scholarly journals KERTAS SEBAGAI BAHAN PEMBUATAN KOSTUM PERTUNJUKAN NASKAH THE PIRAMUS AND TISBI KARYA SHAKESPEARE TERJEMAHAN SUYATNA ANIRUN

2019 ◽  
Vol 16 (2) ◽  
Author(s):  
Hidayah Kartikasari
Keyword(s):  
William Shakespeare ◽  
Key Words ◽  
Aesthetic Theory ◽  
Creation Process ◽  
Love Story ◽  
The Creation

Abstrak: Piramus dan Tisbi adalah kisah cinta tragis yang populer pada 331 SM di Babilonia. Pada 1590-an William Shakespeare menulis drama berjudul Mid Summer Night's Dream di akhir cerita, yang memasukkan kisah-kisah Piramus dan Tisbi. Tahun 1960-an kemudian diadaptasi oleh Suyatna Anirun sebagai drama pendek Piramus dan Tisbi dalam bentuk komedi. Pencipta kostum menggunakan naskah tersebut untuk mewujudkan penciptaan kostum teater. Pencipta kostum perlu memahami karakter sehingga tercapai hubungan harmonis antara karakter dengan kostum yang dikenakannya. Teori estetika digunakan untuk menghadirkan estetika dalam penciptaan kostum kertas yang akan digunakan dalam pertunjukan. Hasil proses penciptaan karya busana dalam naskah Piramus dan Tisbi dengan material kertas ini mengalami banyak kendala dan beberapa kali perubahan, hingga mencapai bentuk yang menyesuaikan kebutuhan pementasan. Kata kunci: Piramus and Tisbi, kostum teater, estetika, kostum kertas Abstract: Piramus and Tisbi is a tragic love story popular in 331 BC Babylon. In the 1590s William Shakespeare wrote a drama called Mid Summer Night's Dream that by the end of the story, it included the story of Piramus and Tisbi. The story was later adapted by Suyatna Anirun as a short drama of Piramus and Tisbi in the form of comedy in 1960s. The costume creator uses the script to realize the creation of the theater costume. The costume creator needs to understand the character to create a fitting costume for the characters. Aesthetic theory is used to present aesthetics in the creation of paper costumes that will be used in performances. The result of the costume creation process in the Piramus and Tisbi play with paper materials, has experienced many obstacles and has been revised for several times, to reach a form that matches the stage needs. Key words: Piramus and Tisbi, theater costume, aesthetics, paper costume

scholarly journals DEFORMASI BENTUK DAN TEKSTUR RADIOLARIA DALAM KERAMIK INSTALASI

CORAK ◽  
2017 ◽  
Vol 6 (2) ◽  
Author(s):  
Dyah Retno Fitriani
Keyword(s):  
Key Words ◽  
Aesthetic Theory ◽  
Work Of Art ◽  
The Real ◽  
Good Communication ◽  
Applied Art ◽  
The Creation ◽  
And Function

