scholarly journals Vaimse pärandi säilitamine: infoökoloogiline vaade [Preservation of intangible heritage from the perspective of information ecology]

Author(s):  
Kurmo Konsa

Heritage in its very diverse forms has become a significant force in contemporary society. This is manifested by the importance of heritage in shaping identities, the use of heritage by political forces, and the increasing interconnectedness of heritage, the entertainment business and tourism. Heritage is a part of tangible reality while at the same time being an intangible phenomenon. Heritage connects people to each other and to the environment, both its material and natural aspects, therefore forming part of our world. By relying on heritage, recreating it and attributing important meanings to it, people shape the way societies function. The aim of this article is to create a conceptual framework for treating the preservation of intangible cultural heritage. In order to do that, I will use the concept of heritage on the one hand and the information ecological approach on the other hand. The article proposes to create a clearer conceptual framework for treating intangible cultural heritage, with the main emphasis on the preservation aspect. Heritage can be considered from very different aspects, from its philosophical meaning to highly technical conservation proceedings. In this article, I proceed from the idea that heritage is a phenomenon currently being created by people, i.e. from the principle of socio-cultural construction. Of course, this is just one possible way to interpret and utilise the past. It is clear that the treatment of heritage in this way poses a serious challenge to preservation – how should the heritage process be preserved? In my discussion of the heritage process, I use the information ecology framework, mainly drawing on ideas of Bonnie Nardi and Vicky O’Day. Information ecology is a system of people, activities, and technologies in a specific local environment. The information ecologic system is an intertwined network of a specific group of people and their tools and activities. The information ecological approach is characterised by systematicity, diversity, co-evolution and locality. All these aspects are also very important when it comes to intangible heritage. It is evident from the information ecological perspective that preservation of heritage is not a neutral technical activity but rather a social process, in the course of which values and meanings are created, changed and preserved. In preserving heritage, it is important to consider both the heritage itself and the level of society in the framework of which the management takes place. With intangible heritage, it is important to differentiate between individuals and families, groups and communities who practice it. At the national and international levels, specific heritage practices can be recognised and supported, but determining these practices and their actual preservation takes place at the community and individual levels. In order to preserve intangible heritage, we need to support the people, groups and communities who use and develop the given tradition. This means supporting a social and cultural process, in the event that such support is needed in the first place. Communities use intangible heritage to fix their current problems. These aims might not overlap with the national and international goals of preservation. To sum up information ecological principles from the aspect of preserving intangible heritage, what has to be emphasised is the importance of systemic treatment. People practicing heritage skills, their clients, researchers, preservers of heritage and community activists, to name just a few stakeholders, should form an integral system. Different parties are bound to see the system from different perspectives; on the one hand, this cannot be avoided, on the other hand, it is a barrier that needs to be overcome. What is extremely important is the reflection of the so-called grass-roots level perspective, expressed in the subjective view of the person with heritage skills, when determining and preserving heritage. When treating the functions of heritage skills, in addition to their economic significance, which often prevails, what needs to be observed is also the role of these skills in shaping community identities and in creating and preserving social cohesion, but also as parts of education and the wider social communication system. Via heritage skills, meanings are created and values are presented to the community and to society as a whole. I think the fact that heritage participates in the creation of value environments is what guarantees heritage a place in contemporary information society.

2021 ◽  
Author(s):  
Ana-Maria Bolborici ◽  
◽  
Dana Sorea ◽  

The Land of Făgăraș is a unique location at the heart of Romania, which distinguishes itself through its historical and cultural richness, being declared the tourist destination of 2020. The Land of Făgăraș has this important distinction because its geographical position attracted a population with the vision of forming a community. The growing attractiveness for tourists is reflected in the positive trend of tourist traffic and revenue from tourism and various activities. This study will use some of the results obtained through a project called “Mapping the intangible cultural heritage in the Land of Făgăraș” which started in 2018 and ended in 2019. This study aims to present, on the one hand, the results of this project, such as intangible cultural heritage resources of strategic interest in Land of Făgăraș and thematic cultural routes in this region and, on the other hand, to give proof that this region deserved to be one of the top destinations as regards the Romanian tourism.


