scholarly journals Re-presenting a dance moment

IDEA JOURNAL ◽  
2020 ◽  
Vol 17 (02) ◽  
pp. 265-274
Author(s):  
Ashlee Barton

This visual essay deconstructs a four-second experience within a dance performance, In and out of time, which was performed at Dancehouse (Melbourne, AUS) in 2018. It captures the body’s movement as still moments and re-presents them through a tiled image and a video ‘flip-book’ work. Together with language, the visual essay aims to reveal how, over time, the memory of this experience has become magnified and thickened, drawing out new ways of knowing in relation to an embodied experience each time it is recollected.

2021 ◽  
Author(s):  
Yoni Stern ◽  
Inbar Ben-Yehuda ◽  
Danny Koren ◽  
ADAM ZAIDEL ◽  
Roy Salomon

The feeling of control over one’s actions, termed the Sense of Agency (SoA), delineates one’s experience as an embodied self. Although, this embodied experience is typically perceived as stable over time, recent theoretical accounts highlight the experience-dependent and dynamic nature of the embodied self. In this study we examined how recent experiences modulate SoA (i.e., serial dependence), and disambiguated the unique contributions of previous stimuli and choices on subsequent SoA judgments. In addition, we examined whether these effects persist across different domains of perceptual alteration. We analyzed two independent datasets of the Virtual Hand (VH) task (N = 100 participants) in which a sensorimotor conflict is introduced between the presented visual feedback and the actual movement performed. In Dataset 1, which included only temporal alterations, we found that previous stimuli recalibrate current perception, increasing the likelihood of the current choice to be different than the previous choice. Whereas previous choices induce a repetition bias increasing the likelihood to repeat choices across trials. Thus, previous external stimuli and self-generated choices exert opposing influences on SoA. We replicated these findings in Dataset 2, in which the VH task was tested with alterations in both temporal and spatial domains. In addition, we discovered that previous stimuli from a different perceptual domain exert a recalibration effect similar to stimuli from the same domain. Thus, SoA is constantly shaped by our previous subjective choices and objective stimuli experienced even across different perceptual domains. This highlights how SoA may act as unifying construct organizing our experience of the self over time and across perceptual experiences.


2020 ◽  
pp. 1-23
Author(s):  
Sonya E. Pritzker ◽  
Sabina Perrino

ABSTRACT This article focuses on what we define as scalar intimacy in the stories people tell about their embodied experience as sociohistorical beings. Our analysis, based on ethnographic studies in Northern Italy (Perrino) and Beijing, China (Pritzker), examines the ways in which speech participants draw upon various discursive strategies to ‘zoom in’ and ‘pan out’ of both time and space, placing themselves and their activities in relation to various people, ideologies, and practices. Scalar intimacy, we argue, provides a novel framework for understanding the multiple ways in which people use language to scale their embodied experience in relation to culturally situated ideas and forms. Scalar intimacy thus extends the study of scales and fractal recursivity in linguistic anthropology and sociolinguistics. It also contributes to scholarship focusing on how culturally situated meanings are reproduced and challenged over time through specific interactions. (China, chronotope, identity, intimacy, narrative, Northern Italy, scales)*


Author(s):  
Angela T. Ragusa

Epistemology is the concept used to describe ways of knowing. In other words, how you know what you know. Sociologists have been interested in how knowledge is produced since the discipline was founded in the 19th Century. How we come to know our world and make sense of it are influenced by social institutions, individual attitudes and behaviors, and our demographic position within the social order. The social order is an historical product which continues to change over time. To facilitate our learning from our socio-historical experiences, sociologists frequently turn to ideas expressed by social theorists. Social theory, whether classical or contemporary, may thus be employed to help us make sense of changes in our social and material world. Although technology is arguably as ancient as our first ancestors, as the chapters in this book reveal, the characteristics of and communications within our postindustrial society vary greatly from those which occurred in the age of modernity. This introductory chapter identifies a few well-known social theorists who have historically attempted to explain how and why social systems, at macro and micro levels, change over time. Next, it contextualizes communication as a cultural product, arguing the best way to examine the topic is from multiple, local perspectives. In the feminist tradition of postmodernist Sandra Harding, it implores us to consider the premise and source of the knowledge sources we use and espouse while communicating and interacting in specific ways and environments. Finally, grounded in the systemic backdrop of social inequality, this chapter encourages readers to begin the task of critical thinking and reflecting about how each of us, as individuals and members of local communities, nations and the world, assuage or reproduces the structurally-derived inequalities which the globalization of communication and technical systems and interacting in a global environment manifests.


