scholarly journals Ondare ez-materiala iparraldeko mugan: nafar Pirinioen kasua

Author(s):  
Aritz Larraia Medina

LABURPENA xx. mendeko azken aldian, euskarak gainbehera sakon batean sartu zen Nafarroako ipar-ekialdean eta inon baino nabariagoa izan zen Erronkariko Ibaxan. 1980-1990 hamarkadetan erronkariko uskararen azken hiztunak hiltzen ziren bitartean, bi komunitate hauen arteko harremana gainbeheran sartu zen. Landa-lan honetan, mugaren bi aldeetako biztanleei egindako elkarrizketei esker, egungo egoera zein den aztertuko da. Komunitate hauek gordetako ondare materiala eta ez-materiala aintzat hartuko dira. Honekin batera, etorkizunerako erronkak aztertu egingo ditugu herri hauek betidanik izan duten lotura galdu ez dadin eta mugaz gaindiko harremanak sustatzeko proiektu desberdinak planteatuz. RESUMEN A finales del siglo xx el uskara experimentó un serio declive que concluyó con la desaparición de sus últimos hablantes en las décadas ochenta y noventa del siglo pasado. Mientras estas personas conocedoras de la lengua vernácula del lugar morían, las relaciones con el otro lado de la muga comenzaron a debilitarse. En este trabajo de campo, mediante una metodología cualitativa basada en las entrevistas realizadas a personas de ambos lados de la muga, se analiza cuál es el estado actual de dichas relaciones. El patrimonio inmaterial y material guardado por estas personas será tenido en cuenta. Asimismo, se analizarán los retos y oportunidades de estas comunidades para el futuro de sus relaciones. ABSTRACT At the end of the 20th century, «uskara» experienced a serious decline which ended with the disappearance of the last Basque speakers in the 1980-90’s. While these people, the last true speakers of the vernacular language, died, relations with the other side of the border began to weaken. In this paper through a qualitative methodology based on interviews done with people from both sides of the border, we analyze what the current state of the mentioned relations is like. In addition, opportunities and challenges faced by these communities will be analyzed to assess their posible future relations. The material and intangible cultural heritage maintained by these persons will be taken into account.

2004 ◽  
Vol 64 ◽  
Author(s):  
Liliana Swiderski

O regresso de Pessoa às fontes clássicas seguiu duas direções, que neste artigo procuro identificar e analisar. De um lado, foi uma das bases de suas utopias estéticas e políticas, que expressou através de revistas, movimentos e profecias de regeneração; de outro, é relevante na produção do seu heterônimo Ricardo Reis, quem, em pleno século XX, recupera nas Odes os moldes formais e os temas de Horácio. Resumen El regreso a las fuentes clásicas que Pessoa impulsó siguió dos direcciones, que en este artículo intento identificar y analizar. Por un lado, fue una de las bases de sus utopías estéticas y políticas, que expresó a través de revistas, movimientos y profecías de regeneración; por otro, es fundamental en la producción de su heterónimo Ricardo Reis, quien, en pleno siglo XX, recupera en sus Odes los moldes formales y temáticos de Horacio. Classical tradition in Fernando Pessoa’s works Abstract This article attempts to identify and analyze the influence of classical tradition in Pessoa in two ways. On the one hand, it functions as one of the bases for his aesthetic and political utopias revealed in magazines, movements, and regeneration prophecies. On the other, it is relevant to the production under the pseudonym Ricardo Reis who, in the 20th century, restores the formal models and Horace’s themes through the Odes.


2018 ◽  
Vol 10 (12) ◽  
pp. 4369 ◽  
Author(s):  
Qing Lin ◽  
Zheng Lian

With the development of globalization, intangible cultural heritage (ICH) has come under increasing threat, making the safeguarding of ICH a crucial task for the governments and peoples of the world. This paper examines China’s current state of intellectual property (IPR) protection for ICH and proposes that ICH be placed under China’s legislative protection as intellectual property. Due to the immense diversity and complexity of ICH and the difficulty in reconciling various interests involved, the existing IPR protection mode faces many obstacles in practice. We present two case studies and three sets of recommendations on improving the protection of ICH in China. The first set relies on improving copyright protection for ICH, the second set relies on improving trademark and geographical protection for ICH, and the third set relies on improving patent protection for ICH.