2021 ◽  

This volume researches concepts of direct, participatory and deliberative democracy, their structures and procedures, and the role of actors. On the one hand, the volume focuses on questions of institutionalisation and the context sensitivity of participation-centred procedures in European federal and regional states. On the other hand, the volume addresses the question of the role that actors at the supranational level play or can play in the renewal of democratic processes. The state of research and its findings in theoretical and empirical democracy research provide the overarching conceptual framework for the volume. With contributions by Elisabeth Alber, Eva Maria Belser, Peter Bussjäger, Carmen Descamps, Annegret Eppler, Anna Gamper, Andreas Kiefer, Karl Kössler, Sabine Kropp, Olaf Leiße, Melanie Plangger, Julian Plottka, Wolf J. Schünemann, Christoph Schramek, Teija Tiilikainen, Jens Woelk and Carolin Zwilling.


Author(s):  
Frank Proschan

Using the examples from Festival programs on Lao American and Greek American Folklife and reflecting on the author’s experience in operationalizing the UNESCO Convention on Safeguarding Intangible Cultural Heritage, this chapter examines tensions between the authority/agency of the bearers and practitioners of intangible cultural heritage, on the one hand, and experts, scholars and curators on the other. It takes a provocative stance against conventional notions of “curation” of Festival programs if they do not include the agency or serve the capacity–building aims in service to the featured communities.


Author(s):  
Nesta Nyaradzo Mapira ◽  
Made Mantle Hood

In African societies, traditional dances form and shape a multitude of cultural expressions that reflect socio-cultural status, stalwart traditions and degrees of heritage maintenance. Due to colonisation, westernisation and Christianity, the performative aesthetics of many African traditional dances have been drastically modified over time. One such traditional dance in Zimbabwe that has undergone continual socio-cultural and aesthetic change is Jerusarema/Mbende from the Murehwa and Uzumba-Maramba-Pfungwe districts of Mashonaland Eastern province. In 2005, The Mbende Jerusarema Dance of Zimbabwe was proclaimed on the United Nations Educational Scientific and Cultural Organisation (UNESCO) list of Masterpieces of Oral and Intangible Heritage of Humanity. Authentic elements of the dance were compiled by the Zimbabwe National Oral and Intangible Cultural Heritage (ZNOICH) committee in an effort to safeguard it against change. This safeguarding led the Jerusarema/Mbende dance along a contested path of endorsement and utilisation in multiple contexts by some performance ensembles such as Swerengoma, Ngomadzepasi, Zevezeve, Shingirirai and Makarekare as promoted by prominent dance festivals. These ensembles assert different agendas through music, props, instruments and dance movements. Drawing upon documentary video evidence from the National Arts Council of Zimbabwe and interviews, this paper evaluates the extent to which the authentic elements of the Jerusarema/Mbende dance inscribed on the UNESCO list have been safeguarded in formalised performances from 2013 to 2015. Video recordings from this period showing continuous participation of Ngoma Dzepasi, Makarekare and Shingirirai are used to assess similarities and differences from the fixity of authentic elements. We argue that UNESCO’s recognition of the Jerusarema/Mbende dance as intangible cultural heritage has, on the one hand, revived and maintained some characteristics of this dance but, on the other hand, gradually compromised innovative aesthetic music and dance elements introduced by inheriting generations.


Author(s):  
Trinidad Rico

This discussion features an ongoing conversation that seeks to reveal the way that preservation practices arise from or react to uniquely “Islamic” articulations of material and immaterial cultural traditions. Although the aim of this debate is to further ethical cultural heritage preservation practices, it reveals a tension between two intellectual debates within critical heritage studies: on the one hand, a concern for the study, articulation, and stewardship of alternative heritage preservation approaches and, on the other hand, a concern with a tendency in heritage preservation to Orientalize “non-Western” heritage preservation practices as forcefully distinct from long-established “Western” practices.


