scholarly journals An Analysis of Universality in Khalil Gibran’s The Prophet

2021 ◽  
Vol 7 (1) ◽  
pp. 29-42
Author(s):  
Faiz Muhammad Brohi ◽  
Ahmed Ali Brohi ◽  
Nasarullah Kabooro

This research article portrays the comprehensive picture of a society in which Khalil Gibran is found giving numerous principles aimed at the prevalence of harmony and peace. His book (The Prophet) is comprised of twenty-six different essays that lead towards a perfect society. Gibran’s art of depicting Universality in The Prophet inspires people towards the creation of an ideal society. The themes of the book, which are universal, are not only concerned with one nation but with all nations and religions across the globe. This study highlights the issues of people along with solid solutions through given essays. The study explores, discusses, and critically analyzes multiple socio-psychological issues facing men in his/ her brief sojourn on the planet earth. The study exploits qualitative design using textual analysis based on the novel's close reading to arrive at results.

2021 ◽  
Vol 46 (3) ◽  
pp. 894-901
Author(s):  
Simon Middleton

AbstractThis essay considers Christopher Tomlins’ thoughts—as expressed in his In the Matter of Nat Turner: A Speculative History—on historical ethics and practice in the context of recent and ongoing controversies concerning the history of race and slavery in the American past. Tomlins endeavors to recover as much as he can relating to Nat Turner and his mentalité at the time of the infamous 1831 rebellion. He also promises a self-conscious engagement with the creation of history as an intellectual practice, and invites readers to reflect on their standpoint in the histories they create. For Tomlins this practice means a close reading of Turner’s “confession” through the work of social theorists, an approach that will likely prove controversial for some readers. For those who stay with him, however, Tomlins provides a bravura demonstration of historical methodology with implications for current debates and divisions within the wider field.


2017 ◽  
pp. 289-297
Author(s):  
Anjali Parmar ◽  
Ami Upadhyay

This research article glances in a few words at the concept of ecofeminism and the interconnectedness of woman and nature and their struggle. Earth belongs to all creatures on this planet so human has to share equally with them. All living things on earth have equal share on each and everything on this planet between them, But for the game called survival, human is destroying other things for their own benefits only. Since humanity is inseparable from nature, it is necessary to live in harmony to save the human race as well as the world from the damage and destructions which that demands the need of co existence. It is not only a movement but philosophies. Anita Desai is deeply fascinated by ecofeminism perception and through her novels she is trying to lead her readers to believe that nature and woman are resolving tools to the universal problems arising in today’s scenario. Through the close reading of Desai’s novel, I have explored the concept of ecofeminism. The present paper tries to reveal the features of ecofeminism through the portrayal of characters- Nanda Kaul and Sita in the Fire on The Mountain and Where shall We go This Summer? Respectively.


2021 ◽  
Vol 2 (4) ◽  
pp. 450-460
Author(s):  
Zulkifli Zulkifli ◽  
Anam Ibrahim ◽  
Mangatas Pasaribu ◽  
Bakhrul Khair Amal

Medan City in Indonesia, is rich with iconic forms in the form of historical buildings and cultural products of the past. On the other hand, Medan City tourism has been known since the Dutch colonial era, but has not been supported by the availability of souvenir products. This research article describes the revitalization of the iconic forms of Medan City. The aim is to examine the potential of iconic forms to be used as the basis for the development of relief-dimensional painting as a tourism souvenir product. This research use desciptive qualitative approach. The replicated method is a combination of survey method and creation method. Sources of research data are written data, photo data, interview results, notes on the creation process, and appreciative assessments. Data analysis was carried out using an interactive model: data reduction, data presentation, verification and conclusion drawing. The results showed that the iconic shapes of Medan City have great potential to be explored into original painting themes. Technically, the art of painting with relief dimensions is effectively developed with rubber sheet material, supported by strong texture work. Overall, the paintings produced have an aesthetic quality, exclusive as tourism souvenirs.


2021 ◽  
Vol 4 ◽  
pp. 1-5
Author(s):  
Ioana Zamfir

Abstract. The characteristics and appearance of an authentic map (in conformity with reality), together with the convention about how authenticity should be obtained in a map, continued to change since the beginning of modern cartography along the centuries. As Critical Cartography has emphasised, the authenticity of a map was in many cases just a convincing appearance, hiding intricate ideologies. However, the political role of maps is just one aspect of their significance, which does not exclude the existence of genuine beliefs and ideals which were guiding cartographers and map authors in the creation process.With a long tradition of understanding maps as illustration devices, Renaissance geography blended intimately with the assumptions and debates of the artistic domain of painting. Among these, veracity was a much praised ideal, signifying the ability of the art work to make present the absent things or giving a new life to people or events gone long ago, a perspective which allowed for rich metaphysical implications. In his theological atlas Theatrum Terrae Sanctae, Christian Adrichom used a variety of formula through which he expressed his view on the evocative power of maps, deriving from contemporary theories concerning truth, vision and representation. In this article we will employ the textual analysis of Adrichom’s affirmations, approaching them through the filter of the Intellectual History methodology. This method allows us to discover that the author explored the metaphysical implications of painting realism in order to present and use his maps as Christian devices, equating the veracity of the cartographic medium with the authenticity of Christ’s life and with the theological understanding of truth.


