scholarly journals The fundamental role of causal models in cultural models of nature

2014 ◽  
Vol 5 ◽  
Author(s):  
Giovanni Bennardo
2010 ◽  
Vol 42 (8) ◽  
pp. 834-844
Author(s):  
Ting-Ting WANG ◽  
Lei MO

2017 ◽  
Vol 10 (2) ◽  
pp. 13
Author(s):  
M. S. Sthel ◽  
J. G. R. Tostes ◽  
J. R. Tavares

The Sustainable Complex Triangular Cells (SCTC) and bio-cultural/cultural models of human society are employed here. Regarding SCTC model, the cell areas represent the individual´s carbon footprint. Scalene triangles represent each individual in the present competitive standard (inward arrows). Equilateral triangles (outward arrows) are “summed” so as forming cooperative-hexagonal bodies leading to a collaborative model of society, reducing the total carbon footprint area as regard the formal analogous sum of each individual (inward) non-cooperative triangle. We particularly have focused on environmental global limits of the capitalist system, with SCTC modeling an accelerated global anti-ecological “scalenization” process from the 29 crisis to the present neoliberal stage of capitalism. Employing again the SCTC model, we describe and exemplify instable and short lifetime “islands” built up through evanescent local process of “cooperative equilateralization” (outward arrows) in the last 40 years. Such non-capitalist features were “mixed in” with competitive “scalenized” features of the capitalist “ocean”. In the final topic, we will consider bio-cultural (Nowak and Wilson) models of the human history and a cultural (Weber-Alberoni) model for great inflexions in the western history. All these models intersect via human cooperation. Particularly, that last model is complementary to the above small and instable “islands” sketch: but now we deal with western religious and secular, non- capitalist, purely cooperative experiences, which correspond to the above labeled SCTC “cooperative equilateralization”. Such weber-alberonian “islands” may be – some few times - sufficiently stable for rapid and great expansions leading, e.g., to a “civilizational/environmental jump” in the presently menaced planet.


2017 ◽  
Vol 6 (1) ◽  
pp. 139-142
Author(s):  
Olga Vladimirovna Tuzova

The paper deals with some problems of musical institutions management in the Volga Region in 1939 1945 on the example of 8 musical cultural models of rear, frontal and front-line types: Kuibyshev, Ulyanovsk, Penza, Saratov, Engels, Kazan, Stalingrad, Astrakhan. The author reconstructs the structure and functional complex of the management component, describes the responsibilities of the commissioners of Performances and Repertoire Control Main Department at different levels and detects the role of the Communist party in the music management of the region. The author notes instability and incomplete correspondence of the administrative board in some models as a negative factor. A significant impact on musical culture management in the region provided emergency-revaluation processes: range of competencies and staff. Changes in the geography of governance structures affected the Stalingrad model of front type. Some actual data about the material provision of the management component are provided: departments placement and employees salaries. Structural complexity of administrative areas during 1939 1945 is stated. The author restores a number of regional culture managers names and their professional affiliation.


2008 ◽  
pp. 99-125
Author(s):  
Letizia Caronia

This chapter illustrates the role of the mobile phone in the rise of new cultural models of parenting. According to a phenomenological theoretical approach to culture and everyday life, the author argues that the relationship between technologies, culture, and society should be conceived as a mutual construction. As cultural artefacts, mobile communication technologies both are domesticated by people into their cultural ways of living and create new ones. How are mobile phones domesticated by already existing cultural models of parenting? How does the introduction of the mobile phone affect family life and intergenerational relationships? How does mobile contact contribute in the construction of new cultural models of “being a parent” and “being a child”? Analysing new social phenomena such as “hyperparenting” and the “dialogic use” of mobile phones, the author argues upon the role of mobile communication technologies in articulating the paradoxical nature of the contemporary cultural model of family education.


2018 ◽  
Vol 23 (4) ◽  
pp. 933-948 ◽  
Author(s):  
Adrian P. Banks ◽  
Bernadette Egan ◽  
Charo E. Hodgkins ◽  
Matthew Peacock ◽  
Monique M. Raats
Keyword(s):  

2017 ◽  
Vol 27 (4) ◽  
pp. 501-523 ◽  
Author(s):  
David Tuckett ◽  
Milena Nikolic

We propose conviction narrative theory (CNT) to broaden decision-making theory in order to better understand and analyse how subjectively means–end rational actors cope in contexts in which the traditional assumptions in decision-making models fail to hold. Conviction narratives enable actors to draw on their beliefs, causal models, and rules of thumb to identify opportunities worth acting on, to simulate the future outcome of their actions, and to feel sufficiently convinced to act. The framework focuses on how narrative and emotion combine to allow actors to deliberate and to select actions that they think will produce the outcomes they desire. It specifies connections between particular emotions and deliberative thought, hypothesising that approach and avoidance emotions evoked during narrative simulation play a crucial role. Two mental states, Divided and Integrated, in which narratives can be formed or updated, are introduced and used to explain some familiar problems that traditional models cannot.


2020 ◽  
Author(s):  
Lari Garrison ◽  
Reed Stevens ◽  
Portia Sabin ◽  
Andrew Jocuns

2014 ◽  
Vol 3 (1) ◽  
Author(s):  
Julia Vaeßen ◽  
Timo Lothmann

Establishing coherent identity patterns for literary characters in novels is a difficult task. In this respect, we assume that readers rely on pre-stored cultural models in order to construct mental models of the text content, including character identity. By significantly extending the approach by Van Dijk and Kintsch and going beyond the related accounts of Schneider and of Culpeper, we aim to clarify the constitutive role of conceptual metaphor as proposed by Lakoff et al. in processes of literary identity construction. The analysis of a corpus of three contemporary novels supports our claim that conceptual metaphors and the mapping of domains involved interact with cultural models and connect text phenomena to such prior knowledge structures. On this basis, we provide an integrated model of literary identity construction which acknowledges the constitutive value of conceptual metaphors in literary identity construction.


2014 ◽  
Vol 17 (3) ◽  
pp. 88-101
Author(s):  
Thu Thi Kieu Nguyen ◽  
Hien Thi Thu Bach

Conceptual metaphors have long been believed to be formed in human minds and yet grounded in physical and cultural experience. The article aims at elaborating on the cultural aspect of the issue by clarifying the role of cultural models. The culturally specific aspect of metaphors have shed light on the incongruence between sets of metaphorical expressions of different languages, hence different cultural models despite the common physical experience of human body. One illustration from Ning Yu’s study about the differences between Chinese ‘xin’ and its English counterparts ‘heart/ mind’ confirms the claim that ‘metaphors are grounded in bodily experience but shaped by cultural understanding’. Another illustration is an analysis of Vietnamese versus English metaphors of heart, which also leads to confirmation of cultural factors in the forming of conceptual metaphors.


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