark of the subject and within a so-called paranoid act. Thus, in a Lacanian interpretation, the cut involves topology, the relation with the object, separation and alienation and, ultimately, the pure loss. Key words: cut, act, paranoia, killing, Altman, Buñuel."

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