Passion, love, and interest can be an inspiration to an artist. That thing can be a stimulation in creating a work of art. Some scene of film Life of Pi shows an ocean view which glows at night became such an admiration to the writer. The astonishment then stimulated curiousities of the writer about that phenomenon. Finally, there came out the word Radiolaria. Radiolaria are tiny sized planktons which have holes and spikes in their bodies. The shape and texture of Radiolaria became an inspiration that later will be deformed and shaped into a ceramic instalation. Innovation and creation that arise in this work were also displayed using phospor as a medium to show the phenomenon of Bioluminesensi. The intention to introduce the shape and function of Radiolaria gives an enormous stimulation to the writer, so that this artwork was made to give an education through this work of art. The creation of this artwork began with making skecth planning, material choosing, up to the stage of creating which was done by some techniques, which are a cire perdue, pinch, slab, and decorating stage with the technique of piercing and twisting. After that, there was a drying stage, biscuit burning, glacing, glacing burning, phospor finishing, and displaying. Furthermore, the artwork was strenghten by some supporting theories, such as: ceramic theory, deformation, instalation, semiotic, and aesthetic theory. This work is a ceramic applied art which was displayed in the varied colors and shapes instalation. Semiotic contains were slipped in this artwork and were hoped to create a good communication with the society and art lovers. This Radiolaria themed work of art was made to introduce Radiolaria to people in general with applying the touch of personal expression touch so that originality of this work would remains the same without fading the impression of the real Radiolaria. Key Words: Deformation, Radiolaria, Ceramic Instalation.   Kesukaan, kecintaan, ketertaikan akan suatu hal dapat menjadi sebuah inspirasi bagi seorang seniman, tentunya hal tersebut dapat menjadi sebuah rangsangan dalam menciptakan sebuah karya seni. Film Life of Pi yang dibeberapa scene nya memperlihatkan pemandangan laut yang dapat berpijar dimalam hari memberikan rasa takjub sehingga merangsang rasa ingin tahu tentang apa yang menyebabkan adanya fenomena tersebut, yang kemudian didapatlah kata Radiolaria. Radiolaria merupakan plankton yang berukuran sangat kecil dengan ciri khas memiliki lubang-lubang dan duri-duri pada tubuhnya. Bentuk dan tekstur Radiolaria ini dijadikan sumber ide yang kemudian akan dideformasi dan dijadikan keramik instalasi. Inovasi dan kreasi yang muncul dalam karya ini juga ditampilkan dengan menggunakan fosfor sebagai media untuk menunjukkan peristiwa Bioluminesensi. Rasa ingin memperkenalkan akan bentuk dan manfaatRadiolaria memberikan dorongan yang begitu besar, sehingga diciptakanlah karya ini agar dapat memberikan edukasi baru melalui karya keramik instalasi.Penciptaan karya ini diawali dengan membuat sketsa perancangan, pemilihan bahan, hingga tahap perwujudan yang dilakukan dengan beberapa teknik yaitu cetak tuang, pinch, dan slab dan tahap pendekorasian dengan teknik krawang, dan pilin. Kemudian tahapan pengeringan, pembakaran biskuit, pengglasiran, pembakaran glasir, finishing dengan fosfor, dan pendisplayan. Lalu diperkuat dengan beberapa teori pendukung seperti : teori keramik, deformasi, instalasi, semiotika, dan estetika.Hasil karya ini merupakan seni kriya keramik yang didisplay secara instalasi yang memiliki variasi bentuk dan warna, dan kandungan semiotika yang disisipkan pada setiap karyanya sehingga diharapkan karya ini dapat berkomunikasi dengan masyarakat, dan penikmat seni dengan baik. Karya keramik dengan tema Radiolaria ini dimakudkan untuk memperkenalkan Radiolaria dikalangan awam dengan menerapkan sentuhan ekspresi pribadi sehingga orisinalitas karya tetap terjaga tanpa mengurangi kesan dari Radiolaria yang aslinya. Kata Kunci : Deformasi, Radiolaria, Keramik Instalasi.

scholarly journals PERANCANGAN PERTUNJUKAN TEATER LAKON "SENJA DENGAN DUA KELELAWAR" KARYA KIRDJOMULYO

2020 ◽  
Vol 2 (2) ◽  
pp. 170
Author(s):  
Megi - Hardani ◽  
Yusril Yusril ◽  
Nursyirwan Nursyirwan
Keyword(s):  
Key Words ◽  
Creation Process ◽  
Theatrical Performance ◽  
Theatrical Play ◽  
The Creation

