scholarly journals The Historical Order of Malaysian Socioculture in Interlok

2011 ◽  
Vol 24 (2) ◽  
pp. 267-281
Author(s):  
Mohd. Hanafi Ibrahim ◽  
Keyword(s):  
Historical Novel ◽  
Literary Work ◽  
National Integration ◽  
Maximum Benefit ◽  
The Subject ◽  
Specific Theme ◽  
The Difference

Interlok is a literary work with a specific theme that resulted from a contest and it proposes the subject of national integration at its core to fulfil the aspirations and the development of the then newly independent Malaysia. The historical framework is used as an instrument for discourse purposes in addressing socio-cultural and humanitarian issues related to the solidarity and development of the Malaysian nation. Therefore, this novel may be categorised as a socio-historical novel and not purely a historical novel. Interlok provides the opportunity to the reader to explore the author’s profound meaning in introducing the subject of solidarity as the foundation of the development of the Malaysian nation. The difference in values among the races has to be narrowed whereas the quality or the advantage possessed by each of the respective races has to be assembled to obtain maximum benefit. Keywords: Interlok, historicising fiction, fictionalising history, solidarity, socio-cultural, socio-historical

scholarly journals Ukrainian in Russian Context: Pattern, Folklore and Ethnic Symbols (on the Exsples of Epigraphes in "The Fair at Sorochyntsi" of N.V. Gogol)

2019 ◽  
pp. 55-58
Author(s):  
Aleksandr Viktorovich Savchenko ◽  
Anna Gennadevna Bodrova
Keyword(s):  
Cultural Context ◽  
Literary Work ◽  
Russian Language ◽  
Way Of Life ◽  
The Subject ◽  
Points Of View ◽  
The Difference ◽  
Literature Culture ◽  
Cultural Similarity ◽  
Special Atmosphere

In this article, from the linguistic and ethnoculturological points of view are analyzed Ukrainian texts of epigraphs in «The Fair at Sorochyntsi» by N.V. Gogol, included in the Russian-language prose, which is an integral part of Russian literature, culture and history. Purpose of the article: This work is an attempt to interpret Ukrainian conceptual symbols, images and metaphors used by the author to create a special atmosphere of Ukrainian identity. Methods: In the study the methods of contextual-pragmatic and lexical analysis are used. In particular, the subject of our study is the Ukrainian texts of the epigraphs to each of the chapters of the above-mentioned literary work, which, due to insufficient knowledge of the Ukrainian cultural context, are far from always deeply understood by the Russian reader and do not always evoke the same associative series as the bearer of the Ukrainian worldview, although close to the Russian one, but still significantly different from it. Results: As a result of the study it is possible to state, that here we deal with the problem of the difference in the cultural perception and understanding the original significance, laid down by N. Gogol in the text and the meaning of his work. It is concluded that the analyzed text of Gogol demonstrates not only the cultural similarity of the two peoples, but, which seems to be more important, the differences in the worldview and way of life of Ukrainians and Russians. The epigraphs in Ukrainian cited by the writer at the beginning of the each chapter serve as a kind of «textual marker», which helps the reader to delve deeper into the content of the text and try to understand not only explicit meaning but also implicit senses implied by the author in its structure.

scholarly journals Chkhartishvili-Akunin's media project: metafictionality as meta-history

2020 ◽  
Keyword(s):  
Short Stories ◽  
Historical Novel ◽  
Russian Literature ◽  
Literary Work ◽  
Historical Narratives ◽  
New Historicism ◽  
The World ◽  
The Media ◽  
The Subject ◽  
Points Of View

Of particular relevance to modern literary studies is the study of the media of communicative poetics, which largely offset the traditional modernist paradigms of literary work. A related issue is the study of supertext unity, composed of author's projects with a complex narrative hierarchy and genre-stylistic hybridity. The typology of literary and medial projects embodying the phenomenon of new historicism in modern Russian literature (the works of V. Sharov, V. Sorokin, E. Vodolazkin, M. Shishkin, etc.) is highlighted. An undoubtedly significant place in this context belongs to the meta-historical project of Boris Akunin. The purpose of this article is to study the literary project of Boris Akunin as a medial system that coordinates the historiosophical motivations of the author with metatextual representations of genre-narrative models characteristic of modern literature. As a methodological key, an analysis of the productive interaction of scientistic and fictitious meanings of the concepts of “history” and “event”, as well as the corresponding cognitive traditions and practices of their understanding, is used. The study showed how “large” historical narratives are demonologized, undergoing the corrective influence of fictional ontological and anthropological models. This makes it relevant to appeal to the genres of jokes and short stories, detective and adventurous versions of a historical novel. The subject-narrative system activates polyphonic means – the interference of speech and the points of view of narrators and actors. Artistic time and space create many variations of the intersection of chronotopes, plot correlations, and motivational roll calls. Thus, the authority of the author is decentralized - he acts as a moderator of a multidiscursive set of telling versions – ‘stories’ and ‘events’. A system of authority masks is created, each of which embodies a new version of the Other's figure as a carrier of a different creative consciousness, an alternative ideology and a language for describing the world.