2018 ◽  
Vol 9 (19) ◽  
pp. 114
Author(s):  
David Torregrosa-Fuentes ◽  
Yolanda Spairani Berrio ◽  
José Antonio Huesca Tortosa ◽  
Jaime Cuevas González ◽  
Adrián José Torregrosa Fuentes

<p><strong>Extended Abstract:</strong></p><p>We present a methodological approach for the representation, visualisation and analysis of three-dimensional (3D) models of meaningful details in stone reliefs provided by digital documentation tools and subsequent processing. For this aim, anthropomorphous shapes engraved on a flat stone slab found in Sierra de Fontcalent (Alicante) are studied. The object under consideration was located near two archaeological sites, Cova del Fum–a cave with presence of the Chalcolithic material (López, 2010)–and the archaeological site of Fontcalent, with remains from different phases of occupation spanning from 7th-6thBC to the 20thcentury (Ximénez, 2012).</p><p>In the last few years, the use of digital tools provided by new technologies and software development has left traditional work methodology behind (De Reu et al., 2014)while enabling the development of new approaches to both minimise heritage alteration and provide objective and accurate information (Lopez-Menchero, Marchante, Vincent, Cárdenas, &amp; Onrubia, 2017). 3D documentation allows recording of cultural heritage at a reasonable cost with precision and quality through digital photography and SfM (Structure from Motion) photogrammetry with specialised software (De Reu et al., 2013).</p><p>In this project, recording and documentation with digital photography and automated photogrammetric techniques are applied to the Fontcalent stone slab for its digitisation and subsequent 3D representation. From the resulting model, a two-folded line of study is obtained. On the one hand, a Digital Elevation Model (DEM) is generated to study the microtopographies of the stone with geographic analysis techniques provided by Geographic Information Systems (GIS) from different lighting conditions and surface reflections, which are calculated by hillshading or LRM (Local Relief Model) for the interpretation of the object (Carrero-Pazos, Vilas, Romaní, &amp; Rodríguez, 2014;Gawior, Rutkiewicz, Malik &amp; Wistuba, 2017).On the other hand, from both the 3D model and the point cloud, the study is completed with the application of the methods of analysis and visualisation based on the Morphological Residue Model (MRM) which stands out every single detail of the surface morphology of the object (Caninas, Pires, Henriques, &amp; Chambino, 2016;Correia, Pires, &amp; Sousa, 2014). Further visualisations are based on Reflectance Transformation Imaging (RTI) which provides different shadows and reflections over the object from the application of a multidirectional illumination (Happa et al., 2010; Malzbender, Gelb, Wolters, &amp; Zuckerman, 2000; Mudge et al., 2010).</p><p>The  results thus obtained of the  Fontcalent  stone  slab  allow  us  to  visualise  several  characteristic  elements. The anthropomorphous figure awaking interest is also combined with the figure resulting from different visualisations applied with GIS techniques which may resemble a zoomorph. The use of visualisation techniques shown in this study has been fundamental in order to recognise the latter element. The composition reveals a zigzag line already appreciated before the study so that it is interesting to check if visualisations based on GIS techniques are able to highlight it though being shallow incisions. In our experience regarding this study, visualisation by using the hillshading technique shows a greater level of 3D detail than that provided by the application of the sky-view factor technique which offers a flattering view. However, the former  technique  may occasionally show  shadows  which  hide  other  details, unlike the  latter  technique  which  plots  the entire slab surface illuminated while differentiating the associated microtopography on the basis of its marks. The use of shaders  in  combination  with  hillshading  and  particularly  combined  with  high  pass filtering, contributes  to improving the visualisation and accuracy of shadowed areas. As a result, we conclude that the results obtained in this work by lighting techniques with GIS add a greater level of detail in comparison to those provided by the mesh or the point cloud.</p><p>The study of the Fontcalent stone slab paves the way for two working hypotheses to be developed: on the one hand, its anthropological origin possibly related to the Chalcolithic, and on the other hand, its study as natural geological formations with ichnofossils.</p><p>The digitisation of cultural heritage with available 3D technologies should be a mandatory requirement when facing any study, analysis or intervention.  With  the  current  development  of  such techniques, we  have  verified  their  contribution  to fundamental characteristics in the corresponding stages of visualisation and study. Thus, the proposed methodology is presented as an accurate and complete alternative for the study and analysis of the existing cultural heritage, and opens new  ways  for  the  revision,  reinterpretation  and  revaluation  of  the  previously  evaluated  heritage  through  traditional techniques.</p>