ABSTRAK Perancangan teater lakon “Senja Dengan Dua Kelelawar” karya Kirdjomulyo merupakan proses penciptaan teks lakon menuju pemanggungan atau pertunjukan teater. Proses penciptaan ini diawali dengan perancangan pertunjukan yang berisi tentang konsep, metode, dan perwujudannya diatas panggung.Perwujudan perancangan lakon Senja Dengan Dua Kelelawar karya Kirdjomulyo dalam sebuah pementasan teater diawali dengan melakukan analisis terhadap teks baik analisis struktur maupun tekstur lakon. Langkah tersebut ditindak lanjuti dengan perancangan bentuk pementasan dengan mengacu pada gaya lakon yakni gaya realisme. Gaya realisme adalah gaya dalam pertunjukan teater yang dihadirkan melalui dengan menjadikan realitas sehari-hari sebagai pijakan. Kata kunci: lakon, struktur dan tekstur, realisme  ABRSTRACT Kirdomulyo’s theatrical play called “Senja Dengan Dua Kelelawar” (translated loosely as “An Evening With A Pair Of Bats”) demostrates a creation process of play script which is translated into a theatrical performance.  The creation process started with a concept, methodology and the overall packge of theatrical performance.  The overal process of Kirdomulyo’s “Senja Dengan Dua Kelelawar” play started wtih a deep analysis on the scrript (both structural or texture of the play).  This is followed by the design formation of the overal theatrical performance with a style that put emphasize on the reality of day to day lives as a foothold  Key words: play, structure and texture, realistic

How To Write A Narration

2019 ◽  
Vol 7 (4) ◽  
pp. 43-49
Author(s):  
Katyaa Nakova-Tahchieva
Keyword(s):  
Research Paper ◽  
Fifth Grade ◽  
Artistic Creation ◽  
Creation Process ◽  
Literature Education ◽  
The Creation ◽  
Education Process

The present work is part of a research paper for which I extend my heartfelt thanks to Assoc. Prof. Dr. Valko Kanev. It examines some specifics of the artistic creation process that lead to the creation of one of the types of written student texts - the narration. Its variations - "narration by imagination" and "narration by set supports" are regulated in the new fifth grade curriculum. The requirements for writing a narration and the exemplary thematic curriculum of optional literature classes in the 7-tgrade have proven to be applicable in the literature education process.

PRODUKSI GULA MERAH DI RT 002 RW 002 DESA SLUMBUNG KECAMATAN NGADILUWIH KABUPATEN KEDIRI BERDASARKAN PERSPEKTIF ISLAM

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Elsa Karino
Keyword(s):  
Property Rights ◽  
Natural Resources ◽  
Production Process ◽  
Key Words ◽  
Transformation Process ◽  
Economic Potential ◽  
Capital Management ◽  
Islamic Perspective ◽  
The Earth ◽  
The Creation

Production is an activity to convert inputs into outputs through the transformation process. Input in the form of man, money, method, material, machine. While the output is in the form of goods or services. The purpose of production in general is to meet individual needs. There are several factors that influence production namely land and all economic potential that is processed and cannot be separated from the production process, labor is directly related to the demands of property rights through production, and capital, management and technology. In production there are various types of production, namely production which is intermittent and continuous. The production, if viewed from an Islamic perspective, it must fulfill the following principles. First, produce in a halal circle. Second, managing natural resources in production is interpreted as the process of creating wealth by utilizing natural resources must rely on the vision of the creation of this nature and along with the vision of human creation, namely as a blessing for all nature. Third, the Caliph on the earth is not only based on the activity of producing the usefulness of an item but work is done with the motive of benefiting to seek the pleasure of Allah SWT. Key Words: Production, Red Sugar, benefiting

РАССКАЗЫ В.ШУКШИНА И ПРОБЛЕМЫ ПЕРЕВОДА ИХ НА КЫРГЫЗСКИЙ ЯЗЫК

2020 ◽  
pp. 77-81
Author(s):  
Джээнбүбү Бегеева
Keyword(s):  
Key Words ◽  
Russian Literature ◽  
Main Task ◽  
Stylistic Variation ◽  
Psychological Feature ◽  
Translation Analysis ◽  
History Of ◽  
The Creation ◽  
Problems Of Translation