Learning Language Levels in Students Accurate with a History Academic Achievement History

2017 ◽  
Vol 1 (2) ◽  
pp. 137
Author(s):  
Noorlela Binti Noordin ◽  
Abdul Razaq Ahmad ◽  
Anuar Ahmad
Keyword(s):  
Academic Achievement ◽  
Statistical Inference ◽  
Quantitative Data ◽  
Quantitative Methods ◽  
Descriptive Statistics ◽  
Language Test ◽  
The Subject ◽  
The Difference ◽  
Learning Language ◽  
The Relationship

This study was aimed to evaluate the Malay proficiency among students in Form Two especially non-Malay students and its relationship to academic achievement History. To achieve the purpose of the study there are two objectives, the first is to look at the difference between mean of Malay Language test influences min of academic achievement of History subject among non-Malay students in Form Two and the second is the relationship between the level of Malay proficiency and their academic achievement for History. This study used quantitative methods, which involved 100 people of Form Two non-Malay students in one of the schools in Klang, Selangor. This study used quantitative data were analyzed using descriptive statistics and statistical inference with IBM SPSS Statistics v22 software. This study found that there was a relationship between the proficiency of Malay language among non-Malay students with achievements in the subject of History. The implications of this study are discussed in this article.

On the sources of cosmopolitanism as an idea: The Russian and the European views

2020 ◽  
pp. 44-69
Author(s):  
E. E. Dmitrieva
Keyword(s):  
Comparative Literature ◽  
Literary History ◽  
World Literature ◽  
Literary Work ◽  
General Term ◽  
Literary Process ◽  
The Difference ◽  
Literary Environment

The article is concerned with the difference in understanding of the term ‘cosmopolitan’ inRussiaandFrance. Often considered a predominantly negative phenomenon inRussia, cosmopolitanism fi st provoked a discussion at the time when the emphasis shifted from ideology to understanding of the historical-literary process. Since the late 18th c., the idea of the possible existence of a literary work within the global literary environment (the concept of world literature)   was adjusted by the ‘golden chain’ metaphor, which enabled implementation of the ‘universality’ concept as a unity principally separate from the French idée universelle. During this evolutionary period emerged a distinctive subject of literary history: fi st, ‘humanity’ as a general term (initially identifi    with universalism or cosmopolitanism), and then ‘a nation’. But it is the discovery of the national that the author believes is connected with particularism and provincialism,   the latter summoning the memory of the noble intention of universalism and cosmopolitanism. An interim summary of the process was produced by Joseph Texte, a professor of comparative literature inLyon, at the end of the 19th c.

The Idea of a Meaningful Synthesis of Marxist and Non-Marxist Systems of Political Economy as a Mirror of Intellectual Turmoil (About V.T. Ryazanov’s Book «Modern Political Economy: Prospects of Neo-Marxist Synthesis»)

2019 ◽  
pp. 74-98
Author(s):  
A.B. Lyubinin
Keyword(s):  
Economic Theory ◽  
Political Economy ◽  
Economic Status ◽  
Economic Science ◽  
Objective Reality ◽  
Commodity Production ◽  
Subjective Assessments ◽  
The Subject ◽  
The Difference ◽  
Political Economic

Review of the monograph indicated in the subtitle V.T. Ryazanov. The reviewer is critical of the position of the author of the book, believing that it is possible and even necessary (to increase the effectiveness of General economic theory and bring it closer to practice) substantial (and not just formal-conventional) synthesis of the Marxist system of political economy with its non-Marxist systems. The article emphasizes the difference between the subject and the method of the classical, including Marxist, school of political economy with its characteristic objective perception of the subject from the neoclassical school with its reduction of objective reality to subjective assessments; this excludes their meaningful synthesis as part of a single «modern political economy». V.T. Ryazanov’s interpretation of commodity production in the economic system of «Capital» of K. Marx as a purely mental abstraction, in fact — a fiction, myth is also counter-argued. On the issue of identification of the discipline «national economy», the reviewer, unlike the author of the book, takes the position that it is a concrete economic science that does not have a political economic status.

