scholarly journals Toguan dan Batu Siungkap Ungkapon, Paradigma Objek Arkeologis Bagi Masyarakat Batak Toba di ipang

2018 ◽  
Vol 17 (1) ◽  
pp. 1
Author(s):  
Ketut Wiradnyana
Keyword(s):  
Qualitative Method ◽  
Inductive Reasoning ◽  
Cross Cultural ◽  
The Other ◽  
Local People ◽  
Separate Entity ◽  
Cultural Elements ◽  
Cultural Concepts ◽  
The Comparative Study ◽  
Archaeological Objects

AbstractThe paradigm of archaeological objects in Tipang called Toguan and Siungkap ungkapon stones should be revealed in order to interpret the meaning they contain. Those objects have been dead monument due to the loss of cultural elements that make it difficult for the local people to understand. Emic and ethical sorting, supported by the qualitative method with the inductive reasoning, is done to discover what the local people and various sources or cross-cultural concepts understand of their philosophy. The comparative study on the archaeological objects meanings results in the interpretation of Toguan and Siungkap ungkapon stones as a single entity of symbolism or medium to various rites to reach the ancestors. On the other hand, their separate entity interpretations will suggest Toguan as a part of a farming rite area and Siungkap ungkapon stone as a part of a suggested farming procession.AbstrakPengungkapan atas paradigma objek arkeologis di Tipang yang disebut Toguan dan Batu Siungkap ungkapon dalam kaitannya dengan pemahaman makna yang dikandungnya. Makna objek tersebut kurang jelas dipahami masyarakat pendukungnya akibat perubahan unsur budaya sehingga menjadikan sifatnya died monument. Untuk memahami kedua objek dimaksud maka dilakukan pemilahan menurut tataran emik dan etik, sehingga akan dipahami konsep menurut pengertian masyarakat lokal dan juga konsep-konsep dalam berbagai sumber/lintas budaya. Untuk itu maka metode yang digunakan adalah kualitatif dengan alur penalaran induktif. Perbandingan makna objek pada masyarakat dengan data etik tersebut maka akan didapatkan pemahaman bahwa, jika Toguan dan Batu Siungkap ungkapon itu dimaknai sebagai satu kesatuan objek, yaitu sebagai areal berbagai ritus sehingga Batu Siungkap ungkapon itu bermakna sebagai simbol atau media penghubung nenek moyang. Sedangkan jika kedua objek arkeologis dimaknai masing-masing sebagai kesatuan yang berbeda maka Toguan itu merupakan areal ritus pertanian dan Batu Siungkap ungkapon sebagai bagian dari saran prosesi ritus pertanian.

scholarly journals MEGALITIK GUNUNG SROBU DALAM KONTEKS BUDAYA MELANESIA

AMERTA ◽  
2020 ◽  
Vol 38 (2) ◽  
pp. 129-144
Author(s):  
Erlin Novita Idje Djami
Keyword(s):  
Comparative Study ◽  
Cultural Context ◽  
The Other ◽  
Central Position ◽  
Cultural Elements ◽  
Cultural Element ◽  
Similarities And Differences ◽  
The Comparative Study ◽  
Shed Light

Abstract. Megalithic Of Gunung Srobu In Melanesian Cultural Context. Megalithic is one of the cultural elements that is discovered worldwide, and it is often used as evidence for cultural hyperdiffusion theory. Such a cultural element is also present in the Melanesian region. However, there is still debate among scholars as to where it comes from and when it was introduced to this area. In this context, the recently excavated megalithic site in Gunung Srobu in Youtefa Bay, Jayapura, Papua may shed light on this matter. This paper is intended to describe the megalithic findings of Gunung Srobu and then compare them with other megalithic findings in several sites in the Melanesian region. The comparative study aims to find out the similarities and differences between Gunung Srobu megalithic and the other Melanesian megalithic as well as to know the position of Gunung Srobu in the Melanesian regional. The method used includes surveys, excavations, and literature studies. The result shows that Gunung Srobu is a very complex megalithic site in the region with very varied shapes and types. The date from around the 4th Century AD put Gunung Srobu as the oldest megalithic site in the region which is likely to occupy a central position in the megalithic distribution in the Melanesian Region. Abstrak. Megalitik merupakan salah satu unsur budaya yang ditemukan sangat luas di dunia dan sering menjadi bukti bagi teori hiperdifusi. Unsur budaya megalitik juga ditemukan di kawasan Melanesia. Namun, banyak ahli masih memperdebatkan asal-usul dan waktu persebarannya. Dalam konteks ini, temuan megalitik yang baru-baru ini ditemukan dalam penggalian di situs Gunung Srobu, Teluk Youtefa, Papua, mungkin dapat menjelaskan masalah ini. Tulisan ini dimaksudkan untuk mendeskripsikan temuan megalitik di Gunung Srobu dan membandingkannya dengan temuan megalitik di beberapa situs lainnya di kawasan Melanesia. Tujuannya adalah untuk mengetahui persamaan dan perbedaan unsur megalitik antara yang ada di Gunung Srobu dan di situs Melanesia lainnya, serta mengetahui kedudukan megalitik Gunung Srobu di kawasan Melanesia. Metode yang digunakan mencakup survei, ekskavasi, dan studi pustaka. Hasilnya menunjukkan bahwa Gunung Srobu merupakan situs megalitik yang sangat kompleks di kawasan itu dengan bentuk dan jenis yang sangat bervariasi. Pertanggalan yang berasal dari sekitar abad ke-4 M menempatkannya sebagai megalitik tertua yang kemungkinan menempati posisi sentral dalam persebaran megalitik di kawasan Melanesia.