2017 ◽  
Vol 41 ◽  
pp. 212-250
Author(s):  
Юры [Jerzy] Гардзееў [Gordziejew]

Urbanonymic discourse in the post-Soviet BelarusThis article attempts to analyze the current state of the Belarusian urban namespace. This toponymic study covers selected Belarusian cities and shows the clash of different discourses and strategies of social memory. Since the mid-nineteenth century state authorities intervened with urban place naming and created a symbolic space of the Belarusian city. During the 20th century names of urban objects were replaced completely. The aim of the paper is to discuss different approaches to the policy of urban place names.Characteristic motivational-semantic features of Belarusian urbanonymic design of the last 25 years are in coexistence with different semantic types, predominance of Soviet street names to the detriment of Belarusian. Thus it should be noted that the policies of current authorities seek to preserve Soviet toponimical heritage. Therefore street names still reflect historical figures and values of Soviet history.On the other hand the formation of the urbanonyms of Belarusian connotation is connected not so much with the decommunization of the urban landscape, but with the process of nomination of streets arising mainly for newly established streets in new districts in the outskirts of towns. No doubt, the only exception is Maladzechna where in the 1990s urban toponymy space had been decommunized.Finally, the article discusses numerous examples of Belarusian toponymic activism.  Dyskurs urbanonimiczny na postsowieckiej BiałorusiArtykuł stanowi próbę zarysowania problematyki współczesnego stanu białoruskiego systemu urbanonimicznego. Analiza zbiorów toponimicznych wybranych miast białoruskich ukazuje zderzenie różnych dyskursów i strategii pamięci społecznej. Głównym aktorem, który od połowy XIX w. przez praktyki upamiętniające kreuje przestrzeń symboliczną białoruskiego miasta, jest instytucja państwa. W XX w. pod wpływem czynników pozalingwistycznych nasiliła się tendencja przemianowania nazw realnoznaczeniowych na nazwy pamiątkowe.Ze względu na fluktuację ustrojowo-polityczną ostatnich dwudziestu pięciu lat miejską przestrzeń nazewniczą cechuje nakładanie się odmiennych pod względem semantycznym zbiorów nazw ulicznych, dominacja radzieckiej spuścizny toponimicznej, wynikająca z priorytetów aksjologicznych obecnych władz.Z kolei pojawienie się nazw o białoruskiej konotacji ma związek nie tyle z procesem dekomunizacji przestrzeni miejskiej, ile z procesem nominacji ulic, powstających przeważnie w nowych dzielnicach. Jedyny wyjątek stanowi zespół urbanonimiczny Mołodeczna, gdzie jeszcze na początku lat 90. XX w. dokonano dekomunizacji przestrzeni symbolicznej miasta.W artykule omówiono też zagadnienie białoruskiego aktywizmu toponimicznego.


Author(s):  
Bazheneyeva S.

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.


2016 ◽  
Vol 1 (14) ◽  
Author(s):  
Siniša Cvijić ◽  
Jasna Guzijan

Established in the first half of the 18th century, the district of Krš in Trebinje was the first settlement to grow upoutside the town walls. It grew up spontaneously in response to the local natural environment and under amixture of Mediterranean and Oriental influences. Since the second half of the 20th century, the district has faceddilapidation, a process that has not been countered yet, despite its recognised value as a cultural asset and thequality of its ambience.In this paper the present state of the district of Krš is analysed, along with the possibility of its adequateprotection relative to the applicable spatial and town plans, town planning ordinance and international charterson the protection of cultural and natural heritage sites. Also considered is the formulation of a special strategythat would help regenerating the area under consideration as well as safeguard its intangible cultural heritage andgenius loci.


