The East European Relations of the Dimini Culture

1922 ◽  
Vol 42 (2) ◽  
pp. 254-275 ◽  
Author(s):  
V. Gordon Childe

The second neolithic period in Eastern Thessaly is sharply severed from the first by the intrusion of a new culture which appears as something foreign and alien on the shores of the Pagasean Gulf. The pottery, for example, seems utterly different from that of the first period. The forms belong to a distinct series and are typologically older. The absence of feet and strap handles, so well developed in the A wares, precludes us from deriving Dimini ware from any of the latter. The characteristic designs, too, based on the spiral and the meander, are entirely foreign to the earlier series. Moreover, the use of fortifications beginning with this pottery (the traces of an earlier wall at Sesklo are exceedingly problematical), and restricted to its area, heightens this impression of foreignness. So too do the ‘megaron’ houses of Dimini and Sesklo, which do not seem to find their explanation in the curvilinear or square huts of the first period.As to the provenance of this culture, the recent declaration of Sir Arthur Evans, that the origin of the spiral motive in Minoan ceramics is not to be sought in Crete itself, should dispose of the only reason for deriving it from the south; for there seems no ground for supposing that the Cycladic spirals antedate those of Dimini. Indeed I have argued in a previous paper, and my conclusion has been supported by more recent investigations, that Thessaly II. must be dated well back in the Early Cycladic Period. On the other hand, the theory of a northern origin has been strengthened by the discovery of Dimini ware in the Strymon valley. Indeed the general analogies between Dimini ware and the widespread group of painted and incised spiral-meander pottery north of the Balkans have been long recognised, and elaborate theories of an invasion, not only of Thessaly, but even of Crete itself, have been built up thereon.

2015 ◽  
pp. 97-113
Author(s):  
Irena Sawicka

Continuity or Discontinuity – the Case of Macedonian PhoneticsThe article presents its principal topic of the continuity of linguistic phenomena based on the material of Macedonian phonetics, treated as a constituent of south-east European phonetics, and not as an element of the Slavic world. It provides, firstly, a static perspective, produced by enumerating typologically relevant features. Seen from this perspective, Macedonian phonetics is a component of the Central Balkanic area. Secondly, emphasis has been put on processes of phonetic convergence and their differences from those of grammatical convergence. These difference account for the instability of phonetic features, or in any case their generally lesser stability compared to morphosyntactic features, but on the other hand also for the possibility for some phenomena to survive in small areas, in a few dialects, and the possibility for linguistic features to reappear, which stems from alternating cross-dialectal interference. The Macedonian language territory abounds in such situations due to its multi-ethnicity, which is greater here than anywhere else in the Balkans. Particular in this respect is the area of Aegean Macedonia, where Slavic dialects are “protected” from the influence of the literary norm – albeit in the case of Macedonian even the realisation of the literary norm is not entirely stable in terms of phonetics.Ciągłość czy jej brak – casus macedońskiej fonetykiNadrzędny temat dotyczący ciągłości zjawisk przedstawiony został na materiale macedońskiej fonetyki. Fonetyka macedońska została rozpatrzona jako składnik fonetyki Europy południowo-wschodniej, a nie jako element świata słowiańskiego. Przedstawiono, po pierwsze, obraz statyczny, wynikający z wyliczania relewantnych typologicznie cech. Ten obraz klasyfikuje fonetykę macedońską jako składnik centralnego obszaru bałkańskiego. Po drugie, położono akcent na przebieg procesów konwergencyjnych w zakresie fonetyki i na różnice w stosunku do takich procesów w zakresie gramatyki. Wynika z nich: nietrwałość cech fonetycznych, a w każdym razie ogólnie mniejsza trwałość cech fonetycznych niż cech morfo-składniowych, ale też możliwość przetrwania pewnych zjawisk na małych obszarach, w paru gwarach, możliwość powracania cech fonetycznych, co wynika z naprzemiennej interferencji międzydialektalnej. Terytorium języka macedońskiego obfituje w takie sytuacje ze względu na większą multietniczność niż gdziekolwiek indziej na Bałkanach. Szczególny pod tym względem jest obszar Macedonii Egejskiej, gdzie dialekty słowiańskie są „zabezpieczone” przed działaniem normy literackiej. Chociaż w wypadku języka macedońskiego nawet realizacja normy literackiej pod względem fonetycznym nie jest całkiem stabilna.


