scholarly journals Dokia Humenna’s Depiction of the Second World War and the OUN in Khreshchatyi iar: How Readers Responded

2016 ◽  
Vol 3 (1) ◽  
pp. 89
Author(s):  
Myroslav Shkandrij

<p class="EW-abstract"><strong>Abstract:</strong> When Dokia Humenna’s novel depicting the Second World War, <em>Khreshchatyi iar</em> (Khreshchatyk Ravine), was published in New York in 1956, it created a controversy. Readers were particularly interested in the way activists of the OUN were portrayed. This article analyzes readers’ comments and Humenna’s responses, which are today stored in the archives of the Ukrainian Academy of Science in New York. The novel is based on a diary Humenna kept during the German occupation of Kyiv in the years 1941-1943.</p><strong>Keywords: </strong>Dokia Humenna, <em>Khreshchatyi iar</em>, Second World War, OUN, Émigré Literature, Reader Response

2020 ◽  
pp. 372-388
Author(s):  
Agnieszka Czyżak

The article contains considerations regarding memory of the Holocaust in Polish contemporary prose and analyses the arguments for and against fictitious representations of theShoah. The author discusses the changes in treating fiction which narrates the history of Jewish people during the Second World War – from works of fiction published after the war (e.g. Wielki Tydzień by Jerzy Andrzejewski) to popular thrillers written in the 21st century. The main part of this article is devoted to a novel Tworki written by Marek Bieńczyk in 1999, telling a story of young people – Poles and Jews – employed in a mental hospital during German occupation. The novel was at the centre stage of discussion about relationship between fiction and the Shoah theme, yet the author of the article argues that it may serve as an important stepping stone in exemplifying history. This literary vision of the Holocaust (defined as “pastoral thriller”) shows educational possibilities of fiction.


Text Matters ◽  
2018 ◽  
pp. 43-54
Author(s):  
Camelia Raghinaru

Colm Tóibín’s 2009 novel Brooklyn accompanies Eilis Lacey, a native of Enniscorthy, Ireland of the 1950s on a reluctant voyage across the Atlantic. Her passage reconstructs a common experience of immigration and exile to New York for the Irish working class seeking to escape the lack of prospects in small-town Ireland after the Second World War. Caught as she is between two homes—the traditional Irish culture she emerges from and the new capitalist society of America to which she emigrates—Eilis is placed in a polemical relationship to the public sphere, staked on multiple grounds of in-betweenness: she is a woman, Irish, and an exile. Belonging, for her, is posited on a complex understanding of the tensions between national and transnational identities. Eilis’s parochialism, at first, and cosmopolitanism, later on, are both decisive characteristics that become driving forces behind her social integration and marriage prospects. She is initially barred from promising job and marriage opportunities due to her naivety and lack of sophistication. As an Irish female immigrant, Eilis becomes in the course of the novel a cosmopolitan from the margins, one of the newly uprooted, and ultimately a split self.


2018 ◽  
Vol 7 (1) ◽  
pp. 161-184
Author(s):  
Doha Mahmoud Abdel-Moety

Abstract The present study is concerned with the representation of ideologies in fiction. It attempts an analysis of Ian McEwan’s novel Atonement and aims at revealing the ideologies of war and social class by analysing textual conceptual functions. It applies a critical stylistic analysis based on Jeffries’s (2010) framework. The study addresses the following questions: How are the concepts of war and social class presented in the novel? Which categories are used to introduce war and social class in the novel? What is the linguistic realization of the categories selected? What does Atonement reveal about British society and the period during which the events took place? To what extent are McEwan’s ideologies reflected in the novel? The results of the study show that war and social class constitute an important part in the novel. There are references to them from the very beginning of the novel. They are presented ideologically through the categories of naming and describing, negating, representing actions/events/states, prioritizing, hypothesizing, implying and assuming, presenting others’ speech and thoughts, and representing time, space and society. These categories employed specific linguistic realizations that helped the author achieve his purpose and influence readers. The results also reveal the way Atonement portrays the circumstances of British society before, during, and after the Second World War. Moreover, they indicate the existence of historically accurate information related to war. Finally, the results demonstrate that the representations of war and social class in Atonement are ideologically loaded. These representations reflect McEwan’s own attitude toward history, war, and social class.


2019 ◽  
Vol 3 ◽  
pp. 00007
Author(s):  
B Dewi Puspitaningrum ◽  
Airin Miranda

<p class="Keyword">Nazi Germany used Endlösung to persecute Jews during the Second World War, leading them to the Holocaust, known as “death”. During the German occupation in France, the status of the Jews was applied. Polonski reacted to the situation by establishing a Zionist resistance, Jewish Army, in January 1942. Their first visions were to create a state of Israel and save the Jews as much as they could. Although the members of the group are not numerous, they represented Israel and played an important role in the rescue of the Jews in France, also in Europe. Using descriptive methods and three aspects of historical research, this article shows that the Jewish Army has played an important role in safeguarding Jewish children, smuggling smugglers, physical education and the safeguarding of Jews in other countries. In order to realize their visions, collaborations with other Jewish resistances and the French army itself were often created. With the feeling of belonging to France, they finally extended their vision to the liberation of France in 1945 by joining the French Forces of the Interior and allied troops.</p>


2020 ◽  
Vol 38 (4) ◽  
pp. 97-121
Author(s):  
Thomas Klikauer ◽  
Norman Simms ◽  
Helge F. Jani ◽  
Bob Beatty ◽  
Nicholas Lokker

Jay Julian Rosellini, The German New Right: AfD, PEGIDA and the Re-imagining of National Identity (London: C. Hurst, 2019).Simon Bulmer and William E. Paterson, Germany and the European Union: Europe’s Reluctant Hegemon? (London: Red Globe Press, 2019).Susan Neiman, Learning from the Germans: Race and the Memory of Evil (New York: Farrar, Straus and Giroux, 2019).Stephan Jaeger, The Second World War in the Twenty-First-Century Museum: From Narrative, Memory, and Experience to Experientiality (Berlin: De Gruyter, 2020).Robert M. Jarvis, Gambling under the Swastika: Casinos, Horse Racing, Lotteries, and Other Forms of Betting in Nazi Germany (Durham, NC: Carolina Academic Press, 2019).


Sign in / Sign up

Export Citation Format

Share Document