scholarly journals Топос „Одессаˮ в романе Сергея Ануфриева и Павла Пепперштейна „Мифогенная любовь кастˮ

2020 ◽  
Vol 48 (3) ◽  
pp. 207-221
Author(s):  
Walentyna Musiy
Keyword(s):  
External World ◽  
Second World War ◽  
The Novel ◽  
World War ◽  
Historical Reality ◽  
Historical Accuracy ◽  
The Subject ◽  
Opera House ◽  
Second World ◽  
Real City

The article deals with the reflection in the literature of the process of mythologizing the image of Odessa. The author understands the myth as a symbolic designation of objects, historical events, objects of the external world, belonging to the space of psychic reality. The purpose of the mythologizing as the process is the expression of a generalized idea of something or someone, as well as giving to events, persons, objects with a universal sense . The subject of the article is the novel of modern writers S. Anufriev and Pepperstein“Mythogenic love of castes”. Both writers are the organizers of the Medical Hermeneutics group and refer themselves to younger conceptualists. Such postmodern writers pay special attention to various senses that are traditionally attached to phrases, attitudes, concepts. In the novel by Anufriev and Pepperstein, the reader includes to the space of a fabulous, psychic (virtual) and historical reality. The novel refers to the events of the Second World War, it’s hero takes part in key battles with the Nazis. However, fabulous heroes help him to defeat. And the reader sees these events as they are perceived by a participant in the war of the early 1940s and at the same time – by a modern person living at the end of the twentieth century. Theimage of Odessa is created in the twenty-first chapter of the novel. It names the real historical persons (Badayev, Yasha Gordienko). These heroes take part in fictional events along with fictional characters. The article considers such signatures of Odessa: Deribasovskaya street, Opera House, Archaeological Museum, the sea, sea port. The article contains words that relate to the “Odessa” language and their meanings. Special attention is paid to Odessa songs (folklore and author’s). At the same time, attention is drawn to the lack of historical accuracy in a number of images and details. Odessa in the novel by Anufriev and Pepperstein is both a real city and a city that has turned into a myth. 

scholarly journals The Struggle of a Geisha in Maintaining Her Pride as Seen in Arthur Golden’s Memoirs of a Geisha

2019 ◽  
Vol 2 (2) ◽  
pp. 7-13
Author(s):  
Ramiyati Handriyani ◽  
Amelia Yuli Astuti
Keyword(s):  
World War Ii ◽  
Structural Theory ◽  
Second World War ◽  
Female Character ◽  
The Novel ◽  
World War ◽  
Before And After ◽  
The Subject ◽  
Basic Ideas ◽  
Second World

This thesis is entitled "The Struggle of Geisha in Maintaining Her Pride as seen in Arthur Golden's Memoirs of a Geisha" seen from the perspective of structuralism. This research is limited on basic ideas that relate to the observation into three questions as follow: (1) how is geisha’s life before World War II (2) how was the geisha struggle after World War II, and (3) how is geisha maintaining her  pride before and after second world war. The objectives of this research were (1) to analyze Sayuri’s life before World War II (2) to explain Sayuri's life after World War II, and (3) to study and explain the types of struggles in maintaining her pride by Sayuri as the main female character , to oppose and think of Sayuri's struggle to fight exploitation and significant meaning, and to find out and explain the depiction of Sayuri's struggle. The theory used is from Gough and Gautam about the structural analysis used to answer the purpose of this research. For the method of data analysis, the author uses systematic procedures with novel understanding and structural theory. Data collection techniques use documentation techniques in finding data that is relevant to the subject of analysis. The object of this research is a novel entitled Memoirs of a Geisha written by Arthur Golden in 1997 and the data are sentences related to the struggle of a woman found in the novel. Sayuri as the main female character in the novel represents women in general who can gain their independence and have a smart and brave attitude to take the important decisions in their life.

scholarly journals Returning to the Past: The Germans as a Historical Trauma in Contemporary Czech Prose

Porównania ◽  
2020 ◽  
Vol 27 (2) ◽  
pp. 59-76
Author(s):  
Alena Šidáková Fialová
Keyword(s):  
Historical Trauma ◽  
Second World War ◽  
The Novel ◽  
World War ◽  
The Past ◽  
Family Saga ◽  
The Holocaust ◽  
The Family ◽  
The Subject ◽  
Second World

This study describes reflections of wartime and postwar historical trauma in contemporary Czech prose, taking into account the issues surrounding Central Europe, which entirely overlap with the traditional confrontation between the Czechs and Germans. It also includes the changing reflections on Germany and the Germans, the Second World War and the subsequent expulsion found in the prose work of the new millennium, the unifying topic being deemed to be the issue of the ambiguous national identification of the protagonists, the detabooization of previously hushed-up subjects and the subject of the Holocaust, particularly in the family saga genre. It also takes into account groups of texts focusing on reflections of anti-German resistance activities, both in the genre of the novel (with detective elements) and in output on the boundaries between fiction and factographic prose.