Author(s):  
Ulf Brunnbauer

This chapter analyzes historiography in several Balkan countries, paying particular attention to the communist era on the one hand, and the post-1989–91 period on the other. When communists took power in Albania, Bulgaria, Romania, and Yugoslavia in 1944–5, the discipline of history in these countries—with the exception of Albania—had already been institutionalized. The communists initially set about radically changing the way history was written in order to construct a more ideologically suitable past. In 1989–91, communist dictatorships came to an end in Bulgaria, Romania, Yugoslavia, and Albania. Years of war and ethnic cleansing would ensue in the former Yugoslavia. These upheavals impacted on historiography in different ways: on the one hand, the end of communist dictatorship brought freedom of expression; on the other hand, the region faced economic displacement.


1985 ◽  
Vol 24 (95) ◽  
pp. 327-340
Author(s):  
Francis Thompson

The Irish land act of 1881, it is generally agreed, was a victory for the Land League and Parnell, and nationalist policy with regard to the act and the attitude of southern tenants towards it have been many times subjected to detailed examination by historians of this period. In these analyses of the events of 1880–81, however, little reference is normally made to the part played by the different parties and interests in the north of the country. It is often assumed, for example, that the Ulster tenants held aloof from the campaign for reform, lending no more than occasional vocal support to the agitational efforts of tenants in the south and west. Indeed, they were later excoriated by William O'Brien, Michael Davitt and others not only for giving no support to the land movement but also for sabotaging Parnell's policy of testing the 1881 act by precipitately rushing into the land courts to take advantage of the new legislation: ‘that hard-fisted body of men, having done nothing themselves to win the act, thought of nothing but turning it to their own immediate use, and repudiating any solidarity with the southern and western rebels to whom they really owed it’. If, however, northern tenants were harshly judged by nationalist politicians in the years after 1881, the part played by the northern political parties in the history of the land bill has been either ignored or misunderstood by historians since that time. The Ulster liberals, for example, are rarely mentioned, the implication being that they made no contribution to the act even though it implemented almost exactly the programme on which they had been campaigning for much of the previous decade. The northern conservatives, on the other hand, are commonly seen as leading opponents of the bill, more intransigent than their party colleagues in the south, ‘quick to denounce any weakening of the opposition’ to reform, and ‘determined to keep the tory party up to the mark in defending the landlord interest’


2016 ◽  
Vol 6 (4) ◽  
pp. 503-509 ◽  
Author(s):  
Hlako Choma ◽  
Thifulufhelwi Cedric Tshidada ◽  
Tshegofatso Kgarabjang

The purpose of this paper is to examine two South Africa legislations dealing with over indebtedness of a consumer. It is clear that in terms of the South African law, section 129 (1) and 130 (3) of the National Credit Act provide that a creditor provider who wishes to enforce a debt under a credit agreement must first issue a section 129 (1) (a) notice to the consumer (the purpose of the notice is to notify the consumer of his/her arrears). On the other hand, the South African National Credit Act encourages the consumers to fulfil the financial obligations for which they are responsible. The second legislation to be examined which serve or appear to serve same purpose as the National Credit Act is the Insolvency Act. It therefore, postulated that the compulsory sequestration of a consumer in terms of the Insolvency Act would stand as an alternative remedy for a credit provider before she/he can have recourse mechanisms, such as debt review that are focused on satisfaction of the consumer’s financial obligation , in terms of the provisions of the National Credit Act. The paper determines to what extend these measures comply with the constitutional consumer protection demands. The legislature had been pertinently cognizant of the Insolvency Act when it lately enacted the National Credit Act. This is much apparent from the express amendment of section 84 of the Insolvency Act to the extent set out in schedule 2 of the National Credit Act


