Suffering and Calm in Wordsworth's Early Poetry
In Wordsworth's early poetry, a description of natural tranquillity often follows a narration of human suffering. The most notable instance of this is the Pedlar's spear grass vision at the conclusion of The Ruined Cottage. This pattern of calm following suffering is not an attempt to evade the metaphysical questions provoked by evil and human misery; rather it represents a bona fide response which Wordsworth's imagination makes to the fictional representation of suffering. The poet contemplates the pathetic, as he does images of nature and memory, in order to provide himself with the excitement necessary to achieve the transcendental state he calls “calm.” This natural calm is Wordsworth's version of a significant and familiar response to fictive suffering, the psychological mechanism of catharsis.