Аннотация. В статье анализируется качество переводов рассказов В.Шукшина, осуществленных в середине 70-х годов С. Наматбаевым. Переводоведческий анализ вывил многочисленные стилевые расхождения между оригиналом и переводом. При переводе одного из лучших рассказов Шукшина «Чудик» искажения стиля не передали психологические тонкости рассказа. При переводе рассказа «Дядя Ермолай» философский аспект рассказа выпал, так как переводчик исказил жанровую специфику. Перевод рассказа «Два письма» оказался более качественным по сравнению с предыдущими. Переводчик рассказа «Два письма» сумел приблизиться к оригиналу, расшифровать его основную тональность, воспроизвести атмосферу напряженных поисков истины героем рассказа Николаем Иванычем. Этот перевод оказался более качественно выполненным по сравнению с предыдущим рассказом «Дядя Ермолай». Причину переводческого успеха можно объяснить, прежде всего, доступностью содержания рассказа, да и сам герой не столь сложная и глубокая личность, как повествователь в рассказе о дяде Ермолае. В целом, переводы С.Наматбаева являются своеобраз- ным этапом в переводческом деле. В настоящее время необходимо более полное и глубокое восприятие творчества В.Шукшина и создания новых адекватных переводов. Ключевые слова: качество переводов, стилевые расхождения, психологические тонкости, философский аспект, этапом. Аннотация. Макалада В.Шукшиндин аңгемелеринин кыргыз тилине которуудагы сапаты каралат, котормолор 1970-жылдары котормочу С.Наматбаев аркылуу жаралган. Котормонун сапатына талдоо жүргүзгөндө көпчүлүк каталар табылган, алардын эң олуттуусу стилдердин айырмасы, негизги чыгарма менен котормонун ортосунда. Мисалы, “Чудик” деген аңгеменин психологиялык мүнөздөмөсү жоголуп кеткен. “Ермолай байке” деген аңгемеде жанрдын туура эмес берилишинен жазуучунун негизги ою жоголуп кеткен. “Эки кат” деген аңгеме беркилерге караганда сапаттуу которулган. Котормочу " Эки кат" деген аңгемени оригиналга жакындатып которгон. Башкы каарман Николай Иванычтын изденүүлөрүн, ойлорун, чындыкты табууга аракеттерин Шукшинден кем эмес окуучуларга жеткирген. Котормочунун жетишкендиги аңгеменин түшүнүктүү мазмуну менен түшүндүрсө болот, жана Николай Ивановичтин жөнөкөйлүгү менен. С.Наматбаевдын котормолору каталарына карабастан котормочулук иште алдыга жылуу болгон. Бирок, азыркы заманда сапаттуу котормо жаратууда мезгил келди. Түйүндүү сөздөр: которуудагы сапаты, стилдердин айырмасы, психологиялык мүнөздөмөсү, негизги ою жоголуп. Annotation. The quality of translation of the Shukshins stories is analyzed in the Middle 70- years. By S.Namatbaev. The translation analysis had idenh hed numerous style discrepancies between the original and the translation. The psychological feature of the compasihion were not be hansfered by the translation one the bestand famous story by. V.Shukshin due to distorhion of the style. By the translation of the story “The uncle Ermolai” had full a phisichal aspect of the story, because the translator had distorted the genre specifics. The translation of the stories “Two letters” was wade more qualitative comparated with another stories. Generally, the Namatbaevs translation are a sui generis stage in the translatiobs. We need currently more total and profound perception of the creation by V.Shukshin. The create of the new adeavate translation is the main task. The head of the theory and history of Russian literature department. V. Shukshin’s stories and problems of translation them into Kyrgyz language. This article is analysed the quality of translation of V. Shukshin’s stories, which were written in 70 th with S. Namatbaev. Translation analyse deduced many stylistic variations between translated version and original. There is a misrepresentation, was not transmitted psychological subtleties of the story in translation of one of the best V. Shuk- shin’s story “Wierdo”. Metaphysical dimension is disappeared in translation of the story “Uncle Ermolai”, since translator destort the genre specificity. The translation of the story “Two letters” has been more qualitative in comparison with previous translations. In common, S. Namatbaev’s translation is a genius stage in translation. It needs more full and deep comprehension of S. Shukshin’s work and to establish new suitable translation. Key words: Quality of translation, stylistic variation, psychological subtleties, metaphysical dimension, stage.