1993 ◽  
Vol 26 (4) ◽  
pp. 433-458 ◽  
Author(s):  
John V. Pickstone

Among the many groups of scholars whose work now illuminates science, technology and medicine (STM), historians, it seems to me, have a key responsibility not just to elucidate change but to establish and explain variety. One of the big pictures we need is a model of the varieties of STM over time; one which does not presume the timeless existence of disciplines, or the distinctions between science, technology and medicine; a model which is both synchronic and diachronic, and both cognitive and social. To that end, this brief paper presents a historical typology of STM from about 1700 to the present by focusing on four ‘ideal’ socio-cognitive types – four knowledge structures which correspond to four sets of social relations. To some extent these are period specific, but they do not have to be – hence, one may hope, the flexibility and usefulness of the model.


2019 ◽  
Vol 7 (3) ◽  
pp. 380-394
Author(s):  
Ragan Glover-Rijkse

Networked infrastructures support the flows of information and communication. While traditional conceptions of networked infrastructures render them necessarily immobile and centralized, this article rethinks the concept of networked infrastructures to instead consider their mobility. In doing so, this article conceptualizes mobilized networked infrastructures (MNIs) and examines their implications in three sections: Forms of Action, Production of Networked Space, and Ways of Knowing. The Forms of Action section indicates that, over time, MNIs have allowed for new spaces and practices of communicative mobility. The Production of Networked Space section considers the speculative potential for MNIs to deterritorialize networked space, but argues that MNIs often reinforce already networked spaces and reterritorialize deterritorialized networked space. Finally, the Ways of Knowing section examines the mobility of networked infrastructures as a new way of knowing by allowing the tracking of infrastructural mobilities in addition to, and in concert with, the tracking of human and nonhuman actors.


Lateral ◽  
2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Angela Carter

Reading X González’s, March 24, 2018, “March For Our Lives” speech—her words and silences—as an entry point into what I term a crip theory of trauma, this essay argues that the dominant narratives about and around Post Traumatic Stress Disorder (PTSD) say more about the compulsivity of the “proper” citizen subject than they do the actual embodied experience and debilitation of trauma itself. The text reconceptualizes trauma narratives, like González’s, through critical disability studies to argue that certain cripistemologies—or crip ways of knowing—trauma arise that are not otherwise available or readily accessible. Most notably, by rejecting dominant pathologizing forces and embracing crip ways of knowing, this analysis brings forth a new working definition of trauma, as an embodied, affective structure. These ways of knowing offer crucial insights for efforts to grapple with the ongoing forms of trauma enacted and perpetuated across the globe, and are particularly urgent against a political and cultural landscape that, as my reading of González’s speech makes clear, in many ways refuses to hear, see, and learn from the knowledge that trauma produces.


2020 ◽  
Vol 11 (1) ◽  
pp. 51-61
Author(s):  
Wesam M. Salem

In this paper, I explain how I engaged with walking as a sensory and relational inquiry that provoked thinking differently and intra-actively of research, and the entanglement (Barad, 2007) of our bodies with the space and matter. As I walked the city of Memphis, assemblages of my emplaced body movement, subjectivities, senses, feelings, and interactions with the materiality of the space deconstructed and interrogated the neoliberal normalized narratives of othering and belonging. Situating the walks within transcorporeality (Alaimo, 2012), transmateriality (Springgay & Truman, 2017a), and the spactimematter entanglement (Haraway, 2015), I share how these walks generated three lines of flight (Deleuze & Guattari,1987) that transformed my thinking of research methods and opened up spaces for new ways of knowing beyond the linear and the prescribed. The three lines of flight, I discuss in this paper, informed and shaped my thinking of: my research methods with respect to interviewing Muslim American youth, the embodied experience of walking within the entanglement of space time matter in a more-than-human world, and the concept of (dis)placed bodies within the postcolonial thought.