2019 ◽  
Vol 13 (4) ◽  
pp. 568-575
Author(s):  
Mehmet Zakirovich Muslimov

The article focuses on some peculiarities of the Ingrian Finnish dialect spoken in the former Lutheran parish of Liissilä in Central Ingria.Two main pecularities of the Liissilä dialect are the imperative 2Sg -kai and a special group of verb type with the -oi stem ending. Most of the isoglosses, which were previously proposed as typical of the Äyrämöinen dialect, are currently absent in the Liissilä dialect. The dialect of Liissilä partially preserves two old pecularities of the Äyrämöinen dialect, namely nouns ending in - ее and verbs ending in - oi. On the other hand, there are quite a lot of areal isoglosses, which are common in local dialects of both Savakko (Inkere, Venjoki) and Äyrämöinen (Liissilä, Tuutari) parishes. These isoglosses include tarttu ‘potato’, potra ‘beautiful’, hirvitä ‘to be afraid’, the presence of the diphthong in the 3Sg imperfect form, the 1Pl affix -mma , the vowel ö in the verb pölästyy ‘to be scared’, the present stem niäe- of the verb nähhä ‘to see’ and some others. In the Linguistic Atlas of the Baltic-Finnish Languages the dialect zones of the Finnish language, including such units as the “South-Eastern Southern dialect” or the “dialect of Northern Khyame” are classified as “Evremeysky dialect”, “Savaksky dialect” and “dialect of Narvusi” in the territory of Ingria.


Author(s):  
Abel Soler

Resum: Curial e Güelfa (Milà-Nàpols, ca. 1445-1448), novel·la cavalleresca escrita en català i atribuïble al gran camarlenc del Nàpols d’Alfons el Magnànim, Enyego d’Àvalos, conté una suggerent càrrega culturalista (mites ovidians tergiversats satíricament; teofanies i decorats neoplatònics; remissions explícites i/o implícites Cèsar, Macrobi, Plató, Apuleu...), que no resulta en absolut supèrflua i prescindible, com argumentà algun crític del segle passat. Al contrari: la manera d’evocar-hi els clàssics i de re-presentar-los no s’explica sense considerar els contactes de l’hipotètic escriptor amb l’humanisme llombard i napolità. D’altra banda, el repertori de clàssics greco-llatins documentats en la variada biblioteca personal del mateix D’Àvalos, la segona més rica del sud d’Itàlia, evidencia la coincidència de gustos i lectures d’aquest amb l’anònim del Curial i convida a ratificar la referida atribució. Paraules clau: Curial e Güelfa, Enyego d’Àvalos, literatura catalana medieval, novel·la cavalleresca, cavalleria humanística.   Abstract: Curial e Güelfa (Milan-Naples, ca. 1445-1448), a chivalric romance written in Catalan an attributable to the great chamberlain in the Naples of Alfonso the Magnanimous, Enyego/Inico d’Àvalos, contains a suggestive cultural burden (Ovid’s myths satirically distorted; theophanies and Neo-platonic sets; explicit and/or implicit references to Caesar, Macrobius, Plato, Apuleius...), which is not absolutely superfluous nor dispensable, as some critic from the last century explained. Just the opposite: the way to recall the classics and re-present them cannot be explained without considering the contacts of the hypothetical writer with the Lombard and Neapolitan Humanism. On the other hand, the catalogue of Greek-Latin classics recorded in the varied personal library of D’Àvalos himself, the second richest in the south of Italy, demonstrates the coincidence of his taste and readings with the anonymous writer of the Curial and invites us to ratify the aforementioned attribution. Keywords: Curial e Güelfa, Enyego d’Àvalos, medieval catalan literature, chivalric romance, humanistic chivalry.