Hendrik Draye, tegenstander van de uitvoering van de doodstraf

2006 ◽  
Vol 65 (2) ◽  
pp. 134-152
Author(s):  
Luc Vandeweyer
Keyword(s):  
Death Penalty ◽  
Second World War ◽  
World War ◽  
Penal Policy ◽  
Catholic University ◽  
The Subject ◽  
The University ◽  
Second World ◽  
Young Professor

Hendrik Draye, opponent of the carrying out of the death penaltyIn this annotated and extensively contextualised source edition, Luc Vandeweyer deals with the period of repression after the Second World War. In June 1948, after the execution of two hundred collaboration-suspects in Belgium, the relatively young linguistics professor at the Catholic University of Leuven, Hendrik Draye, proposed, on humanitarian grounds, a Manifesto against the carrying out of the death penalty. Some colleagues, as well as some influential personalities outside the university, reacted positively; some colleagues were rather hesitant; most of them rejected the text. In the end, the initiative foundered because of the emphatic dissuasion by the head of university, who wanted to protect his university and, arguably, the young professor Draeye. The general public’s demand for revenge had not yet abated by then; moreover, the unstable government at that time planned a reorientation of the penal policy, which made a polarization undesirable. Nevertheless, Luc Vandeweyer concludes, "the opportunity for an important debate on the subject had been missed".

scholarly journals Acoustic Reconstruction of Eszterháza Opera House Following New Archival Research

2020 ◽  
Vol 10 (24) ◽  
pp. 8817
Author(s):  
Lamberto Tronchin ◽  
Francesca Merli ◽  
Marco Dolci
Keyword(s):  
3D Model ◽  
18Th Century ◽  
Second World War ◽  
World War ◽  
National Library ◽  
Acoustic Parameters ◽  
Speech Transmission ◽  
The Will ◽  
Opera House ◽  
Second World

The Eszterháza Opera House was a theatre built by the will of the Hungarian Prince Nikolaus Esterházy in the second half of the 18th century that had to compete in greatness and grandeur against Austrian Empire. The composer that inextricably linked his name to this theatre was Haydn that served the prince and composed pieces for him for many years. The Opera House disappeared from the palace complex maps around 1865 and was destroyed permanently during the Second World War. This study aims to reconstruct the original shape and materials of the theatre, thanks to the documents founded by researchers in the library of the Esterházy family at Forchtenstein, the Hungarian National Library, and analyze its acoustic behavior. With the 3D model of the theatre, acoustic simulations were performed using the architectural acoustic software Ramsete to understand its acoustical characteristics and if the architecture of the Eszterháza Opera House could favor the Prince’s listening. The obtained results show that the union between the large volume of the theatre and the reflective materials makes the Opera House a reverberant space. The acoustic parameters are considered acoustically favorable both for the music and for the speech transmission too. Moreover, the results confirm that the geometry and the shape of the Eszterháza Opera House favored the Prince’s view and listening, amplifying onstage voices and focusing the sound into his box.

scholarly journals Per Ravenna trecentesca: nuove proposte per l’assetto architettonico di Santa Maria in Porto Fuori

2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi
Keyword(s):  
Fourteenth Century ◽  
Second World War ◽  
World War ◽  
The Subject ◽  
First Time ◽  
Santa Maria ◽  
Second World ◽  
The Church

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.

scholarly journals Agency and Analogy in African History: the Contribution of Extra-Mural Studies in Ghana

2007 ◽  
Vol 34 ◽  
pp. 273-296 ◽  
Author(s):  
Kate Skinner
Keyword(s):  
Second World War ◽  
Gold Coast ◽  
Academic Disciplines ◽  
African History ◽  
World War ◽  
Significant Extent ◽  
The United Kingdom ◽  
Autobiographical Texts ◽  
The Subject ◽  
Second World

As the pioneering generation of postwar British academics retired, some produced autobiographical texts which revealed the personal circumstances and intellectual influences that brought them to the study of Africa. Edited volumes have also provided broader reflections on the academic disciplines, methodologies, and institutions through which these scholars engaged with the continent. In one such text, Christopher Clapham and Richard Hodder-Williams noted the special relationship between extramural studies (also known as university adult education) and the academic study of Africa's mass nationalist movements:The impetus for this study came to a remarkable degree from a tiny group of men and women who pioneered university extra-mural studies in the Gold Coast immediately after the [Second World War], and to a significant extent established the parameters for subsequent study of the subject [African politics]. Gathered together under the aegis of Thomas Hodgkin […], they were led by David Kimble […], and included among the tutors Dennis Austin, Lalage Bown and Bill Tordoff, all of whom were to play a major role in African studies in the United Kingdom over the next forty years.