2018 ◽  
Vol 17 (1) ◽  
pp. 68-96
Author(s):  
Marquard Smith

Provoked by the terrorist-related murders in England that marked the spring and summer of 2017, I have felt compelled to write this article on the idea of observance (observe, care, follow, obey). I engage with this idea in the context of our contemporary Memory Industry – that confluence of memorialization, remembrance and commemoration culture; Memory Studies and Trauma Studies; tangible and intangible heritage; digital memory and media archaeology; and its series of facing-backwards-to-go-forwards impulses (the archival impulse, the genealogical impulse and the archaeological impulse). Through the Contemporary’s prism, I deploy observance as a rejoinder to the seeming irreconcilability between, on the one hand, the incomprehensibility of the Shoah and, on the other hand, the prevalence of its rendering in figurative and abstract memorials, literature, art and film; and by way of dark tourism, Shoah selfies and genealogy websites. I propose that, because of its assorted senses, as a grievable moment observance may be a way of negotiating (without necessarily wanting or needing to reconcile) such irreconcilability. I argue that this is possible because of how observance (observing a minute’s silence, for instance) as a (secular, vernacular) performative action somehow opens up a space of the imagination that might lead, for good and ill, to a decipherability all the more necessary in our interminable state of exception that is the Contemporary.


2018 ◽  
Vol 73 (4) ◽  
pp. 273-284 ◽  
Author(s):  
Huib Ernste

Abstract. With his three-volume magnum opus on spheres, Peter Sloterdijk introduces a critical philosophical and cultural view of the spatiality of current society. His spatial metaphors serve as an intriguing source for inspiration for geographers. He describes the topological conditions of society by means of three different forms of spherical conditions of life: bubbles, globes, and foams. To understand, assess, and critique our current society we, according to Sloterdijk, need to replace the arrogant and cynical academic view of Plato and his followers with the more serene composure of the kinetic view of Diogenes. In this contribution, on the one hand we shall elaborate the spatial metaphor Sloterdijk uses. On the other hand we want to scrutinise Sloterdijk's ideas by drawing some parallels between his ideas and those of other philosophical anthropological thinkers. Finally, we very briefly want to point to a suitable conceptual framework for empirically investigating the spherology of human being in the world.


Author(s):  
Susana Nunes ◽  
Dulcineia Dias ◽  
Júlia Silva ◽  
Ana Mascarenhas

The permanent challenge of education in general, and vocational education in particular, requires a permanent adaptation of pedagogical practices to the global world in which we live. The younger generations raise the need for strategies that make pedagogical practices more motivating and appropriate to a world in constant change. In response to this challenge, the Professional School of Archeology (EPA) has been developing projects and activities that allow, on the one hand, to equip our students with specific technical skills in the area of archeology; and on the other hand, to disseminate and promote the taste and respect for cultural heritage, particularly archaeological.


2020 ◽  
Vol 22 (1) ◽  
pp. 49-60
Author(s):  
Oana Niculescu ◽  
Maria Marin ◽  
Daniela Răuţu

In this paper we aim to deliver a key message related to the safeguarding of the Romanian National Phonogram Archive (AFLR). The data gathered within the Archive (the richest, most inclusive and diversified collection of dialectal texts and ethno-linguistic recordings in Romania) are of immeasurable documentary value. Through the digitization and preservation of AFLR we can gain access to both individual and collective memories, aiding to a better understanding of our cultural heritage on the one hand, and, on the other hand, restoring missing or forgotten pieces of Europe’s oral history.


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