Author(s):  
Elena María Orta García

Se trata en esta serie de «Los Bronces orientalizantes del Museo de Huelva» de realizar un estudio estilístico y de los programas iconográficos, de una serie de objetos de bronce, recuperados en las excavaciones arqueológicas de La Joya, en el término municipal de la ciudad de Huelva, que se exhiben o conservan en el Museo de Huelva. Si bien estos bronces fueron publicados dentro de su contexto en las correspondientes Memorias de la Serie E.A.E. no han sido objeto de un estudio pormenorizado. Por otra parte cuando tratamos de comprender la difusión del Arte clásico en la periferia del Mediterráneo siguiendo a Boardman' nos damos cuenta de las lagunas que existen a la hora de comprender cómo llega al sur peninsular esta corriente artística, que proviene del Mediterráneo oriental y que comienza a conformar lo que los especialistas han dado en llamar el arte tartésico y en el que hunde sus raíces sin duda el llamado arte ibérico. Nuestro estudio de hoy se ciñe al de una pieza única y singular, el Thymaterion o candelabro de La Joya, objeto suntuario de arte orientalizante de los siglos VIII-VII a. de C, probable obra de un metalurgo tartéssico. We try in this series «Orientaiizing bronzes of Huelva Museum» to accomplish a stylistic study and also of the inocographic programmes, of a series of bronze objects, recuperated in the archaeological excavations of «La Joya», in the municipal district of Huelva city, that are shown or kept in Huelva Museum. Though these bronzes were published in their context in the memoirs of the Series E.A.E. they have not been studied in deep one by one. On the other hand when we try to understand the diffusion of Classical Art in the outskirts of the Mediterranean, following Boardman we realise of the missing that exist when we try to understand how this artistic influence reaches the south of the península, that comes fron the East Mediterranean and that begins to shape what the specialists have begun to name as «Tartessic Art» in which the «Iberian Art» has its origins.


Author(s):  
Maurice N. Eisendrath

This chapter presents a sermon by Maurice N. Eisendrath, delivered on the third Rosh Hashanah of the war. The situation of Canadian rabbis was precariously positioned between those of American preachers to the south and British preachers to the east. Canada, as part of the British Commonwealth, had long been part of the war effort, so the debate over whether or not to enter the war was not an issue, as it still was for colleagues in the United States. On the other hand, Canada was not directly affected by the war as was Britain, where one year earlier London had suffered a sustained air attack unprecedented in its devastation (a situation that certainly affected the mood in Toronto on the previous Rosh Hashanah, as the preacher reminds his listeners). Now, although the battles on the recently opened Eastern Front were of almost unimaginable ferocity, to many Canadians the war seemed distant; life at home seemed almost normal, as it did to many in the United States. This was precisely the mindset that Eisendrath set out to censure.


1999 ◽  
Vol 33 (4) ◽  
pp. 769-796 ◽  
Author(s):  
J. Charles Schencking

Similar to the romanticized images that Manchuria would evoke with Japanese citizens looking for a better life in the 1930s, but on a larger geographical scale and over a longer chronological period, the Nan'yô, or South Seas, conjured up a multiple of idyllic visions within the imaginations of many Japanese. In Japanese perception over the course of the Meiji and Taishô periods, the Nan'yô became a region as diverse and as expansive as the interests and energies of those who directed their attention toward it. To disenfranchised ex-samurai, it was a warm tropical paradise, a territory in which to gain personal achievements and fulfill a sense of adventure. Politicians, journalists, and patriots hoping to plant the Japanese flag for national glory mistakenly viewed the South Seas as the one area untouched by Western imperialists and thus the optimal place for the new nation of Japan to acquire territories. On the other hand, certain entrepreneurs came to view the South Seas as a resource-rich economic treasure house, an area waiting to be exploited through commerce and industry.


Focaal ◽  
2020 ◽  
Vol 2020 (87) ◽  
pp. 75-88
Author(s):  
Federica Tarabusi

AbstractDespite considerable analysis of development policies in postwar Bosnia-Herzegovina, local-internationals encounters have received less attention. In an attempt to fill this gap, this article traces the discursive processes through which development professionals frame their narratives about Bosnian society, and in turn, how its inhabitants experience the internationals staying in the country. Applying Maria Todorova's framework, I show how Western “expatriates” tend to incorporate the Balkans’ liminality into their social constructs to depoliticize development practices. On the other hand, I approach emic understandings of Europeanness and Balkanism as a situationally embedded and contested process that comes into play to (re)draw social and moral boundaries in Bosnian society. I conclude by considering local-international encounters as a privileged site for exploring the postsocialist state but also new political subjectivities in contemporary Bosnia.


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