Rhythm

2018 ◽  
Author(s):  
Lexi Eikelboom
Keyword(s):  
Social Sciences ◽  
Twentieth Century ◽  
Human Existence ◽  
Embodied Experience ◽  
Giorgio Agamben ◽  
The Social ◽  
Contemporary Philosopher ◽  
The Subject ◽  
The Difference ◽  
Theoretical Category

This book argues that, as a pervasive dimension of human existence with theological implications, rhythm ought to be considered a category of theological significance. Philosophers and theologians have drawn on rhythm—patterned movements of repetition and variation—to describe reality, however, the ways in which rhythm is used and understood differ based on a variety of metaphysical commitments with varying theological implications. This book brings those implications into the open, using resources from phenomenology, prosody, and the social sciences to analyse and evaluate uses of rhythm in metaphysical and theological accounts of reality. The analysis relies on a distinction from prosody between a synchronic approach to rhythm—observing the whole at once and considering how various dimensions of a rhythm hold together harmoniously—and a diachronic approach—focusing on the ways in which time unfolds as the subject experiences it. The text engages with the twentieth-century Jesuit theologian Erich Przywara alongside thinkers as diverse as Augustine and the contemporary philosopher Giorgio Agamben, and proposes an approach to rhythm that serves the concerns of theological conversation. It demonstrates the difference that including rhythm in theological conversation makes to how we think about questions such as “what is creation?” and “what is the nature of the God–creature relationship?” from the perspective of rhythm. As a theoretical category, capable of expressing metaphysical commitments, yet shaped by the cultural rhythms in which those expressing such commitments are embedded, rhythm is particularly significant for theology as a phenomenon through which culture and embodied experience influence doctrine.

scholarly journals The enzymes of B. coli communis . Part V.—(a) anaerobic growth followed by anaerobic and aerobic fermentation. (b) the effects of aeration during the fermentation

1921 ◽  
Vol 92 (644) ◽  
pp. 135-150
Keyword(s):  
Anaerobic Growth ◽  
Aerobic Growth ◽  
Aerobic Fermentation ◽  
The Subject ◽  
The Difference ◽  
Effect Of Oxygen ◽  
Present Section ◽  
Ferment Glucose

In the present communications the effect of oxygen upon the fermentation of glucose and upon the growth of the bacteria, in so far as this affects fermentation, is considered. To this end the organisms have been grown both aerobically and anaerobically, and subsequently made to ferment glucose, both aerobically and anaerobically, with the object of comparing the products of decomposition in the two cases. There are clearly two problems : firstly, the effect of exposure to oxygen during growth upon the subsequent fermentation, whether aerobic or anaerobic, and, secondly, the effect of oxygen admitted during the fermentation. The first question relates to the part played by oxygen in the formation of enzymes, the second to the part played by oxygen in their action on carbohydrates. The first question is considered, though in but a preliminary way, in Section A, the second, more fully, in Section B. Section A. Object of the Experiments . Two results were aimed at in these experiments. Firstly, to compare the products of fermentation of glucose anaerobically, after anaerobic growth, with the products of fermentation anaerobically after previous growth aerobically. And, secondly, to obtain information as to the effect of introducing oxygen during the fermentation itself. This latter consideration, however, though brought to notice by these experiments, is considered only incidentally here because it forms the subject of Section B. In the present section we wish to direct attention particularly to those differences which exist between the fermentation after anaerobic and aerobic growth, not upon the effect of aeration during the fermentation. To point out the difference which previous growth aerobically or anaerobically has made, several analyses from previous experiments are included in Table IV side by side with the completely anaerobic experiments of Tables I, II, and III.

Violencia de (L) género: “Hacia una sofística de la materialidad de los cuerpos” / Violent gender: “To a sophistry of the materiality of bodies”

2016 ◽  
Vol 5 (09) ◽  
pp. 83-97
Author(s):  
Claudio Reyes Lozano
Keyword(s):  
Gender Studies ◽  
Material Body ◽  
Aristotelian Logic ◽  
Political Position ◽  
Basic Assumptions ◽  
The Subject ◽  
The Difference ◽  
And Gender ◽  
Critical Gender Studies