2020 ◽  
Vol 19 (2) ◽  
pp. 231-244
Author(s):  
Fleur Diamond

Purpose Contemporary standards-based reforms to teaching and teacher education are characterised by appeals to technical orientations to teacher professionalism. In addition, the standardisation agenda has targeted literacy education as a focus for interventions. This has highlighted an incongruence between standardised approaches to literacy and pedagogies and practices in subject English that have developed over time, and which represent disciplinary ways of knowing. Design/methodology/approach This paper uses the occasion of the author’s transition from classroom English teacher to teacher educator to inquire into the pedagogies and practices around teaching with texts that form part of her professional identity. The purpose of this study is to introduce cultural memory as an approach to interpreting narratives about educational experience and the development of English pedagogies over time. Findings The paper argues that standards-based reforms tell “official stories” (Malcolm and Zukas, 2009) about teacher professionalism that displace knowledge of past practices and the ethical and intellectual investments they represent. This is characterised by a marked “presentism” (Green and Cormack, 2015) in contemporary education policy. By contrast, critical autobiographical inquiry practised as cultural memory produces situated accounts of the role of professional memory in the on-going “project” (Green 2002/2014) of English teaching. Originality/value The paper presents new work in the area of teacher professional identity drawing on the interdisciplinary methods of cultural memory studies.


2018 ◽  
Vol 40 ◽  
pp. 94-110 ◽  
Author(s):  
John Brady

[full article in English] In this paper, I investigate the relationships between classroom talk and dialogic literary argumentative writing. My work is situated within a larger body of recent research on argumentative writing, taking up a social practice understanding of argumentative writing as being a set of social practices that are situated within a larger process of learning over time (Newell, Bloome & Hirvela 2015). This perspective aligns with the current understandings of writing that have been taken up over the past fifteen years (Nystrand, Green & Weimelt 1993; Klein & Boscolo 2016; Newell, Beach, Smith & VanDerHeide 2011).I adopt a Bakhtinian frame to investigate classroom argumentative writing and talk, which entails a negotiation between the meaning of events and utterances through interaction. Because of this, all interactions and utterances are inherently dialogic, as they are connected to histories and in anticipation of the future. This perspective frames the teaching and learning of argumentative writing as being negotiated locally over time, with unique practices and ways of knowing established through classroom interaction. This means that the teaching and learning of argumentative practices will always be unique to the contexts in which they are practiced. After establishing this frame, I employ instructional chains and discourse analysis in order to analyze two separate classroom discussions that occurred in two separate classrooms. By doing so, I aim to answer the following questions: what is the relationship between classroom talk and dialogic literary argumentative writing as a social practice? How is talk used to define and develop DLA both in regard to argumentative moves and the concepts and ideas derived from literature?


2019 ◽  
Vol 12 (1) ◽  
pp. 139-153 ◽  
Author(s):  
Sandra Jack-Malik

In this paper I utilized the currere method and my experiences as a tenure track hire. Currere provided a framework that allowed me to remember and then engage my ways of knowing and immerse myself in supportive contexts. Specifically, I was able to deepen my understandings, learn, imagine up, and over time shift my tenure track stories. The complex, sometimes hegemonic institutional narratives embedded along my tenure track, regularly resulted in tension. In response to the tension and because of my enactment of the currere, I was able to remember and reflect on what I know and value, think about who I am and who I am becoming, including who I want to be as a professor. This work includes photographs because once I gave myself permission to play, taking, viewing, and manipulating pictures became part of my shifting tenure track identity stories.


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