2020 ◽  
Vol 2 (3) ◽  
pp. 01-07
Author(s):  
Katherine B. Akut

The emergence of neologisms has always been an interesting phenomenon as it demonstrates the dynamism of language. This study intends to determine the neologisms during COVID-19 Pandemic through a morphological analysis. This study argues that the neologisms that emerge during the COVID-19 pandemic reveal the morphological processes that formed the new words. It further claims that the morphemic structures of the neologisms follow the general structures of English vocabulary. This study utilizes the descriptive-qualitative design in analyzing the morphological structures of the neologisms during the COVID-19 pandemic. Specifically, this study involves textual analysis to determine the morphological processes that encompass the formation of new words. The data used in analyzing the morphological structures of COVID-19-related neologisms are five (5) Internet articles that introduce the new terms created because of the corona virus outbreak. These articles were published in the months of March, April and May 2020.Findings reveal that most of the neologisms are nouns. The common morphological process involved in the formation of new words are compounding, blending and affixation. Moreover, majority of the neologisms follow the compound structure of the free and bound morphemes. Based on the results of the study, it can be concluded that the neologisms formed during the COVID-19 pandemic reveal the morphological processes and the morphemic structures of the neologisms follow the general structures of English vocabulary specifically on the combination of free and bound morphemes.


2020 ◽  
Vol 30 (2) ◽  
pp. 217-241
Author(s):  
LORELY FRENCH

This article presents a close reading of the Romani characters and their actions in five stories by Viennese Romani writer and activist Samuel Mago and in two stories by his brother, Hungarian award-winning journalist Károly Mágó, in their bilingual Romani and German collection glücksmacher - e baxt romani. Brief biographies and an outline of the history of Roma and antiziganism in Austria provide background to textual analysis that focuses on how characters in the stories engender baxt/“Glück,” which means both happiness and luck. This dual meaning has inspired philosophical, psychological, economic, and anthropological studies, but literary scholars have rarely examined the concept in texts by Roma. For the protagonists in the brothers’ stories, happiness and luck become based less on monetary fortunes than on other means to live and survive in dark times of persecution and discrimination. The characters’ decisions unveil perceptions of baxt that rely largely on acquiring food, preserving and passing down family heirlooms, receiving an education, and freeing oneself and one’s family from persecution.


2019 ◽  
pp. 10-39
Author(s):  
Owen Stanwood

This chapter focuses on Europe itself, in order to chronicle the creation of the Huguenot diaspora. Starting with the example of the theologian Pierre Jurieu, it shows how the coming of persecution led Huguenots to define themselves as a godly remnant of the once great French Protestant church. Thousands of refugees scattered around Europe, where they sought aid from Protestant rulers even as they promoted themselves as people with a particular role in cosmic history. Jurieu was the leading promoter of this specialness, which he took from a close reading of Revelation, but which had political implications. Jurieu and other Huguenot leaders especially sought to create “colonies,” self-contained Huguenot communities around Europe that could preserve the refugees’ faith for an eventual return to France. Over the course of the 1680s and 1690s these colonies appeared around Europe, from Germany to Ireland, and set the stage for the Huguenots’ global expansion.


2012 ◽  
Vol 12 (1) ◽  
pp. 30-48
Author(s):  
Carolina López-Ruiz

AbstractIn this essay I explore the beginning lines of the most relevant cosmogonies from the eastern Mediterranean, focusing on theEnuma Elish, Genesis 1 and Hesiod’sTheogony. These opening lines reveal some of the challenges faced by the authors of these texts when committing to the written word their version of the beginning of the universe. Hesiod’sTheogonywill be treated in more length as it presents an expanded introduction to the creation account. This close reading is followed by a few reflections on the question of authorship of these and other Greek and Near Eastern cosmogonies.


1999 ◽  
Vol 26 ◽  
pp. 365-378 ◽  
Author(s):  
Thaddeus Sunseri

Writing thirty years ago the historian of the Majimaji rebellion, Gilbert Gwassa, emphasized the purely Tanzanian nature of the uprising, as seen in the ideology which he believed was the inspiration for the widespread war against German colonialism. To Gwassa, southern Tanzanians created an innovative, secular ideology after the turn of the twentieth century which enabled Africans to resist German colonialism supra-ethnically rather than locally. Gwassa was adamant that the Majimaji ideology owed nothing to outside influences.Gwassa's contention has been largely unchallenged despite obvious paradoxes. Majimaji emerged in a region widely permeated with Islamic influences by 1905, the time of the rebellion. Moreover, the Christian colonial power structure had been present in the outbreak region for some twenty years by 1905, while Christian missionaries had been active in Tanzania for almost forty years. By the time the Majimaji historical tradition was being written in Tanzania in the 1960s, the nation included many Muslims and Christians, including many of Gwassa's research informants, who helped shape his interpretation of Majimaji. Aside from these circumstantial suggestions of the possibility of an externally-influenced Majimaji tradition, a close reading of archival sources from the German period, including several documents which have not been considered in the historiographical tradition, suggest that Christian and Islamic influences helped to shape the writing of Majimaji, if not the resistance movement itself. This paper will examine some of these “Abrahamic” sources of the Majimaji tradition, and consider how they might have been used to formulate a Majimaji epic which has become a standard icon of early African colonial history.


2008 ◽  
Vol 30 (2) ◽  
pp. 115-135
Author(s):  
Scott Celsor

AbstractOne area of lingering tension between Lutherans and Roman Catholics on the doctrine of justification relates to the necessity, or even the possibility, of a human response in one's justification. In this article, I argue that the Gospel of John can address this lingering tension and, in doing so, acts as a counter balance to the Pauline corpus. Through narrative and inner-textual analysis, the article claims that John 12:20-50 informs the reader that Christ, the light of the world which allows humanity to see where to walk, has been sent into the world by God the Father. In this critical passage, the point at which the light of Christ is to be taken out of the world, one discovers that John corroborates Catholic concerns that the gift of God's grace, God's light, empowers and requires a human response. Such a response, however, must not be understood as independent of God's gift of grace, or light, both in its origin and continuing efficaciousness.


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