A review of Trauma, tragedy, therapy: The arts and human suffering

2010 ◽  
Author(s):  
Ilene Serlin
Keyword(s):  
Author(s):  
Richard Viladesau

This volume is the fifth in a series dealing with the passion and death of Christ—symbolized by “the cross”—in Christian theology and the arts. It examines the way the Passion of Christ has been thought about by theologians and portrayed by artists and musicians in the modern and contemporary world. It examines the traditional approaches to soteriology in contrast to revisionist theologies that take up the challenge of understanding the meaning of the cross in the light of critical historical studies and modern science. These provide new understandings of traditional concepts like “original sin,” “redemption,” and “substitution.” A new Christian spirituality of “the cross” is suggested by the insights of feminist and liberation theologies, which provide an existential interpretation and a need to combat human suffering rather than accepting it as a “cross” willed by God. Contemporary art and music reveal both the lasting power of traditional images of the Passion and new possibilities of expression.


Art Therapy ◽  
2012 ◽  
Vol 29 (2) ◽  
pp. 97-98
Author(s):  
Debra L. Kalmanowitz
Keyword(s):  

Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


PsycCRITIQUES ◽  
2008 ◽  
Vol 53 (2) ◽  
Author(s):  
James Campbell Quick
Keyword(s):  

PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

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