Author(s):  
Santiago Bertrán

Este artículo explora los aspectos filosóficos y éticos de la literatura de Javier Marías a la luz de la filosofía de Julián Marías y la literatura de Marcel Proust. Las ficciones de Javier Marías nos presentan una serie de personajes que se demuestran como agudos observadores que interpretan el mundo para entenderlo mejor y para orientarse en él. Este artículo defiende el argumento que esta tarea hermenéutica se extiende también a la propia poética de Javier Marías, la cual refleja dos conceptos esenciales no del todo bien estudiados hasta la fecha: por una parte, lo que Marías, tomando prestado un término de su padre, Julián Marías, denomina "pensamiento literario", un concepto que entiende la escritura como una de las herramientas más poderosas que tiene el autor de explorar y entender la realidad; por otra parte, el concepto de "reconocimiento", una noción muy próxima a la poética de Marcel Proust que describe la experiencia cognitiva por la cual el lector 'se ve' o 'se reconoce' a sí mismo en la narración. Al investigar estas poéticas visuales y sus implicaciones éticas se descubre el contexto metafísico y ontológico al cual se aproxima la obra mariesca, que no es otro que el paradigma filosófico de la "realidad radical" establecido por Ortega y Gasset a comienzos del siglo XX.   This article examines the ethical and philosophical aspects of Javier Marías’s literature in light of the philosophy of Julián Marías and the poetics of Marcel Proust. Javier Marías’s fictions famously present us with a series of characters that prove to be acute observers, interpreting the world both to understand it better and to orientate themselves within it. I argue that this hermeneutical approach extends to Marías’s poetics, which reflect two main concepts not yet well studied: on the one hand, what Marías, borrowing a term from his father, the philosopher Julián Marías, calls ‘pensamiento literario’, which describes creative writing as one of the most powerful tools the author has to explore and understand reality; and on the other, his idea of ‘reconocimiento’, a concept which echoes Marcel Proust’s poetics and which defines the sympathetic process by which the reader ‘sees’ or ‘recognises’ him or herself in the narrative. In investigating these ‘visual’ poetics and their ethical implications, we will discover the metaphysical and ontological context intrinsic to Marías’s narrative, which is based on the philosophical paradigm of the ‘realidad radical’ established by José Ortega y Gasset at the beginning of the 20th Century.


Author(s):  
David Parra Valcarce ◽  
Charo Onieva Mallero

La tecnología del podcasting ha conocido un considerable crecimiento durante estos últimos años, facilitada por circunstancias como la consolidación de la web semántica manual o web 2.0 y el surgimiento de la figura del prosumidor de contenidos. Desde el punto de vista de su evolución en el tiempo consideramos la existencia de cuatro etapas diferenciadas, a las que denominamos como experimental (finales del siglo XX a 2005), de consolidación (2006 a 2009), multimedia (2010 a 2013) y de eclosión (2014 hasta la actualidad). Se analiza cuál es el grado de utilización de los podcasts para el tratamiento de la temática referida a la difusión del patrimonio cultural en el ámbito específico hispanoparlante. Para ello, se ha examinado la presencia de esta clase de herramientas en dos de las principales plataformas de podcasting a escala internacional: iVoox y SoundCloud. Podcasting technology has had a considerable growth during last years, facilitated by circumstances such as the consolidation of the manual semantic web or web 2.0 and the emergence of the figure of the prosumer of contents. From the point of view of its chronological evolution, we consider the existence of four differentiated stages, which we call as experimental (late 20th century to 2005), consolidation (2006 to 2009), multimedia (2010 to 2013) and hatching (2014 to nowadays). We analyze the degree of use of podcasts for the treatment of the theme related to the dissemination of cultural heritage in the specific Hispanic-speaking environment. In order to do so, we have examined the presence of this kind of tools in two of the main international podcasting platforms: iVoox and SoundCloud.


2012 ◽  
Vol 4 (1) ◽  
pp. 25
Author(s):  
Rosyadi Rosyadi

AbstrakAngklung adalah alat musik tradisional Indonesia yang berasal dari tanah Sunda, terbuat dari bambu, yang dibunyikan dengan cara digoyangkan. Sebelum menjadi sebuah kesenian yang adiluhung seperti sekarang ini, kesenian Angklung telah mengalami perjalanan sejarah yang amat panjang. Berbagai perubahan telah dilaluinya mulai dari perubahan bentuk, fungsi, sampai pada perubahan nada. Demikian pula berbagai situasi telah dilaluinya, bahkan kesenian ini sempat mengalami keterpurukan pada awal abad ke-20. Angklung sebagai salah satu jenis kesenian yang berangkat dari kesenian tradisional, mengalami nasib yang tidak terlalu tragis dibandingkan dengan beberapa jenis kesenian tradisional lainnya. Kesenian ini hingga kini masih tetap bertahan,  bahkan berkembang, dan sudah “mendunia” kendatipun dengan jenis irama dan nada yang berbeda dari nada semula. Kalau semula nada dasar kesenian Angklung adalah tangga nada pentatonis, kini telah berubah menjadi tangga nada diatonis yang memiliki solmisasi. Boleh dibilang, kesenian Angklung merupakan salah satu jenis kesenian tradisional yang mampu menyesuaikan diri dengan perkembangan zaman, sehingga ia mampu bertahan di tengah terjangan arus modernisasi. Bahkan kesenian Angklung ini telah mendapat pengakuan dari UNESCO sebagai The Representative List of the Intangible Cultural Heritage of Humanity. Angklung sebagai warisan budaya dunia milik Indonesia yang dideklarasikan pada 16 Januari 2011.  Abstract Angklung is a Sundanese musical instrument made of bamboo. We have to shake it to get the tune. Angklung has been through long period of times in history before it become a masterpiece of one of Sundanese artistry. It has been through many changes, beginning from its form, functions and tune itself. Angklung experienced its downturn at the beginning of 20th century. But it survived. Angklung can suit itself to this changing modern world by adjusting its musical scale from pentatonic to diatonic. UNESCO has granted angklung the Representative List of Intangible Heritage of Humanity on January 16, 2011.