Los estudios críticos de género sustancialistas desconocen su posición teórico-política en el momento de explayar algunas de sus hipótesis fundamentales. El presente estudio intenta dar cuenta de las consecuencias éticas que asume llevar hasta el final algunas de estas posiciones teóricas. Advertimos así que obras fundamentales de estos estudios se apropian con claridad, y sin saberlo, de una lógica aristotélica para tratar la asunción material del cuerpo, el sujeto y el género ¿Qué encontramos específicamente en esta lógica? Esta última se caracteriza por tener su raíz en una ontología inamovible, en donde cualquier intento de desbaratar el “ser” tiene como respuesta inmediata la exclusión violenta de la diferencia: concretamente observamos esto, dialogando tanto con colegas como legos, en la “violencia académica” pero también en la “violencia cotidiana” ¿Cómo salir del cierre metafísico que ha mantenido durante décadas la violencia y exclusión de aquello que se generó en primera instancia, paradójicamente, como argumentación de tolerancia y emancipación? Pensamos que deconstruyendo el discurso de género aristotélico podremos vislumbrar nuevas hipótesis y posiciones ético-políticas que no recurran, para validarse, a la exclusión violenta de nuevos cuerpos-sujetos-géneros. Some critical gender studies do not know their theoretical and political position at the time to developing some of their basic assumptions. This study attempts to explain the ethical consequences that lead to the end some of these theoretical positions. We realize that fundamental works of these studies clearly appropriating, and without knowing it, an aristotelian logic to justify the assumption of material body, the subject and gender. What specifically found in this logic? It is characterized to found on an immovable ontology, where any attempt to disrupt the “being” has as an immediate violent response to exclude the difference: specifically we observe this, dialoguing with colleagues and laymen, in the “academic violence” but also “everyday violence”. How to get out of the metaphysical closure that maintained for decades the violence and exclusion of what is generated in the first place, paradoxically, as argument of tolerance and emancipation? We think deconstructing the aristotelian discourse of gender can warn new hypotheses and ethical positions that not based, to validate, on a violent exclusion of new bodies-subject-genres positions.

Rīgas humānistu laikmets latviešu romānistu tēlojumā

2021 ◽  
pp. 47-57
Author(s):  
Ojārs Lāms
Keyword(s):  
20Th Century ◽  
Representative Sample ◽  
Historical Novel ◽  
Strong Tendency ◽  
The Moon ◽  
Ancient History ◽  
13Th Century ◽  
Cultural Boundaries ◽  
The Subject ◽  
Traveling Circus

In the broad tradition of the Latvian historical novel, which has flourished in recent decades, the authors have a strong tendency to focus either on ancient history up to the 13th century or on events important to the Latvian nation in the 19th and 20th centuries. Writers are less interested in the era of humanism in the 16th and 17th centuries when the Latvian nation is still sprouting in the ground. However, these centuries have been crucial in defining the region’s geopolitical affiliation and cultural boundaries. From a broader diachronic view at Latvian novels, it can be stated that a number of Latvian writers, starting from the beginning of the 20th century, have tried to give a textual life to the humanist era in Livonia with various approaches to the historical novel thus creating a special set of texts to be called the Livonian text. Within the framework of this article, the view on the Livonian text consists of a review of 8 novels that have been written over more than a hundred years. They are not all texts on the subject but form a compact and representative sample in terms of theme, stylistics, and genre features. These texts are Andrievs Niedra’s (1871–1942) novel “When the Moon Wears Out” (Kad mēness dilst, 1902), Rutku Tēvs’s (1886–1961) “Rebellious Riga” (Dumpīgā Rīga, 1930) and “Mūksala Brothers” (Mūksalas brāļi, 1934), Astrīda Beināre’s (1937–2016) “Our Lady of Riga Monastery” (Rīgas Dievmātes klosteris, 1993), Aivars Kļavis’s (1953) tetralogy “Beyond the Gate” (Viņpus vārtiem), which consists of the novels “Jester of Adiaminde” (Adiamindes āksts, 2005), “Riga Humpback” (Rīgas kuprītis, 2007), “Ridiculed Soldier” (Piesmietais karavīrs, 2009), “Captives of the Traveling Circus” (Ceļojošā cirka gūstekņi, 2012).

American Literary Nationalism: The Process of Definition, 1825–1850

1959 ◽  
Vol 21 (1) ◽  
pp. 224-238 ◽  
Author(s):  
John T. Frederick
Keyword(s):  
American Literature ◽  
Literary Work ◽  
National Literature ◽  
Declaration Of Independence ◽  
Actual Creation ◽  
The Subject

TheInk used by the signers of the Declaration of Independence barely had time to dry before Americans began talking about a national literature. Debate was initiated which went on actively for 75 years — and indeed is still occasionally revived. From the first, two aspects of the subject were considered, two steps were recognized as necessary. The first was the problem of definition: what should be the materials of an American literature and what should be the spirit and purpose of American writers. The second was, of course, the actual creation of a body of literary work which should be recognizably and worthily American.

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