Mandelstam: The Realm of Unexpectedness

2021 ◽  
Vol 64 (2) ◽  
pp. 62-83
Author(s):  
Svetlana S. Neretina
Keyword(s):  
Middle Ages ◽  
Speech Act ◽  
Classical Antiquity ◽  
Logical Framework ◽  
Creation Process ◽  
The Real ◽  
Logical Construction ◽  
The World ◽  
The Creation ◽  
The Middle Ages

In the essay “Conversation about Dante,” Mandelstam described logic, which he defined as the “realm of unexpectedness,” which is unlike any everyday logical construction. Based on the analysis of Mandelstam’s text, it is assumed that we are talking about a tropology that arose in the Middle Ages, the principles of which can be derived from studies of St. Augustine’s treatise De Dialectica and Petrus Сomestor’s Historia Scholastica. It is this triple commonwealth (Augustine – Comestor – Dante, read by Mandelstam) that creates the multilayered logical framework of the work. Augustine created a completely different dialectic than in classical antiquity. Augustine considers dialectics as an art of discussion and describes the real steps that contribute to the emergence of speech, which corresponds to Mandelstam’s concept of conversation. According to Augustine, at the basis of any speech, is a trope-turn. In the article, attention is drawn to the sound nature of creation process. This logic, used in explaining the creation of the world according to the logos/word (tropology), assumes that, at the basis of the speech act, there is no the word as a unit of speech, but the sound itself – the sound, which was considered initially equivocal (ambiguous). In the process of pronounciation, the sound could turn into its opposite and could change the meaning of speech if the context has been changed. Dante expressed the meaning of tropology in practice. Mandelstam wrote that he had chosen Dante for the conversation (between poet and poet) “because he is the greatest and indisputable master of reversible and reversing poetic substance.” Mandelstam saw Dante as the Descartes of metaphor.

Direct imaging of direction-controlled molecular rotational wave packets created by a polarization-skewed double-pulse

2020 ◽  
Vol 22 (19) ◽  
pp. 10853-10862
Author(s):  
Kenta Mizuse ◽  
Naoya Sakamoto ◽  
Romu Fujimoto ◽  
Yasuhiro Ohshima
Keyword(s):  
High Resolution ◽  
Wave Packets ◽  
Double Pulse ◽  
Direct Imaging ◽  
Creation Process ◽  
Rotational Wave ◽  
The Creation

High-resolution molecular movies of direction-controlled rotational wave packets are reported, providing insights into the creation process and detailed dynamics of wave packets.

scholarly journals Scientific grounds for the creation of the local geological monument of nature “Lypovetsk­Illinetsk astrobleme”

2014 ◽  
pp. 298-305
Author(s):  
Anastasia Splodytel
Keyword(s):  
Key Words ◽  
Shock Metamorphism ◽  
Ecological Network ◽  
Field Investigations ◽  
History Of ◽  
The Creation

The article deals with the possibility of the system creation of Vinnytsia region Econet geological nature monument of local importance «Lipovetsk-Illinetski astrobleme.» All factual material of field investigations is analyzed and summarized. The main limits of geostructure are distinguished and the history of the formation and identification of the crater is examined. Key words: astrobleme, ecological network, autogenous breccias, impaktyt, shock metamorphism.

Sign in / Sign up

Export Citation Format

Share Document