Reading Mother's Tale-Reconstructing Women's Space in Amy Tan and Zhang Jie

1994 ◽  
Vol 16 ◽  
pp. 111 ◽  
Author(s):  
Xiaomei Chen
Keyword(s):  
Amy Tan ◽  
1997 ◽  
Vol 22 (1) ◽  
pp. 191-203
Author(s):  
Salwa Nacouzi-Bourdichon
Keyword(s):  
Amy Tan ◽  

IARJSET ◽  
2021 ◽  
Vol 8 (9) ◽  
Author(s):  
Mrs.S.Jayanthi M.A,(Eng) M.A.(JMC) M.Phil (Ph.D)

MANUSYA ◽  
2012 ◽  
Vol 15 (1) ◽  
pp. 35-49
Author(s):  
Napat Tangapiwut

Culturally, women, regarded as weak, submissive and emotional social entities, are destined to be silent and inferior to men in a patriarchal society; however, this long-established position for women has caused them shame which today has turned into angst, leading them to question traditions, breaking their silence, revealing their painful yet rebellious experience by means of storytelling, as well as encouraging and hoping for their descendants through self-assertion have a better future. The female Chinese American writer, Amy Tan, with her first renowned novel telling stories of Chinese diaspora in America, The Joy Luck Club (1989), expresses the writer’s faith in women’s better opportunities when they are able to articulate their needs and strengthen their self-determination. This paper discusses women’s fate and faith as shown through different Chinese-immigrant mothers’ life stories that are revealed to their American-born daughters who face a dilemma in life. The mothers’ stories aim to empower their daughters and help them find solutions. Storytelling is an important means for the Chinese-immigrant mothers to communicate with their daughters, inuring the children to back to their ethnic roots, to better knowing about themselves thereby ensuring them their right to choose for their own happiness. To sum up, even if women are fated to be born at a disadvantage, they can have faith in themselves if they struggle hard enough for the chance and change. More or less, women’s fate and faith are likely to go hand in hand like two sides of the same coin, as do sorrow and joy in a person’s life.


1989 ◽  
Vol 120 ◽  
pp. 800-813 ◽  
Author(s):  
Rosemary A. Roberts

Zhang Xinxin and Zhang Jie are two contemporary Chinese women writers. They began to publish in the post–Cultural Revolution era, and became well–known in the early 1980s for their fictional depiction of the problems of urban intellectual women attempting to resolve conflicts between love and career, love and marriage, and ideals and reality. Although the works of both authors present a limited challenge to traditions they believe have served to oppress women, a clear generational difference is perceptible in the attitudes they each express through their characters. Zhang Jie, born in 1937 and reaching adulthood in the idealistic climate of the 1950s, presents characters strongly influenced by both Confucian morality and socialist ideals, while Zhang Xinxin, who was born in 1953 and grew up during the Cultural Revolution period (a disillusioning experience for most of her generation), presents characters who show little enthusiasm for political ideals and are less constrained by traditional morality.


1999 ◽  
Vol 36 (05) ◽  
pp. 36-2619-36-2619
Keyword(s):  

2005 ◽  
Vol 42 (10) ◽  
pp. 42-5736-42-5736
Keyword(s):  

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