Elizabeth Bowen and Eudora Welty: Selected Correspondence

2021 ◽  
Vol 51 (1) ◽  
pp. 137-161
Author(s):  
Allan Hepburn
Keyword(s):  
Jane Austen ◽  
Gustave Flaubert ◽  
Second World War ◽  
Contemporary Fiction ◽  
Eudora Welty ◽  
The Novel ◽  
Elizabeth Bowen ◽  
World War ◽  
Comprehensive Theory ◽  
Second World

Over her career, Elizabeth Bowen published ten novels, yet she left no comprehensive theory of the novel. This essay draws especially upon ‘Notes on Writing a Novel’ (1945), ‘The Technique of the Novel’ (1953), and ‘Truth and Fiction’ (1956), as well as opinions that Bowen expressed in her weekly book columns for The Tatler, to formulate her key perceptions of, and rules for, writing a novel. Bowen defined her ideas by drawing upon the empirical evidence of novels by Elizabeth Taylor, Olivia Manning, H.E. Bates, Jane Austen, Gustave Flaubert, and numerous others. She gave particular thought to ‘situation’, by which she means the central problematic or the crux of the story. The situation precedes and fuels plot. The Second World War, Bowen claimed in her essays and reviews, had a decisive influence on heroism and contemporary fiction by heightening its scale and its repertory of situations.

scholarly journals Meningkatkan Hasil Belajar dengan Metode Contextual Teaching Learning pada Mata Pelajaran Sejarah

2015 ◽  
Vol 7 (1) ◽  
pp. 13
Author(s):  
Esmeria Pasaribu
Keyword(s):  
World History ◽  
Second World War ◽  
World War ◽  
Post Test ◽  
The Subject ◽  
Contextual Teaching ◽  
Teaching Learning ◽  
Second World ◽  
Passing Score ◽  
Test Result

This research’s subject is 36 person of students at class of Social Science-3 grade XII, as the research’s object is the method of Contextual Teaching Learning.  The instrument of collecting data are the questionaire and the students score list . Based on pre test result to the 36 students, shows that 28 who obtained low score predicated ‘not passed’ as had not yet achieved Minimal Passing Score of 70, while the rest of 8 passed by obtaining the passing score. In the first cycle, there were 16 of student passed by obtaining the passing score of 70, whereas the rest of 20 were not passed by did not obtaining the passing score. In the second cycle there were 34 of students passed the test while the rest of 2 students were not passed the test. By based on several results of pre test, post test of the first cycle, and post test of the second cycle, indicated increasing the result of teaching-learning significantly. Therefore, could be concluded that using the method of Contextual Teaching Learning can be increase achievement of student learning at the subject of history on the subject matter of Analising Development of World History and Position of Indonesia in the middle of International Politic and Eco-nomic Changing post Second World War.

scholarly journals Dokia Humenna’s Depiction of the Second World War and the OUN in Khreshchatyi iar: How Readers Responded

2016 ◽  
Vol 3 (1) ◽  
pp. 89
Author(s):  
Myroslav Shkandrij
Keyword(s):  
New York ◽  
Reader Response ◽  
Ukrainian Academy ◽  
Second World War ◽  
The Novel ◽  
World War ◽  
German Occupation ◽  
Emigre Literature ◽  
Second World ◽  
The Way

<p class="EW-abstract"><strong>Abstract:</strong> When Dokia Humenna’s novel depicting the Second World War, <em>Khreshchatyi iar</em> (Khreshchatyk Ravine), was published in New York in 1956, it created a controversy. Readers were particularly interested in the way activists of the OUN were portrayed. This article analyzes readers’ comments and Humenna’s responses, which are today stored in the archives of the Ukrainian Academy of Science in New York. The novel is based on a diary Humenna kept during the German occupation of Kyiv in the years 1941-1943.</p><strong>Keywords: </strong>Dokia Humenna, <em>Khreshchatyi iar</em>, Second World War, OUN, Émigré Literature, Reader Response

Continental Naval Doctrines Between the Wars. The Impact of German Naval Experience on the Italian Navy (1919-1943)

2021 ◽  
pp. 096834452110434
Author(s):  
Fabio De Ninno
Keyword(s):  
Second World War ◽  
Early Years ◽  
World War ◽  
Weapon Systems ◽  
Profound Influence ◽  
The First World War ◽  
The Subject ◽  
The Impact ◽  
Second World ◽  
First World

During the interwar era, German naval history and naval doctrine exercised a profound influence on the development of the Italian Navy. The subject is relevant to understand how continental sea powers naval doctrines developed after the First World War, attempting to integrate new weapon systems to overcome the previous limits of the Fleet in being strategy. Italian naval thinkers incorporated the lessons offered by their German counterparts, preparing to repeat many of their mistakes, which explained in part the failures of Italian sea power in the early years of the Second World War.

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