Review: M*A*S*H by Robert Altman

1970 ◽  
Vol 23 (3) ◽  
pp. 38-41
Author(s):  
William Johnson
Keyword(s):  
Robert Altman

: M*A*S*H . Robert Altman.

1970 ◽  
Vol 23 (3) ◽  
pp. 38-41
Author(s):  
William Johnson
Keyword(s):  
Robert Altman

: Buffalo Bill and the Indians . Robert Altman .

1976 ◽  
Vol 30 (1) ◽  
pp. 54-56
Author(s):  
Karen Stabiner
Keyword(s):  
Buffalo Bill ◽  
Robert Altman

: Popeye . Robert Altman, Robert Evans.

1981 ◽  
Vol 34 (3) ◽  
pp. 42-45
Author(s):  
Barbara Quart
Keyword(s):  
Robert Altman

: Ready to Wear (Pret-a-Porter) . Robert Altman.

1995 ◽  
Vol 48 (4) ◽  
pp. 35-38
Author(s):  
Robert Hilferty
Keyword(s):  
Robert Altman

Robert Altman (1925-2006). Un iconoclaste de génie

Humanisme ◽  
2007 ◽  
Vol N° 278 (3) ◽  
pp. 97-98
Author(s):  
Jean-Louis Coy
Keyword(s):  
Robert Altman

La Coupure et la paranoïa de l’acte meurtrier. Entre Altman et Buñuel

2021 ◽  
Vol 66 (1) ◽  
pp. 67-83
Author(s):  
Câmpean Flaviu Victor
Keyword(s):  
Key Words ◽  
Luis Bunuel ◽  
The Subject ◽  
Robert Altman

"The Cut and the Paranoia of the Killing Act. Between Altman and Buñuel. This paper aims to explore the psychoanalytic roots and affinities in Robert Altman and Luis Buñuel with respect to the mechanisms of the constitution of the subject. More specifically, I approach the function of the cut as both a mark of the subject and within a so-called paranoid act. Thus, in a Lacanian interpretation, the cut involves topology, the relation with the object, separation and alienation and, ultimately, the pure loss. Key words: cut, act, paranoia, killing, Altman, Buñuel."

Nashville (dir. Robert Altman, 1975)

2018 ◽  
pp. 93-102
Author(s):  
Lauren Rabinovitz
Keyword(s):  
Robert Altman

McCabe and Mrs. Miller Robert Altman David Foster Mitchell Brower

1971 ◽  
Vol 25 (2) ◽  
pp. 49-53 ◽  
Author(s):  
Jackson Burgess
Keyword(s):  
Robert Altman
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