On stories of peoplehood and difficult memories

2012 ◽  
Vol 39 (1) ◽  
pp. 63-77
Author(s):  
Gregory Hoskins
Keyword(s):  
Political Identity ◽  
Cross Cultural ◽  
The Other ◽  
Global Order ◽  
Political Identities ◽  
Cultural Elements ◽  
Working Through ◽  
The Cross ◽  
Democratic Societies

Most descriptive and normative theories of political identity can be plotted between two poles. At one end are accounts of particular cultural political identities, which are based on inherited and primarily homogeneous cultural elements. At the other pole are accounts of ‘civic’ identities, strictly political identities grounded in uncoerced consent to a set of laws, political procedures and institutions. My thesis is that to understand and to encourage the formation and maintenance of viable political identities within the context of multicultural, democratic societies it is necessary to attend to the role that memory, and particularly memory of suffering and shame, plays in that process. Working through memories of suffering and shame is a precondition for developing the cross-cultural and trans-national empathy and understanding that are instrumental in creating stable multicultural, democratic nations and, eventually, a just cosmopolitan global order.

scholarly journals THE TOMB OF RAMBAN BIAQ MYTHOLOGY IN RAMBAN BIAQ VILLAGE, EAST LOMBOK

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Badarudin Badarudin ◽  
Abdul Hafiz ◽  
Abdul Rasyad ◽  
Salman Alfarisi ◽  
Rizkah Rizkah
Keyword(s):  
Qualitative Method ◽  
Phenomenological Approach ◽  
The Other ◽  
Local People ◽  
Literature Study ◽  
The Past ◽  
Factors Influencing ◽  
The People ◽  
History Of

This study focused on examining mythology and history of tomb for a person who was considered sacred by the society. The sacred tomb is the place where person factually buried or the last location seen by others according to the local people beliefs of a past figure based on the relationships of ancestral, great name, extraordinary advantages, historical traces, his services, and values and traditions inherited by the figure which is believed by the most people to grant the wishes. The sacred tomb is the tomb of a figure in the past such as wali Allah, king, and so on. The purpose of this study was to know the history of the tomb of Ramban Biaq in East Lombok, to understand the people perception of the tomb of Ramban Biaq, to know the factors influencing people to make a pilgrimage to the tomb of Ramban Biaq, and to understand the procedures of pilgrimage to the tomb of Ramban Biaq. This study used a qualitative method with a phenomenological approach. Data were collected by observation, interviews, and literature study. The result study explained that the person who was featured in the mythology of the tomb of Ramban Biaq did not die, but still alive and lived in another world. The other myth was that this tomb can grant a pray to God. 

scholarly journals CROSS-CULTURAL COMMUNICATION OF CONCEPTS IN MODIAIN

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Nabaraj Neupane
Keyword(s):  
Applied Linguistics ◽  
General Term ◽  
Cross Cultural ◽  
The Other ◽  
Cultural Communication ◽  
Parallel Corpora ◽  
Cross Cultural Communication ◽  
Cultural Concepts ◽  
Loan Terms ◽  
Multicultural Communities

