scholarly journals Demystifying Americanness: The Model Minority Myth and The Black-Korean Relationship

2020 ◽  
Vol 7 (2) ◽  
pp. 68
Author(s):  
Se-Hyoung Yi ◽  
William T. Hoston
Keyword(s):  
United States ◽  
Los Angeles ◽  
Model Minority ◽  
The United States ◽  
Korean American ◽  
Korean Immigrants ◽  
American People ◽  
Minority Communities ◽  
Racial Tension ◽  
Group Identities

The recent incidents involving both Black American and Korean American communities across the United States have reopened the old wounds between the two minority communities, recalling the two tragic incidents in the 1990s: the death of Latasha Harlins (1991) and the Los Angeles Uprising/Sa-I-Gu (1992). Revisiting and reevaluating these two cases, this article argues that the myth of true Americanness, channeled and reinforced through the concept of model minority, has not only shaped and sustained a contentious relationship between Korean immigrants and Black Americans but also intensified the racial tension among all racial and ethnic groups in the United States. We conclude that American people of all demographics must debunk the myth of model minority and challenge the false Americanism by embracing “deep diversity,” not merely distinctive group identities and outlooks, which offers a more diverse and rich interpretation of America as a whole.

Pachappa Camp

2018 ◽  
Vol 95 (3) ◽  
pp. 46-56
Author(s):  
Edward T. Chang ◽  
Hannah Brown
Keyword(s):  
United States ◽  
Sense Of Community ◽  
The United States ◽  
Korean American ◽  
Korean Immigrants ◽  
Employment Agency ◽  
Independence Movement ◽  
Cooperative Association ◽  
The City ◽  
The U.S

Ahn Chang Ho (also known by his pen name, Dosan) moved to Riverside, California, in March 1904 and soon established the first Koreatown on the U.S. mainland, known as Dosan's Republic or Pachappa Camp. Dosan helped found a local employment agency and negotiated relations with citrus farmers to find work for Koreans who lived in the community. With steady work available, Riverside became a popular destination for Korean immigrants and was thus an ideal location for the Gongnip Hyeophoe, or Cooperative Association, which Dosan created to foster a sense of community. The Gongnip Hyeophoe later expanded to Korean settlements throughout California and eventually developed into the Korean National Association, which proved especially significant in organizing immigrants to fight for Korea's independence in the wake of Japanese colonization in 1910. Pachappa Camp helped anchor its residents’ identity and supported Koreans’ struggles to support themselves and to fight for Korean sovereignty. The experiences of the Koreans in Pachappa Camp reflected not only exceptional moments in Korean American history, as the first Koreatown in the United States and one of the seats of the independence movement, but also the ubiquitous experiences that typified immigrant lives in the United States. The City of Riverside erected a statue of Ahn Chang Ho in 2001, and designated the original site of the camp as a “Point of Cultural Interest” in 2017, to honor Dosan and to teach about his legacy and connection to Riverside. Because the historic Koreatown no longer exists, the designation and statue stand as the only remembrances of this pioneering community.

Immigrant Small Business and International Economic Linkage: A Case of the Korean Wig Business in Los Angeles, 1968–1977

1996 ◽  
Vol 30 (2) ◽  
pp. 485-510 ◽  
Author(s):  
Ku-Sup Chin ◽  
In-Jin Yoon ◽  
David Smith
Keyword(s):  
United States ◽  
Los Angeles ◽  
South Korea ◽  
Low Income ◽  
Low Cost ◽  
Economic Restructuring ◽  
The United States ◽  
Korean Immigrants ◽  
Asian Immigrants ◽  
Economic Linkages

This article investigates factors that have contributed to the growth of the import-export business among Asian immigrants. The central argument is that the development of Asian immigrants’ import-export business has been closely related to the increasing economic linkages between Asian countries and their countrymen in the United States. Such economic linkages are a product of the global economic restructuring whereby some developing countries of Asia have become major exporters of low cost/low price consumer goods to the United States. The Korean immigrants’ wig business in Los Angeles is studied as a case of contemporary import-export trade among Asian immigrants, with major findings summarized as follows: first, the increased reliance of the United States on imported goods by the 1970s led to a rapid growth of the export-oriented industry in South Korea; second, wigs became the major export item of South Korea due to its cheap labor force and government-aid loans to the wig industry, third, a strong vertical integration developed between Korean wig manufacturers in South Korea and Korean importers, wholesalers, and retailers in the United States – that integration provided Korean immigrants with initial business opportunities in the U.S. economy, particularly in the low-income minority areas.

The “Japanese Turn” in Fine Dining in the United States, 1980–2020

2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
San Francisco ◽  
San Francisco Bay Area ◽  
The United States ◽  
First Century ◽  
Further Training ◽  
Bay Area ◽  
Wide Acceptance

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.

A Century of America on Chinese Screens

2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Print Media ◽  
The United States ◽  
Sharp Contrast ◽  
American People ◽  
Early Twentieth Century ◽  
History Of ◽  
Chinese Films ◽  
New Millennium

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.

Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles

2020 ◽  
Vol 52 ◽  
pp. 127-146
Author(s):  
KRISTINA F. NIELSEN
Keyword(s):  
United States ◽  
Los Angeles ◽  
Mexican American ◽  
Historical Analysis ◽  
The United States ◽  
First Century ◽  
Ethnographic Fieldwork ◽  
Cultural Frameworks ◽  
Music Research ◽  
Siglo Xx

Abstract (Spanish/English)Forjando el Aztecanismo: Nacionalismo Musical Mexicano del Siglo XX en el siglo XXI en Los ÁngelesHoy en día, un creciente número de músicos mexico-americanos en los Estados Unidos tocan instrumentos indígenas mesoamericanos y réplicas arqueológicas, lo que se conoce como “Música Azteca.” En este artículo, doy a conocer cómo los músicos contemporáneos de Los Ángeles, California, recurren a los legados de la investigación musical nacionalista mexicana e integran modelos antropológicos y arqueológicos aplicados. Al combinar el trabajo de campo etnográfico con el análisis histórico, sugiero que los marcos musicales y culturales que alguna vez sirvieron para unir al México pos-revolucionario han adquirido una nuevo significado para contrarrestar la desaparición del legado indígena mexicano en los Estados Unidos.Today a growing number of Mexican-American musicians in the United States perform on Indigenous Mesoamerican instruments and archaeological replicas in what is widely referred to as “Aztec music.” In this article, I explore how contemporary musicians in Los Angeles, California, draw on legacies of Mexican nationalist music research and integrate applied anthropological and archeological models. Pairing ethnographic fieldwork with historical analysis, I suggest that musical and cultural frameworks that once served to unite post-revolutionary Mexico have gained new significance in countering Mexican Indigenous erasure in the United States.

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