Author(s):  
Kurmo Konsa

Heritage in its very diverse forms has become a significant force in contemporary society. This is manifested by the importance of heritage in shaping identities, the use of heritage by political forces, and the increasing interconnectedness of heritage, the entertainment business and tourism. Heritage is a part of tangible reality while at the same time being an intangible phenomenon. Heritage connects people to each other and to the environment, both its material and natural aspects, therefore forming part of our world. By relying on heritage, recreating it and attributing important meanings to it, people shape the way societies function. The aim of this article is to create a conceptual framework for treating the preservation of intangible cultural heritage. In order to do that, I will use the concept of heritage on the one hand and the information ecological approach on the other hand. The article proposes to create a clearer conceptual framework for treating intangible cultural heritage, with the main emphasis on the preservation aspect. Heritage can be considered from very different aspects, from its philosophical meaning to highly technical conservation proceedings. In this article, I proceed from the idea that heritage is a phenomenon currently being created by people, i.e. from the principle of socio-cultural construction. Of course, this is just one possible way to interpret and utilise the past. It is clear that the treatment of heritage in this way poses a serious challenge to preservation – how should the heritage process be preserved? In my discussion of the heritage process, I use the information ecology framework, mainly drawing on ideas of Bonnie Nardi and Vicky O’Day. Information ecology is a system of people, activities, and technologies in a specific local environment. The information ecologic system is an intertwined network of a specific group of people and their tools and activities. The information ecological approach is characterised by systematicity, diversity, co-evolution and locality. All these aspects are also very important when it comes to intangible heritage. It is evident from the information ecological perspective that preservation of heritage is not a neutral technical activity but rather a social process, in the course of which values and meanings are created, changed and preserved. In preserving heritage, it is important to consider both the heritage itself and the level of society in the framework of which the management takes place. With intangible heritage, it is important to differentiate between individuals and families, groups and communities who practice it. At the national and international levels, specific heritage practices can be recognised and supported, but determining these practices and their actual preservation takes place at the community and individual levels. In order to preserve intangible heritage, we need to support the people, groups and communities who use and develop the given tradition. This means supporting a social and cultural process, in the event that such support is needed in the first place. Communities use intangible heritage to fix their current problems. These aims might not overlap with the national and international goals of preservation. To sum up information ecological principles from the aspect of preserving intangible heritage, what has to be emphasised is the importance of systemic treatment. People practicing heritage skills, their clients, researchers, preservers of heritage and community activists, to name just a few stakeholders, should form an integral system. Different parties are bound to see the system from different perspectives; on the one hand, this cannot be avoided, on the other hand, it is a barrier that needs to be overcome. What is extremely important is the reflection of the so-called grass-roots level perspective, expressed in the subjective view of the person with heritage skills, when determining and preserving heritage. When treating the functions of heritage skills, in addition to their economic significance, which often prevails, what needs to be observed is also the role of these skills in shaping community identities and in creating and preserving social cohesion, but also as parts of education and the wider social communication system. Via heritage skills, meanings are created and values are presented to the community and to society as a whole. I think the fact that heritage participates in the creation of value environments is what guarantees heritage a place in contemporary information society.


2019 ◽  
Vol 25 (2) ◽  
pp. 336-341
Author(s):  
Daniela Sorea ◽  
Elena Băjenaru

Abstract The Făgăraș Land is an old Romanian state formation on the territory of Transylvania. Geographically located between the Olt and the Meridional Carpathians, the Făgăraș Land is considered the starting point of the founders of Wallachia. It was caught between the interests and pride of the Hungarian Kingdom and those of the Romanian lords throughout the Middle Ages, and suffered invasions of the Tartars. The memory of the latter is preserved in the collective memory of the locals, especially in the legends about the rocks that girls chased by attackers have jumped off. Many of the villages of Fagaras are arranged in pairs, one in the Olt meadow and the other in the mountain. Over time, there have been differentiations in the folk garment and traditions between the couple villages, but also between neighbouring couple villages. These differences strenghten the community identity of the Făgăraș Land villagers and indicate the existence of significant intangible cultural heritage resources in the area.


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