Translation involves communication across languages and cultures. When one translates, s/he is involved in cross-cultural communication that is necessary in the current world scenario of globalization. English has been a global lingua franca that lubricates communication in the multilingual and multicultural communities. In this context, some Nepali novels have been translated into English, including Modiain that is the corpus of the present study. This study aims to explore and examine strategies used in translating cultural concepts (CCs) from Nepali into English. To achieve the set objective, I have employed corpus-based research design that uses parallel corpora consisting of Nepali-English pair of the selected novel. I investigated CCs in the original version and examined their translation counterparts in light of the set strategies such as translation by a more general term, a more neutral term, cultural substitution, loan terms, paraphrase, omission and illustration. The findings reveal that the use of the strategies poses pitfalls in transferring senses of the CCs across languages and cultures in one way or the other. This implies that the translators should be aware of the bilingual and bicultural sensitivities and sensibilities while translating CCs. Further implication of the study is that the course developers of applied linguistics, especially translation studies, should pay due attention while designing the courses towards the cross-cultural communicability of the CCs.CROSS-CULTURAL COMMUNICATION OF CONCEPTS IN MODIAIN

The Structure of Wiggins' Interpersonal Circumplex: Cross-Cultural Studies

1999 ◽  
Vol 15 (3) ◽  
pp. 196-205 ◽  
Author(s):  
Rosario Martínez-Arias ◽  
Fernando Silva ◽  
Ma Teresa Díaz-Hidalgo ◽  
Generós Ortet ◽  
Micaela Moro
Keyword(s):  
Cultural Studies ◽  
Cross Cultural ◽  
The Other ◽  
Spanish Version ◽  
Interpersonal Circumplex ◽  
Research Groups ◽  
Independent Research ◽  
Research Results ◽  
Cross Cultural Studies

Summary: This paper presents the results obtained in Spain with The Interpersonal Adjective Scales of J.S. Wiggins (1995) concerning the variables' structure. There are two Spanish versions of IAS, developed by two independent research groups who were not aware of each other's work. One of these versions was published as an assessment test in 1996. Results from the other group have remained unpublished to date. The set of results presented here compares three sources of data: the original American manual (from Wiggins and collaborators), the Spanish manual (already published), and the new IAS (our own research). Results can be considered satisfactory since, broadly speaking, the inner structure of the original instrument is well replicated in the Spanish version.

INTERFERENSI GRAMATIKAL DALAM KUMPULAN CERPEN BIARKAN AKU MEMULAI KARYA NURUL F. HUDA

2019 ◽  
Vol 1 (01) ◽  
pp. 16-23
Author(s):  
Zimmatul Liviana
Keyword(s):  
Short Stories ◽  
Data Collection ◽  
Qualitative Method ◽  
Language Variation ◽  
The Other ◽  
Qualitative Descriptive ◽  
Ofthe Object ◽  
Selection Of ◽  
Descriptive Qualitative

The research grammatical interference in a collection ofshort stories Biarkan Aku Memula iwork Nurul F. Hudaisa collection ofshort storiesset in the back that Is start work Let Nurul F. Huda contains many grammatical interference.The problem of this   study were(1)how   the various morphologi calinterference containedin   a   collection of short stories Biarkan Aku Memulai work Nurul F. Huda. (2)how the various syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. The purposeof this studyis to describe the morphological and         Syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. Sociolinguistics is the study of language variation and use in society. Interference is the event of the use of language elements of one into the other language elements that occur in the speakers themselves. This research uses descriptive qualitative method because to describe the actual realityin order to obtainan accurateand objective. Qualitative descriptive methods were used to analyzethe elements ofa word orphrase that incorporated elements of other languages with the analysis and description of the formulation of the problem is the answer. Data collection techniques using observation techniques, the determination ofthe object of research, the selection of short stories.Based on the analysis of the data in this study can be found that there are six forms of interference morphology, namely (1) the prefix nasal N-sound, (2) the addition of the suffix, (3) the exchange prefix, (4) exchange suffixes, (5) exchange konfiks, (6) removal affixes. While the syntactic interference only on the words and phrases in a sentence. The results of the study it can be concluded that the interference morphology more common than syntactic interference.

Two Gambling Women

2012 ◽  
Vol 5 (1) ◽  
pp. 39-49
Author(s):  
Tzu-Hui Chen
Keyword(s):  
Lived Experiences ◽  
Personal Experience ◽  
Cultural Context ◽  
Cross Cultural ◽  
Immigrant Population ◽  
The Other ◽  
Mail Order ◽  
Foreign Brides ◽  
And Migration ◽  
The Relationship

This narrative aims to explore the meaning and lived experiences of marriage that a unique immigrant population—“foreign brides” in Taiwan—possesses. This convergence narrative illustrates the dynamics and complexity of mail-order marriage and women's perseverance in a cross-cultural context. The relationship between marriage, race, and migration is analyzed. This narrative is comprised of and intertwined by two story lines. One is the story of two “foreign brides” in Taiwan. The other is my story about my cross-cultural relationship. All the dialogues are generated by 25 interviews of “foreign brides” in Taiwan and my personal experience.

