El narrador en la obra de Julio Ramon Ribeyro

1984 ◽  
Vol 10 (20) ◽  
pp. 155 ◽  
Author(s):  
Efraín Kristal
Keyword(s):  
2019 ◽  
pp. 142-150
Author(s):  
Roberto Reyes Tarazona

ResumenEl significativo crecimiento demográfico de Lima a partir de los años cincuenta tiene como base el desplazamiento de un número creciente de inmigrantes de la región andina hacia ella, principalmente de origen campesino. En las primeras oleadas, los limeños de toda condición social ponían desde reparos hasta rechazo a la presencia de estos inmigrantes, con escasa o nula experiencia urbana y arraigadas prácticas culturales originarias. Esto sucede en el contexto de favorables cambios en la economía y la aspiración a copiar formas de vida propios de una sociedad moderna. El impacto social y cultural en una ciudad en tránsito a la modernización va a ser el motivo de historias plasmadas en los cuentos y novelas de los escritores de esos años, principalmente de Enrique Congrains. A su obra, representativa de este fenómeno, se suman personajes e historias en la obra de Julián Huanay y Julio Ramón Ribeyro,entre otros. Palabras clave: ciudad criolla, migrantes andinos, experiencia urbana, cultura originaria. AbstractThe significant population growth of Lima from the 1950s is based on the displacement of an increasing number of immigrants from the Andean region towards the capital, mainly from a peasant population. In the first waves, people from Lima of all social status made everything from qualms to rejection to the presence of these immigrants, with little or no urban experience and ingrained original cultural practices. This happens in the context of favorable changes in the economy and the aspiration to reproduce life forms typical of a modern society. The social and cultural impact in a city in the transition to modernization will be the reason for stories embodied in the tales and novels of the writers of those years, mainly Enrique Congrains. To his work, which is representative of this phenomenon, are added characters and stories in the work of Julián Huanay and Julio Ramón Ribeyro, among others. Keywords: Creole city, Andean migrants, urban experience, native culture.


Author(s):  
Rodja Bernardoni

This paper aims to analyse the novel Mañana, las ratas by German-Peruvian writer José Bernardo Adolph. Written in 1977 and published in 1984 the text is a dystopian novel set in a distant future, that nevertheless is a vivid representation of the dynamics and the conflicts of the Peruvian society of the 70s and 80s. This study intends to investigate the structure of the novel in order to point out how the author succeeds in blending together two different literary genres such as dystopian fiction and realism, creating a new version of the classic paradigm of dystopic narrative. To do so, the research will concentrate on the study of some significant example of the Adolph’s previous books, and on the intertextual connections of Mañana, las ratas with both classic dystopian novels such as 1984, We or Brand New World and writers such as José Diez-Canseco, Sebastián Salazar Bondy, Julio Ramón Ribeyro, Alfredo Bryce Echenique y Mario Vargas Llosa, whose texts explore through different mode of realism social and political issues of their time.


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