Komparasi Unsur Budaya (Kepercayaan) pada Masyarakat Talaga, Majalengka dan Masyarakat Nagoya, Jepang

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 306
Author(s):  
Asri Soraya Afsari
Keyword(s):  
Qualitative Method ◽  
Field Method ◽  
The Other ◽  
Survey Method ◽  
Cultural Comparison ◽  
Other Hand ◽  
The People ◽  
Descriptive Qualitative

AbstrakPenelitian ini bertujuan mengkaji perbandingan kepercayaan masyarakat Talagadi Majalengka dan masyarakat Nagoya di Jepang. Kepercayaan yang dimaksud dalampenelitian ini adalah kepercayaan yang berhubungan dengan tabu atau pamali dankepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakat tersebut.Untuk mencapai tujuan tersebut digunakan metode deskripstif kualitatif. Dalam memupudata digunakan metode lapangan karena peneliti terjun langsung ke masyarakat. Disamping itu, digunakan pula metode survey melalui penyebaran daftar kuesioner. Hasilpenelitian menunjukkan bahwa bentuk kepercayaan yang berhubungan dengan tabu ataupamali pada masyarakat Talaga dan Nagoya meliputi kegiatan yang dilakukan oleh manusia.Adapun kepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakattersebut berkaitan dengan binatang, benda, dan kegiatan manusia. Sampai saat ini baikmasyarakat Talaga maupun Nagoya masih memegang teguh kepercayaan tersebut.Kata kunci: kepercayaan, Talaga, Nagoya, deskriptif kualitatif, komparasi budaya.AbstractThe aim of this research is to review the comparison of belief between the society ofTalaga in Majalengka and the society of Nagoya in Japan. The intended belief on this study isthe one related with a taboo or pamali, and the belief correlated to luck on both societies. Inachieving the goal, this research uses a descriptive qualitative method. To get the data, thewriter uses a field method that he (/she) directly involves with the people. On the other hand,the writer also uses a survey method by distributing questioners. The result shows that the beliefcorrelated with the taboo or pamali of Talaga and Nagoya societies covers the activities doneby human. Also with the belief related to luck of both societies corresponds to animals, things,and human’s activities. Until now, either Talaga society or Nagoya’s still keeps those beliefs.Keyword: belief, Talaga, Nagoya, descriptive qualitative, cultural comparison.

MUNDANE MIRACLES IN AWADH. ENCOUNTERS WITH THE REVEALED AND THE HIDDEN

2020 ◽  
pp. 130-140
Author(s):  
Maxim B. Demchenko ◽  
Keyword(s):  
The Other ◽  
Local People ◽  
Natural Phenomena ◽  
Mughal Empire ◽  
The Public ◽  
British Raj ◽  
The Subject ◽  
Other World ◽  
Better Than

The sphere of the unknown, supernatural and miraculous is one of the most popular subjects for everyday discussions in Ayodhya – the last of the provinces of the Mughal Empire, which entered the British Raj in 1859, and in the distant past – the space of many legendary and mythological events. Mostly they concern encounters with inhabitants of the “other world” – spirits, ghosts, jinns as well as miraculous healings following magic rituals or meetings with the so-called saints of different religions (Hindu sadhus, Sufi dervishes),with incomprehensible and frightening natural phenomena. According to the author’s observations ideas of the unknown in Avadh are codified and structured in Avadh better than in other parts of India. Local people can clearly define if they witness a bhut or a jinn and whether the disease is caused by some witchcraft or other reasons. Perhaps that is due to the presence in the holy town of a persistent tradition of katha, the public presentation of plots from the Ramayana epic in both the narrative and poetic as well as performative forms. But are the events and phenomena in question a miracle for the Avadhvasis, residents of Ayodhya and its environs, or are they so commonplace that they do not surprise or fascinate? That exactly is the subject of the essay, written on the basis of materials collected by the author in Ayodhya during the period of 2010 – 2019. The author would like to express his appreciation to Mr. Alok Sharma (Faizabad) for his advice and cooperation.

STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

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